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The practice of numbering houses supposedly began in Paris in the 1500’s. Having a house number is something we don’t give a second thought to these days, but they have not always been used and they certainly have not always been popular.

Some countries have numbered zones, requirements for the number of digits, double sets of numbers, and different color street numbers for different purposes, like upstairs and downstairs. Every country, state, city, or county seems to have their own numbering system. Early numbering systems were developed for the controversial purposes of census taking, drafting men into the military, taxation, creating borders, and other government functions. They were not created for their current purpose: ease of navigation. No matter the country, modern day houses are often required to be numbered for purposes of delivering mail or in case emergency services are needed.

Early identification methods didn’t involve numbers at all. If you wanted to identify or contact the residents of a home, you used the house’s name. But house names were not always displayed, there was no central directory, and sometimes there was more than one house with the same name. This meant that locals could find other locals, but outsiders had a difficult time finding their way around. When the idea of numbering houses was introduced, the idea was not incredibly popular, as it was seen by many as a form of government control.

Today, in modern day America, there is no set standard for how streets get numbered, but there are some practices that are used often. For instance, odd numbered houses are almost always on one side of the street, and even numbered houses are on the opposite side. Some cities are designed as grids with a center point; each block that moves farther from the center increases by 100 (2nd, 3rd, 4th Avenue, etc.) and directional modifiers are determined based upon this point (2nd Avenue North, for example).

My father has been hounding me for years about numbering my house. I’ve never been sure why it was important, since I get my mail and people seem to find the place pretty easily. But, when I saw these numbered tiles, part of a collaboration between House Industries and Heath Ceramics, I coveted house numbers. House Industries creates beautiful fonts and designs, often from unusual or inspired origins. Their typography can take inspiration from a number of sources, blending musical, cultural, and graphic elements. Their design aesthetic works perfectly with the Heath brand. Both companies focus on craftsmanship and forming partnerships and each of them use a hands-on approach when creating products. I purchased the Neutra numbers, but there is also an Eames-inspired collection that is just as beautiful.

I guess my house will not remain incognito anymore. I like that the house numbers add warmth to the entrance and my father is happy to know my house is now properly attired.




June’s Desktop of the Month celebrates the idea of collaboration. Alabama Chanin @ Heath Ceramics have worked together to create some beautiful pieces that we have loved and put to good use. But, this pattern, The Camellia, highlights the intersection of design and craftsmanship perfectly; the white glaze shows off the intricate hand-etched floral pattern and the pattern, itself, compliments the curves and shapes of the place settings. You can purchase the available pieces from Heath Ceramics or our online store. Or, download this desktop image to brighten your workspace.

This hi-resolution photograph, for use as your computer desktop background, is now available to download from our Resource Downloads.




Lately, we’ve dedicated several journal posts to Mom in anticipation of her holiday this Sunday.  Mother’s Day often feels like a holiday remembered at the last minute – a rush to find a card, a brunch reservation in lieu of a gift. But when we started brainstorming for posts about mom a few months ago, we began looking at women, and mothers, through a different lens and gained a deeper appreciation for the women who birthed us, nurture us, care for us, and stand by us through everything.

The Dust-to-Digital book and CD compilation Never a Pal Like Mother is a collection of vintage photographs of and commercial recordings about mother. It’s an unusual and unique gift for any book lover. Just one of several Dust-to-Digital publications we sell in our online store, it may be our favorite.

Our post on Mom and the Casserole  explored the history of the American casserole, a memory most of us share and strongly associate with Mom.

We dug deeper into The Craft of Midwifery, possibly the oldest DIY pursuit known to (wo)mankind, and the growing interest in home births.

Mark Twain’s Advice to Little Girls added some much needed humor to our routine.

We look forward to Sunday and sharing a few moments (not just a card) with our mothers (and those who have mothered us) and perhaps a few moments mothering ourselves.

We wish you all a HAPPY MOTHERS’ DAY—whatever that means for you…
xo from all of us @ Alabama Chanin




ALABAMA CHANIN + HEATH - CAMELLIA PATTERNWe’ve loved every plate, bowl and serving dish from our collaboration with Heath Ceramics that has come through the studio. But it’s this newest addition, the Camellia pattern, that is easily my favorite, and the most elegant. Each piece is hand-etched by a Heath Ceramics artisan and comes in Opaque White. The design is offered on the Deep Serving Bowl, Dinner Plate, and a Serving Platter, and is a natural addition to the current Alabama Chanin @ Heath Ceramics collection.

The Alabama Chanin @ Heath Ceramics collection is available in Heath Ceramics stores, on the Heath Ceramics website, and our online store.





We spend a good bit of time in the kitchen, planning meals and testing out new recipes to share, while I spend evenings trying to please the taste buds of my picky eater. I’ve found that kitchen twine has a number of uses, including trussing or tying meat when cooking or when you want to keep a stuffing firmly placed inside of something. Use it to tie fresh herbs in a bouquet garni or bouquet garnish (see recipe below) or wrap bacon on the outside of your roast or bird. I also use my twine for tying up birthday presents and pony tails—and stuffed animals at my house are often doctored with bits of twine.  You might also try making our Knotted Necklace with this twine. It is thinner than our Cotton Jersey Pulls but made in the same way.

Twine, especially for use in the kitchen, shouldn’t be made from synthetic materials (they can melt or chemicals can seep into your food), and we’ve found this organic, non-toxic option works perfectly.


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SPRING CLEANING RECIPESIt’s been unseasonably cool these last weeks. Most days, it’s been too chilly to fling the windows wide open and really enjoy the weather. Though we’re only just beginning to see the signs of an Alabama spring season, we’re preparing our supplies to begin the task of spring cleaning. We’ve previously shared some wabi-sabi cleaning tips, but thought we would share another post of our favorite cleaning tips and recipes for those of you who are also in the spring cleaning spirit.


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We’re not quite in the cocktail business (yet), though we seem to be sneaking behind the bar more and more lately. Our collaboration with Jack Rudy Cocktail Co. brought about the Jack Rudy Bar Towel, which we featured early last month along with the Jack Rudy Small Batch Tonic, both available for purchase on our website.

Last week, our friend Brooks Reitz of Jack Rudy Cocktail Co. sent us a beautiful, hand-written thank you note, along with a bottle of their newest creation – Small Batch Grenadine. Handcrafted in Napa Valley, the grenadine arrived just in time for our latest addition: the Alabama Chanin Cocktail Napkin.


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I’ve mentioned this a few times here on the Journal: I am a grandmother.  And in the photo above, you see our sweet Stella Ruth.  Her hands, clearly visible, are surrounded by my son Zach’s, my dad’s, my grandmother’s, and mine.  That’s right—five generations.  You may have seen pictures of five generations in newspapers and on blogs but when it happens to you, it does feel somewhat monumental.

Full confession:

This is my second five generation photo. The photo at the bottom is 20-year-old Natalie with four-month-old Zach, my father at 40, my grandmother at 60, and my great grandmother, who we called Granny Lou, at 80. (While I am definitely not promoting teenage pregnancy, it makes it easier to get to five generations into a photo when you each have a baby at 20!)

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Mending is not something we – as a culture – spend a lot of time doing these days.  Fast fashion and mass consumerism has taught us to simply throw older or imperfect items away and replace them with newer versions. I am all for the “Sewing Schoolyard” – let’s teach ourselves and our kids to mend – a satisfying task.

My favorite, 10-year old tea towels have seen better days; but, I just can’t find the perfect replacement.  I use our Alabama Chanin Tea Towels for most kitchen tasks but these have just given me so much kitchen love that I can’t bear to part with them.

In perfect wabi-sabi style, Olivia – our Studio Assistant (and budding pattern maker) – mended my old tea towels using scraps of our organic cotton jersey and Button Craft thread.  Using applique in combination with seed, whip and eyelet stitches, she repaired the holes and covered the stains.  Perfect.

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Biographies, philosophy, design, recipes, and all the subjects in-between are the stuff of my dreams. I would venture to say that I’ve found a treasure beginning with most library call numbers, and, of course, do my best not to judge any book by its cover. To say my love affair with reading is an important part of my life would be an understatement.

Our library at The Factory and the stacks of books throughout my home are growing at alarming (and satisfying) rates. I wish that time allowed me to discuss in detail all of the fabulous books that my friends, supporters, and my publisher have chosen to share with me. Robyn Griggs Lawrence’s Simply Imperfect: Revisiting the Wabi-Sabi House recently landed on my desk. The simple, unassuming (wabi-sabi) cover almost went unnoticed in the big stack of books I’ve been eager to conquer.

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