We are deeply honored.
xoNatalie and all of us @ Alabama Chanin
Our continued practice of responsible and sustainable design and production will grow even more now, thanks to the CFDA/Lexus Eco-Fashion Challenge. I am honored to be this year’s recipient of the grand prize of $75,000.
With the award, Alabama Chanin will support our company growth, which includes our machine-made garments under the label A. Chanin, creating jobs, promoting Made in the USA production, and, yes, a new Alabama Chanin collection.
xoNatalie and all of us @ Alabama Chanin
Mary Adams studied art, not fashion, in college, but eventually chose fabric, specifically, the dress as her medium of choice. Her first storefront in New York City was in the Lower East Side, on the corner of Ludlow and Stanton in the early 1980’s, when that area of the city was cheap and dirty and home to artists, writers, musicians, actors, and designers. In her book, The Party Dress Book, Adams shares a glimpse of New York at that time and how the city and its creative inhabitants influenced her work – the brightly colored, twirling dresses she and her friends would wear to nightclubs and parties. Adams worked in an influential time and place for fashion history and her work continues to resonate. Her stories of inspiration introduce how-to instruction on specific dressmaking and embellishment techniques for designing and constructing the best looking dress at any party, anywhere.
The Party Dress Book inspired us to adapt one of our favorite, featured projects into an Alabama Chanin piece, Mary Adams-style.
Any style connoisseur or budding fashionista has to admit, that even for those who try to keep track of fashion terms and trends, the jargon; vernacular; names of colors; shape; and designers, can be difficult for many to remember. That is where Alex Newman and Zakee Shariff’s Fashion A-Z: An Illustrated Dictionary comes in handy.
We have the miniature version (the book is about as tall as my hand), but the content mirrors the regular volume; this one is simply easier to travel with. The book literally breaks down terms alphabetically and is incredibly detailed. It also includes cultural significance and historical facts for listed items.
Fellow designer and neighbor, William “Billy” Reid (“Nobody calls me William,” he says), and his business partners, Katy and K.P. McNeill, have been friends to Alabama Chanin for over a decade. We’ve watched each other grow our businesses and our community. We’ve worked together on countless projects and events over the years, including our favorite and most accomplished to date – growing Alabama cotton last summer.
Billy worked in the design industry for many years, launching his label, Billy Reid, in 2004. In February 2010, Billy was deemed GQ’s “Best New Menswear Designer in America.” In November of that same year, he won the CFDA/Vogue Fashion Fund prize, the first designer to ever receive both prizes in one year. In 2012, Billy received the CFDA’s “Menswear Designer of the Year” award. It is unprecedented for two designers in the same small Alabama town to both be prominent members of the Council of Fashion Designers of America, and we love that it’s Billy with whom we get to share this privilege.
Billy Reid has grown from their initial flagship store here in Florence, Alabama, and showroom in Manhattan, to ten storefronts across the southeast and Texas. His approach to classic American style with a touch of Southern charm extends beyond the clothing. Each Billy Reid space reflects this cultured style, from velvet upholstered antique chairs to the artwork and animal trophies on the walls, to the Persian rugs covering dark hardwood floors. It’s as if you are stepping into Billy’s home.
It is this Southern flair with a classic, modern aesthetic, excellent tailoring, and timeless design that sets Billy Reid apart from other designers. A bon vivant, Billy’s love of good music, good food, and conversation has made him an integral part in supporting and promoting local talent here in The Shoals, from bands to chefs to artists and photographers. Where MAKESHIFT represents shifting ideas on what it means to make and collaborate, Billy represents the core of the movement, intersecting fashion, food, design, craft, and music.
We are honored to have Billy participate in this year’s MAKESHIFT events. His tote for the Image Quilt represents the elements of design, manufacturing, fashion, and craft, each of which are present in his collections, from designing and manufacturing items that can be made responsibly, to using dead stock and non-traditional materials (like nutria fur), to sustaining traditional crafts like leatherworking, both in the United States and in Italy. He demonstrates that a successful business can grow out of an authentic voice and a desire for quality.
You can see Billy Reid’s crafted tote (above) on our MAKESHIFT Conversations Image Quilt.
Yohji Yamamoto has been a hero of mine since I graduated from design school. I once saw him walking down the streets of Milan, Italy, not long after I started working in the New York garment district, and felt that I had made the big time. “Walking on the same street as Yohji Yamamoto?” I thought. It was a momentary highlight in my career that I remember like it was yesterday.
He is known as an avant garde Japanese designer and famous for his intricate designs and impeccable tailoring. He often experiments with different draping methods and varied fabric textures. Yamamoto is also known to integrate wabi sabi, an ever-changing state of beauty, simplicity, and asymmetry, combined with an appreciation for natural elements, into his design aesthetic.
The fashion website Showstudio launched Design Download – “a series demystifying the fashion process by offering prestigious designer garment patterns for download” – with a Yamamoto pattern for a jacket in classic Yamamoto style. He remained mysterious about the process, revealing very little, and challenging the maker to pay close attention to detail, shape, and technique. There is no “how-to,” like you would find with a traditional pattern. Design Download calls this piece a “mystery garment,” telling the reader that the “photographs of the piece hold the visual key to stitching together your own.”
Heather Wylie is the daughter of Alabama Chanin friend and mentor Terry Wylie, and a welcome creative force in our shared factory space on Lane Drive. Heather is recently graduated from Parsons School of Design in New York, where she earned an MFA in Design and Technology. She learned printmaking as an undergrad at the University of Alabama, and it is her love of printing and her ingrained knowledge of the t-shirt business (thanks to Dad) that led her to create Bohemian Bop, a line of hand-printed, silkscreen and lace embellished tee shirts. We visited Heather’s studio to learn a little more about Bohemian Bop, her love of print making, and the future for Heather Wylie.
Alabama Chanin has long looked to Patagonia, and Yvon Chouinard, as the standard for sustainable design, manufacturing, and corporate culture. The recent film “Legacy Look Book” (shown above) is a beautiful reminder of why we love this company so very much.
When Socrates said, “The unexamined life is not worth living,” he wasn’t implying that an unexamined life is boring or holds less meaning. He said the unexamined life is not worth living. As difficult as this process may be for an individual to understand and undertake, deciding that a company should live an “examined life” only adds to the challenge. It demands a carefully plotted and specific corporate mission, along with employing people who are willing to work openly, honestly, and for the right reasons.
For those of you who sew often, you likely understand how something as simple as draping fabric can also be very complex. For those of you who don’t, or who are novice sewers, the technique of fabric draping can involve more than just hanging fabric in a lovely way. It is not likely that a Roman emperor casually tossed a bed sheet over his shoulder one day and called it a toga, just as it isn’t likely that a lovely red carpet gown accidentally folds so perfectly around the waist of a posing starlet.
Technically, draping is the ability of a fabric to fall under its own weight into wavy folds. There are different strategies based upon the weight and stiffness of the fabric, its flexibility and tendency to stretch, and the general effect of gravity upon the fabric. Some softer, more flexible fabrics will make drapes that ripple and are more form fitting; stiffer and thicker fabrics will have less flow. When designing patterns, adding draping to your design increases the pattern-making difficulty immensely.
In February, we launched our Basics line of Alabama Chanin garments in clean, unadorned silhouettes: garments for everyday life, to wear with everything. As temperatures climb into the 90’s here in North Alabama, the Basics have found their way into the wardrobe rotation more frequently, particularly the Halter Top.
Hand-stitched in 100% organic cotton medium-weight jersey, the Halter Top (shown here in our color, Denim) is a comfortable slip-on piece with an adjustable tie behind the neck, Cretan stitch finish on the rib, and a tapered, feminine fit through the chest and waist. Top hits at the hip, measuring approximately 23” from the center neckline and 17” from the back to bottom edge.
We love it with our Pleated Skirt or jeans or over a swimsuit on our way to the lake. The Halter Top comes in a variety of lightweight and medium-weight cotton jersey colors.
Wash gently + Hang to dry. Free shipping. Made in the USA.
Regular Price: $145
On Sale Today Only: $120