The Alabama Biscuit Company is changing the way people perceive (and eat) biscuits. Jonathan Burch of Birmingham, Alabama, has developed a delicious and healthy recipe for biscuits using organic sprouted spelt flour, aluminum-free baking powder, and organic Celtic sea salt.
The biscuit mix is now a favorite of the Alabama Chanin team. We made biscuits with it at the Heath event this past August and are now using and selling it in our café.
As part of our 2013 Holiday Gift Guide, we are featuring a selection of our favorite magazines in our online store. We all enjoy time spent browsing the internet on our laptops and tablets, but sometimes it is nice to have something tangible in your hands to read while enjoying coffee, on a plane, or at home. Plus, you will find that one (or all) of these magazines makes the perfect stocking stuffer this holiday season.
Heath Ceramics is celebrating 10 years of design by showcasing interpretations of time in the form of one-of-a-kind clocks designed by friends and collaborators. I was honored to design and contribute two clocks, featuring Alabama Chanin’s etched Camellia pattern.
It’s really common in my family to hang plates on the wall, and I was inspired by this tradition. I remember all the plates on the walls at my grandmother’s house, and I have continued the practice by hanging Heath + Alabama Chanin plates on the wall in my own kitchen. It made perfect sense to design clocks that reflected that tradition.
The Alabama Chanin clocks will be available at Heath’s Design in Time show this weekend, along with several other collaborations and interpretations. The show opens this Saturday, December 7 from 5:30pm – 8:30pm at both the San Francisco and Los Angeles showrooms. More details and RSVP info can be found here.
xoNatalie and all of us @ Alabama Chanin
Photos courtesy of Heath Ceramics.
As seasons change and the holiday rush begins in full force, Christmas carols seem to appear earlier and earlier each year. Once upon a time, Thanksgiving was considered the unofficial date when radio stations began to play holiday music. This year, I heard my first Christmas carol when picking up Halloween candy at the grocery store.
But, regardless of whether you love or avoid holiday music, many of the seasonal songs have been around for hundreds of years. Some have social or political messages and many have a colorful history.
It’s hard to believe that this month is almost over. There is so much to be thankful for – and so much to look forward to.
Wishing you and yours a happy holiday season.
P.S. Follow the Alabama Chanin Factory Café on Instagram for daily deliciousness.
Windows, New York, New York
We asked contributor Phillip March Jones to share the process and inspiration behind his daily photo project, Pictures Take You Places.
Seeing is everything. But it takes practice.
Modern Antiquity, Atlanta, Georgia
La Plage, Trouville, France
For the past couple of years I have been traveling almost constantly for various projects in the United States and abroad. As a result, I am often away from the studio and distracted from the kind of intense focus required and afforded therein. These circumstances have led me to rethink my artistic practice and even the way I interact with the world. The newfound freedom of a portable studio has forced me to develop exercises to keep my eye and mind focused and has led to several new bodies of work, including the creation of a daily photo project titled Pictures Take You Places.
Musician and Alabama Chanin friend Jake Fussell grew up in Columbus, Georgia, and was exposed to traditional roots music while accompanying his father, folklorist and writer Fred Fussell, on numerous documentary fieldwork trips throughout the South. Through these journeys, Jake became a guitar student of the late Georgia blueswoman, Precious Bryant, and honed his skills playing with local string bands.
I was introduced to Jake and his music years ago by Butch, Maggie’s dad. A late night conversation was followed with a mixed CD, and since then Jake’s music has been in constant rotation on the Alabama Chanin studio playlists. His sound captures a unique aspect of the Southern voice and history – so much so that Jake played my one and only fashion show in New York in 2005.
Jake currently serves as bandleader of The Yalobushwackers, the house band for Thacker Mountain Radio, Oxford, Mississippi’s weekly live-audience literary radio program. In recent years, he has appeared on Prairie Home Companion, toured, and recorded as sideman for several musical acts, most notably as guitarist for Memphis gospel singer Reverend John Wilkins. Jake is also working with our friends at Dust-to-Digital to curate an anthology of Mississippi blues and gospel field recordings made by noted folklorist William R. Ferris.
We are devout believers in Dust-to-Digital, April and Lance Ledbetter’s acclaimed record label. Their first release, Goodbye, Babylon, is a testament to the Dust-to-Digital mission of archiving, producing, and reproducing high-quality, cultural artifacts.
Lance spent several years researching and compiling the collection of 135 rare gospel songs, dating from 1902 to 1960, and 25 sermons, dating from 1926 to 1941. The stories and songs included in Goodbye, Babylon are filled with Southern and religious folklore. The collection is archived on six CDs, and features recordings from below the Mason-Dixon Line – everything from string bands and gospel quartets to sacred harp choirs and shouting preachers. You might recognize some of the artists, but most of the recordings are obscure treasures.
For nearly 25 years, Mike Goodlett has lived and worked in a house near Wilmore, Kentucky, that originally belonged his grandparents. Over the years, he has embellished the house’s interior and even its structure with artwork of his own creation in a sort of visual call and response. Paper flowers bloom from cracks in the ceiling. Doorframes and windows are adorned with carvings. Delicate ballpoint pen-webs emanate from the electric outlets. Accessible only by an overgrown and narrow road, the house and studio are mostly hidden from view.