Tag Archives: Film

CLOTHING + SOUND + COLOR

I love, love, LOVE this clip from the New Dragon Inn that Charty Durrant sent over this morning.

The clip above is from the remake – by Raymond Lee – of a 1960′s classic Kung Fu film.

Her email: “Check out this sequence – the clothing, the sound, the colours… Ahhhhhhhhhhhh.”

Thanks for making my morning Charty!
xoNatalie

A (PRE) LABOR DAY CELEBRATION

Please watch this beautiful film about the labor of making linen.

Thank you to our farmers in Texas, our spinners, and Green Textiles in Spartanburg, South Carolina, for laboring to spread cotton love.

Join the Texas Organic Cotton Marketing Cooperative for their annual Fall Field Day on Thursday, October 20, 2011, in the heart of the South Plains of Texas.

And thank you to Eric and Beth at Etsy for sharing the  Be Linen Movie by Benoit Millot with us!

I want to make a film about the production of our organic cotton.

NEW YORK – NEW ALABAMA

Just back from New York with the new collection and new photos for the new book. (More photos coming soon.)

See you at the DooNanny this weekend…

And don’t forget to vote for Alabama Chanin Studio Store on the TreeHugger Best of Green Reader’s Choice.

Thanks to Eric and all the folks @Etsy for the lovely new film on Butch.  I love John Henry’s song:

UPCOMING DATES

Weekend Workshop – March 4 -6, 2011 @ The Factory in Florence is almost sold out – contact our office to reserve a spot:  256-760-1090.

Natalie will be speaking in The Ballroom @ Athens State University, Athens, Alabama on the 8th of March.  Free and open to the public.

The DooNanny @ The Woods of Wonder in Seale, Alabama – starting March 25th & going through the 27th at 5pm – book your campsite here.

If you are on the West Coast, plan to visit us @ RedBird in Berkeley on the 28th & 29th of April or sign up for our One Day Workshop @ the Edible Schoolyard on the 30th of April.

2011 DooNanny poster designed by Jaime Cervantes and Jack Sanders

I AM LOVE

Last night, I finally saw Luca Guadagnino’s I Am Love.  The cinematography of Yorick Le Sau  is extraordinary. And Tilda Swinton is stunning…

Manohla Dargis wrote an interesting review for the New York Times.  I love this last paragraph:

“The chase ends in a sylvan perch, where Antonio and Emma make love amid a cacophony of bird calls and a flurry of close-ups of luscious flowers being ravaged by insects. It’s a sublimely beautiful interlude and a touch ridiculous, bringing to mind the blooms of a portentous rose bush in D. H. Lawrence’s Sons and Lovers that “expanded in an ecstasy,” a prelude to later forest rutting. Here, the flora and fauna constitute an alternative reality far from the villa that has become Emma’s sarcophagus and which will at last inspire at least one bird to take flight. As the working-class seducer, Antonio serves a Lawrentian stud function, though truth be told, he’s the kind of sensitive beefcake (he cooks and fulfills her sexually) familiar to readers of women’s romantic fiction, who, like Emma, enjoy their afternoons wet and wasted.”

But then, I have never been afraid of Lawrence.

Continue reading