Like the rest of the world, the fashion industry has widely utilized Instagram (the photo sharing app with over 300 million users) to share insider glimpses into brands and lives, highlight the creative process, and find simple ways to connect to followers. Brands and consumers are sharing personal, visual “moments” in their lives (of course, perfectly oriented and filtered). In celebration of this relationship between the fashion industry and social media users, the Council of Fashion Designers of America (CFDA) released their newest book, titled Designers on Instagram: #Fashion.
The book includes photos from CFDA designers (including Alabama Chanin), hand selected by the council and separated into five chapters, categorized by hashtags: #BehindtheSeams, #Selfies, #Inspiration, #Fashion, and #TBT (aka “Throwback Thursday,” for the uninitiated).
The colorful hardbound release is appropriately square shaped, like all Instagram photos. We think it’s a beautiful volume; the photos make you feel like a fashion insider, even if you are on your couch eating popcorn in your pajamas (no comment) or dressing a seven-year-old for school (or at least trying to dress a seven-year-old).
Some of the makers within our DIY circle may be familiar with Amy Herzog of Amy Herzog Designs. Amy’s website is a treasure trove of information about creating, modifying, and customizing sweaters. Everyone knows that I’m daft when it comes to knitting. Amy’s approach and incredible resources make me believe that perhaps even I could knit a sweater to match my own personal style.
We’re delighted to share Amy’s recent review of our newest book, Alabama Studio Sewing Patterns. Hearing others say that our Studio Books make creating garments seem less scary and more accessible is not only heartwarming but it reinforces our belief that sharing resources truly can advance the “living arts.”
In her review, Amy mentions that garment length is the fit issue she struggles with the most. Alabama Studio Sewing Patterns introduces, among other things, ways to shorten and lengthen hemlines. On pages 112–115, we offer instructions on how to alter length at the perimeter and internally—plus a couple of other options. We also propose solutions to other fit challenges, including waistline, hip, bust, and neckline alterations.
I’ve often described my creative journey as “falling off a cliff,” yet thinking about it recently, I’ve realized — to my great surprise — that my journey has actually been quite linear. I went from design school, to working in the fashion industry, to styling, and then back to fashion with Alabama Chanin. It is unlikely that I would have appreciated how direct my path has been if I hadn’t been asked to reflect upon my journey. Thanks to a few flight delays, day-long drives, and long afternoons spent gardening, I’ve been able to spend some quality time reflecting upon the events of my past. Sometimes it takes a little time to gain perspective.
I am incredibly proud of my company, my amazing team, and everything we’ve accomplished in the past decade. When things are running smoothly in our studio (as has happened once or twice in the ten years since we opened our doors), I feel an unrivaled sense of calm and satisfaction. However, it is the creative chaos, the phones that ring (but cannot be found), the revolving cast of friends and clients, and the unwavering support of my family that are much more invigorating and make me understand that my path has been the right one — for me.
With the arrival of April (and the announcement of our partnership with Nest), it feels as though we are finally settling into the year. April’s warmer weather is also welcomed with open arms (and horseback rides). April is a busy month.
April is National Poetry Month. Poetry lovers can begin a project using our Poetry stencil—available for download on our Resources page or work your favorite poem or quote directly onto any garment.
Here is what’s on the horizon for April:
April 2 – International Children’s Book Day—Maggie recommends favorites by Maira Kalman.
April 5 – Easter Sunday – however you choose to celebrate, we hope you approach today with a spirit of renewal.
April 11 – This day we host our Alabama Chanin Open House + Community Picnic, plus our One-Hour Mini-Workshops at the Factory. Spend a day with our team at The Factory. Sign up for mini-workshops on dyeing, stenciling, and/or sewing. For the potluck-style picnic, we provide barbecue and “fixins”—so bring your favorite side dish or dessert to share. The open house is free and open to the public.
In our week-long profile of designers Charles and Ray Eames, we studied their design aesthetic and philosophy and talked about the various media they used to forward those philosophies. They made hundreds of explorations into film, for varied purposes. Produced in 1977, Powers of Ten is perhaps their best-known film—and includes a book version. In it, the Eamses utilized the system of exponential powers to demonstrate the importance of scale.
The premise of the film is simple, though its scope is wide: a narrator—physicist Philip Morrison—guides the viewer on a journey that begins with an overhead shot of a couple in a park. The camera then pans back to see what a ten-meter distance looks like, then 100 meters, then 1,000 meters. Every 10 seconds, the viewer’s distance from the initial scene of the couple is magnified tenfold. We expand to the point of 100 million light years from Earth, a field of view of 1024 meters—the size of the observable universe.
As we wrote in last week’s post on our DIY Exploding Zero T-Shirt, inspiration comes at us from every direction. Recently, our design team has been (almost endlessly) inspired by Eames: Beautiful Details. The use of color and form shown by Ray and Charles Eames is bright and modern, even by today’s standards. The image shown above at left inspired the swatch above right, and can be recreated using the basic instructions below in any combination of colors and techniques you choose. This is a perfect project for our Fat Eighths or scraps from your own stash.
…the role of the architect, or the designer, is that of a very good, thoughtful host, all of whose energy goes into trying to anticipate the needs of his guests—those who enter the building and use the objects in it. – Charles Eames
Our favorite Eames quote above is now on our café tables, the production cutting room, and displayed front and center on our design room inspiration board. I looked at the pages above and tried to imagine what Charles and Ray would have served in their gorgeous mid-century kitchen. The kitchens of my 1960s childhood were inspired (through trickle-down design) by Charles and Ray Eames—who sought specifically to target the needs of the average American family.
And the American family was changing from the mid-1950s through the 1960s and 1970s. Where cookbooks in the 1950s advised women to have dinner ready for their husbands when they got home from work, moving into the 1960s they began to offer recipes for busy moms. You could now make dinner by opening cans and boxes of prepared foods. That meant a lot of casseroles and inventing creative ways to use canned foods like soup, tuna, and even SPAM. The food fads of the day leant a sense of the exotic and the exciting to the dining room. Fondue, Chinese woks, Julia Child’s advocacy of French cooking, and…all Jell-O everything—brought about food inventions the likes of which had never been seen.
For those who want to relive the good old days of Chicken a la King, ambrosia or gelatin salads, meatballs with grape jelly, onion soup dip, cheese balls, or Baked Alaska, we recommend visiting Mid-Century Menu or, my personal favorite, White Trash Cooking—for a treasure of Jell-O based recipes.
For everything else, we defer to the queen of the Mid-century kitchen: Miss Julia Child.
Learn more about the Eames, Mid-Century design, and the love the kitchen, purchase Eames: Beautiful Details, pictured above and now available from our online store. (Natalie’s personal copy shown here photographed by Abraham Rowe)