Paul Rand is considered by many to be one of the most significant visual communicators and commercial artists in history. His first book, Thoughts on Design, is one that invigorated the design world and has become a seminal text for design students and professionals. Rand’s simple, straightforward approach to design eventually helped him create some of the most iconic corporate logos, many of which are still in use today (think IBM, the American Broadcasting Company, Westinghouse, and the United Parcel Service).
Rand was just 33 years-of-age, with much of this notable work still ahead of him, when he published Thoughts on Design in 1947. The book is an idealistic, passionate call to arms for designers to integrate form and function. Rand summarizes this simply, saying that design should reflect “the integration of the beautiful and the useful,” and asserts that one’s work “is not good design if it is irrelevant.” Furthermore, he urges designers to create from their singular point of view: “The system that regards aesthetics as irrelevant, which separates the artist from his product… will, in the long run, diminish not only the product but the maker as well.”
Today is Tuesday. Today I’m inspired.
Today there are new pieces added to Collection #26 (and more coming next week).
Today I will ______ (fill in your blank).
Today—by Mary Oliver
Today I’m flying low and I’m
not saying a word.
I’m letting all the voodoos of ambition sleep.
The world goes on as it must,
the bees in the garden rumbling a little,
the fish leaping, the gnats getting eaten.
And so forth.
But I’m taking the day off.
Quiet as a feather.
I hardly move though really I’m traveling
a terrific distance.
Stillness. One of the doors
into the temple.
Each week, as the Factory Café staff puts together our menu, they take into consideration the produce and meats available to them from our local farms and merchants. We have developed long-time relationships with growers like Jack-O-Lantern Farms, who provide us with homegrown, seasonal vegetables—using no pesticides, herbicides, or synthetic nutrients. In recent months, we have also begun working with Bluewater Creek Farm, a family-owned sustainable farm in nearby Killen, Alabama.
In 2011, and just before my 50th birthday, I publicly—on this Journal—declared a detox. I don’t really like to write much about my private life, as Alabama Chanin has grown into something so much bigger than me. And, truth-be-told, I am a rather shy and private person. However, I forged ahead and wrote in the second post:
“I felt reluctant to continue writing about my detox after the first post as I thought that it could be, frankly, a bit boring. Each of us has visited a site where the writer has a fondness to overshare about their eating habits and diet: each morsel eaten, photos of unmentionable detox attributes, things that we really don’t want to know—way too much information. I don’t want to be that person.”
But, the fact of the matter is that I completed the detox, lost 25 pounds, and felt better than I had in years. At the time, I vowed to stay “on the path.” I swore to be committed, stay focused, and to forge ahead. The best laid plans of mice and me…
Today is Martin Luther King, Jr. Day, and we are honoring his legacy and observing the holiday through service to our community. In the past few weeks, the Civil Rights Movement along with the work of Dr. King has received much media attention, due in part to the film Selma. The film, directed by Ava DuVernay, tells the story of how the Voting Rights Act of 1965 came to be and chronicles the events leading up to its monumental passing.
There were three marches that took place in March of 1965—the first is referred to as “Bloody Sunday” due to brutal attacks on the marchers, and the second march was cut short, as Dr. King felt the marchers needed protection by a federal court to prevent further violence. On March 21, 1965 the third march began—this time with the protection of the Army, Alabama National Guard, FBI Agents, and Federal Marshalls. The marchers arrived in Montgomery, at the State Capitol building, on March 25. The route taken from Selma to Montgomery is now a U.S. National Historic Trail.
Black and Gold – in color symbolism they hint at the unknown, power, and formality alongside abundance, prosperity, and extravagance.
Black and Gold – Madonna on a Crescent Moon by an anonymous painter in Germany, commonly referred to as the Master of 1456.
Black and Gold – for some reason also makes me think of Madonna (the singer) in the 1980s (but also today).
Black and Gold – our newest blend of fabric and paint—a departure from the tone-on-tone colors seen in many of our previous collections.
When you order black (and other new) pieces from our collection (and/or DIY Kits), the items now come stenciled with shades of Gold textile paint—unless otherwise noted in the description.
P.S.: If you prefer a different color for your DIY Kit, please choose our Custom DIY option.
During Makeshift 2012, we dedicated a portion of one event to “Worn Stories,” a concept defined and documented by Emily Spivack that explores the stories and emotional attachments surrounding our clothing. Jessamyn Hatcher introduced us to Emily and her work about the relationships we create with our garments and the rich memories we associate with our clothes. Those memories are certainly why we hold on to items long out of fashion, in sizes we will never wear again. The clothing is a physical representation of our emotional scrapbook.
Spivack’s recent book, also titled Worn Stories, is moving and relatable—and earned it’s way to the New York Times’ Bestseller List. In it, she collects over sixty clothing-inspired remembrances from famous faces and everyday people; each was asked to describe the most meaningful item of clothing in their closet—and the stories that surround them.
Worn Stories is meant not only to unearth memories through storytelling, but also to offer intimate glimpses into the lives, memories, and psyches of the tellers. It also prompts readers to delve into their own closets and consider the role clothing plays in their own lives. The book and website together amount to an extensive catalog of oral and written histories, all surrounding garments.
2014 has been another year of making, learning, and growing. Thank you for the love and support you show us each and every day.
Have a wonderfully happy New Year.
P.S. Follow our journey on Instagram, Facebook, Twitter, and Pinterest to see what new and exciting things 2015 holds for us.
With 2014 coming to a close and a brand new year upon us, it is time to reflect on all we’ve accomplished—slow in design, but rapid in growth—during the past year. But first and foremost, we want to thank each and every single one of our supporters, friends, collaborators, partners, and everyone who has made 2014 the success that it has been. Without you, none of this would be possible.
No feat was as challenging—or as rewarding—as our organic Alabama cotton adventure. From a seedling of an idea to the harvest of pillowcases full of beautiful, white cotton, the success of this project is one of our proudest achievements. Not only were we able to physically see the fruits of our labor, we were also able to see the rewards of sticking to our ideals: sustainability, community, education, open-source sharing, and transparency in method.