It’s hard to believe January is almost over. It has been an incredible month here at The Factory (and beyond), and I am looking forward to what the rest of 2014 brings…
These days it’s rare that I get the chance to sit down and read. Between second grade homework and taking out the compost (which seems an endless—and perpetually thankless—chore), my days don’t involve moments to sit, read, and ponder. In fact, “pondering” seems to have become a lost art in our busy, busy, busy (badge of honor) lives.
So, it was with relish that between listening to “Mary Had a Little Lamb” played on our new piano (43+ times—right hand, left hand, right hand, left hand, and one, two, three, four, one, two, three, four…) and watching Spy Kids: All The Time In The World, I was able to thoroughly read the new Garden & Gun magazine—cover to cover. And what an issue it is: Patterson Hood, Do-It-Yourself Moon Pies (more on this story next Wednesday), and Classic Southern Drinks (my personal favorite).
With the launch of our new collection, we have also launched a lookbook online, with the aim to share our design inspirations and (hopefully) inspire your own look and style.
View our look book to see how A. Chanin seamlessly integrates with our new Alabama Chanin collection, discover interpretations of Three for a Dime and Disfarmer-style looks, and get a close-up look at fabric details and garment designs.
Lance and Evelyn Massengill
In 2008, Maxine Payne, an Arkansas-based artist, self-published a book of photographs titled Making Pictures: Three For A Dime. She catalogued the work of the Massengill family who worked from 1937 to 1941 as itinerant photographers in rural Arkansas documenting farmers, young couples, babies, and anyone else who had a few minutes and an extra dime to spend. The Massengills’ photos provided candid snapshots of the rural South just before the Second World War. Through her efforts, Maxine Payne has given new life to these old photographs by coordinating exhibitions and projects, including a forthcoming book by the Atlanta-based publisher Dust-to-Digital and a collaboration with Alabama Chanin on our new collection. We asked Maxine to describe her connection to the Massengill family and her involvement with Three For A Dime:
The Civil Rights Movement gained national attention in the early 1960s. The many protests, marches, and stands for equality were sustained by freedom songs and music from musicians-turned-activists. The setbacks, hardships, failures, and successes of the movement for racial equality can be told through song.
We curated a playlist highlighting some of the songs that delivered powerful messages during that time period, namely “We Shall Overcome,” an old African American hymn that gained popularity in the 1950s. The song became the unofficial anthem of the movement, bringing strength, support, and hope to activists—during protest marches, in the face of violence, and in jail cells.
“If you can’t fly then run, if you can’t run then walk, if you can’t walk then crawl, but whatever you do you have to keep moving forward.” –Martin Luther King, Jr.
In continuing our celebration this week of Martin Luther King, Jr. and his philosophy and teachings, we sought to create something sustainable that could share this hopeful message that stemmed from the American Civil Rights Movement.
I have always found this quote inspiring, and have applied its message in my own life time and time again: reminding myself each day that it is just about showing up and doing what you can do—today. It seems appropriate, in this new year of new beginnings, to create a reminder (and testament) to this continued commitment to moving forward. Step by step.
Make this corset by following the instructions from page 144 of Alabama Stitch Book. (The pattern is included on the pattern sheet at the back of the book.) We made our version with medium-weight organic cotton jersey fabric, but it could easily be made using recycled t-shirts, as well. This technique can also be used to embellish other patterns or existing garments with scooped necklines.
It was over 50 years ago when Martin Luther King, Jr. delivered his famous “I Have a Dream” speech at the march on Washington D.C. It was a moment that changed America, and the world. But, the line was almost excluded from the speech. One of King’s aides encouraged him not to use the line, stating it was cliché and that he had used it too many times already. After receiving several conflicting suggestions the night before the march, King put the final touches on the speech in solitude in his hotel room.
There was an array of speakers at the march that day, and he was sixteenth in line. The podium was crowded with microphones and speakers, and when he approached the platform he heard a voice from behind shout “Tell ‘em about the dream, Martin.” It was gospel singer Mahalia Jackson, who had heard King refer to his dream on a previous occasion. She prompted him again. King then launched into his speech from the steps of the Lincoln Memorial, looking over the National Mall. He delivered his message more like a sermon, laying his prepared notes to the side, letting spontaneity and emotion preside. The utopian-like speech was not just about what was going on in the world that day in time, it was about what was going on in the world every day. We have come a long way as a nation, but we still have a long way to go. In fact, there were decades of struggle and complications involved to get the observance Martin Luther King, Jr.’s birthday passed into federal law.
Musician, author, and dear friend Rosanne Cash was born in Tennessee to a family soon to become Southern music royalty, but has lived for over 20 years in New York City. Still, her Southern heritage played and continues to play a role in shaping who she is as an artist, a traveler, and a citizen of the world. She deeply explores her relationship with the South and with Southern culture in her newest album, The River and the Thread. Listening to these songs, you hear a songwriter investigating how where she came from helped shape who she is today. The tracks are heartfelt, touching, and, by turns, rocking.
A sweet friend to Alabama Chanin, Rosanne curated a playlist for us that includes some of her favorite songs from and about the South. These songs capture the sometimes-elusive nature of our homeland and the people we call family. I’ve been cooking and dancing (and, yes, singing) to these tracks for a week…
Come sing along.
Photo of Rosanne courtesy of Clay Patrick McBride.
Over the past few years, social media has become an integral part of many businesses, including Alabama Chanin. It is a way for us to share our ideas, designs, and inspirations with you. Pinterest is a great platform for inspiration and collaboration. Thousands of images are shared daily on the site, creating a beautiful and useful medium for those looking for inspiration.
Recently, we discovered hundreds of Alabama Chanin-inspired Pinterest boards, curated by you – our followers, fans, and friends. Browsing your boards was like taking a journey through the history of this company. From past collections, to Studio Style DIY, and even creations of your own design, you have created something that is encouraging to all of us here at the Alabama Chanin studio. Knowing that we can serve as a source of inspiration for you to create, dream, design, and learn motivates us to continue sending inspiration your way.
Be on the lookout for a new Collection, recipes from The Factory Café, the machine-sewn line A. Chanin, new DIY projects, special in-store offers, and a new Bridal Collection to be shared on our Pinterest boards soon.
Alabama Chanin friend and inspiration, Rosanne Cash, has lived in New York for over 20 years, but her link to the South remains deep and undeniable. Her mother, Vivian Liberto, was born in Texas and her father, Johnny Cash, was an Arkansas native. Rosanne was born in Memphis, Tennessee, and raised for much of her life in California. As a young woman, she also spent time living in Los Angeles, Nashville, London, among other stops on the road. Though she did not grow up in the South, her connection to the region is profound, largely because of what the South meant to her family and how that shaped her growth. It is this connection to the South and the region’s physical, musical, and emotional landscape that she explores in her newest record, The River and the Thread.
Rosanne found herself traveling southward frequently when Arkansas State University began restoring her father’s childhood home in Dyess, Arkansas. Knowing how much her father would have loved the project, Rosanne agreed to participate – which initiated a series of visits. As she traveled, she began to reconnect with the Southern sense of place, so essential to her family identity. She, along with husband and longtime collaborator, John Leventhal, began to shape and create an entire series of songs, all about the South. Rosanne said, “I started going back to where I was born and these songs started arriving in me. My heart got expanded to the South, to the people I had known, to the people I met… We started finding these stories, these great stories, and melodies that went with these experiences.”