“Eventually everything connects – people, ideas, objects. The quality of the connections is the key to quality, per se.” – Charles Eames
Our first official On Design conversation and event centered on the Bauhaus—founded in 1919 by architect Walter Gropius. This movement’s core objective was a radical concept: to reimagine the material world to reflect the unity of all the arts. The main influences behind the Bauhaus were Modernism, the Arts and Crafts movement and, perhaps most importantly, Constructivism.
The Bauhaus school was closed in 1933 by its own leadership under pressure from the Nazi regime and many of the designers and artists who had been working within the school and those with similar philosophies, moved to the United States. Those of you who were present for our On Design: Bauhaus discussion (or who read about it) will remember that this movement came to change my life (and save my life), because the School of Design at North Carolina State University grew out of Black Mountain College—where some of the instructors from the Bauhaus settled. And, thus I essentially received a Bauhaus training.
The reach of the Bauhaus school is immeasurable. The foundations and design approach influenced designers like Frank Lloyd Wright, Edith Heath, Mies Van De Roe, Le Corbusier, Herbert Bayer, Philip Johnson, Marcel Breuer, and eventually Ray and Charles Eames.