This year, with MAKESHIFT 2013, we expand ideas that were born from MAKESHIFT 2012 to create a global conversation among artists, designers, and makers. The first part of the MAKESHIFT 2013 SERIES took place at the Standard, East Village where panelists and conversation guides Cathy Bailey – Heath Ceramics, Rosanne Cash – Singer/Songwriter, Natalie Chanin – Alabama Chanin, Jessamyn Hatcher – Professor of Global Studies, NYU, Nathalie Jordi – People’s Pops/Writer/Author, Tift Merritt – Singer/Songwriter, Andrew Wagner – Krrb, and Kristen Wentrcek – Wintercheck Factory, shared their stories and experiences involving collaborative projects and making within their industries. Throughout the evening, guests were invited to express their thoughts from the conversations, literally or conceptually, using an organic cotton tote bag from Alabama Chanin as a blank canvas. A variety of materials were also provided to design, decorate, and customize each bag.
On the heels of MAKESHIFT 2013, we are inspired and invigorated by the conversations around design, fashion, food, craft, and DIY that took place last week during New York Design Week. We hope that you have followed our explorations throughout the events this year and have used our discussions to begin conversations of your own. We are even more convinced about the importance of making, sharing, and finding common ground, and look forward to expanding the conversations about design, fashion, food, craft, and DIY over the coming months.
One thing that resonates from those talks last week, are the concepts of collaboration and skill sharing. As we continue to open source our ideas, our Alabama Chanin workshops will continue to grow. These events—like MAKESHIFT—have become an intimate, extraordinary way for us to connect with fellow makers, designers, and like-minded creators across the country (and the world).
On Sunday, as part of MAKESHIFT 2013, we co-hosted a Chair Workshop, modeled after the MAKESHIFT 2012 workshop, Crafting Design, sponsored by Partners and Spade. This year we teamed up with Build It Green!NYC (BIG!NYC) and Krrb and invited an array of makers to join us for an afternoon of collaboration, innovation, and chair re-design. While our event at The Standard focused on conversation (though there was plenty of making going on as well), the chair event has evolved into a make-centered occasion where a community of designers work both independently and together through skill sharing and mutual encouragement.
The event was held at BIG!NYC’s restore facility in Brooklyn – a warehouse filled with doors, fireplace mantels, sinks, mirrors, tiles and a number of other goods, much of it vintage and antique, acquired through donations and offered at low prices for those looking to save money (and the landfill) in home renovations. Or in the case of friend Kerry Diamond (of Cherry Bombe Magazine) and her chef/partner Robert Newton, the interior of their third and most recent restaurant, Nightingale 9, was designed with salvage bought from BIG!NYC.
“Craft” might seem like it’s for the amateurs, and “fashion” for the auteurs. Yet we live in an age where creativity and innovation are increasingly found in collaborations between makers and users, crafters and designers, designers and manufacturers, and in the loosening of the boundaries between them. – MAKESHIFT 2012
The MAKESHIFT conversation began last year to discover where and how various creative industries can work together as one. The discussion continued last Thursday evening at The Standard, addressing the intersection of industries on the artisan level, where the interchanges occur, and how we can transform those intersections through innovation and collaboration for the greater good.
As this posts to our Journal this morning, part of our Alabama Chanin team will be in the air and on their way home from MAKESHIFT 2013. We hope that you have followed our explorations and conversations during New York Design Week via Instagram and have had conversations of your own. Leaving MAKESHIFT this year, we are even more convinced about the importance of making, sharing, and finding common ground. You can expect a full recap of our experiences from New York Design Week in the next days, plus expanding conversations about design, fashion, food, craft, and DIY over the coming months.
One thing we do know is that, as we continue to open source our ideas, our Alabama Chanin conversations series and workshops will continue to grow. These events—like MAKESHIFT—have become an intimate, extraordinary way for us to connect with fellow makers, designers, and like-minded creators across the country (and the world). See more in the coming weeks about the bag project we started at MAKESHIFT 2013. In the meantime, here are some instructions for a different kind of bag (with an equally important message).
In the early spring of this year, Alabama Chanin designed and created a one-of-a-kind bag to support the Council of Fashion Designers of America’s “You Can’t Fake Fashion” campaign. We loved the finished product so much that I wanted my own version, adapting the OrganicTote Bag #3. This bag measures 17 1/2” x 13 3/4” x 4 3/4” and is large enough to use as a purse or laptop bag or to carry your sewing projects. The tote has been double-layer appliquéd all-over using our Paisley stencil in Alabama Indigo fabric.
The bag comes in Natural. We chose to customize this tote to match our CFDA bag by dyeing it indigo, but your design choices are endless.
It was wonderful to hear all of the conversations running through the night, from the study of 50 pages of Proust, to the intellectual property rights on patterns.
Use #makeshift2013 to join the conversation.
Make v. Tr.
To cause to exist or happen; bring about; create.
To bring into existence by shaping, modifying, or putting together material; construct.
To form in the mind.
To prepare; fix.
To engage in.
To carry out; perform.
To achieve, produce, or attain.
To institute or establish; enact.
To draw up and execute in a suitable form.
To assure the success of.
To develop into.
To draw a conclusion as to the significance or nature of.
To cause to be especially enjoyable or rewarding.
To appear to begin (an action).
To alter (position or place).
To change (gears), as in an automobile.
To exchange (one thing) for another.
During New York Design Week, Heath Ceramics is celebrating their 10th anniversary at The Future Perfect, one of our favorite design stores. Friends Cathy Bailey, Robin Petravic, and Adam Silverman chose to celebrate with The Future Perfect for their like-minded dedication to good design, community, and collaboration. The display features ten Heath Ceramics designs, including an Alabama Chanin collaboration, a limited edition New York bowl (also for sale at The Future Perfect), and a wall of post cards representing 10 moments in 10 years that you can take with you.
We are super proud for our Heath collaboration to be represented in the exhibition. Drop by The Future Perfect from 10am to 7pm daily; 11am to 7pm Sunday, at 55 Great Jones Street (between Bowery & Lafayette) through Monday, May 20th.
More on MAKESHIFT 2013 coming soon…
There may be no more relevant time than now to talk about Slow Design, specifically Slow Fashion, as the body count in a collapsed garment factory in Dhaka, Bangladesh – a factory that churned out Fast Fashion for American consumers – surpasses 900.
As we prepare to travel to New York for MAKESHIFT 2013 to discuss WHERE FASHION, FOOD, DESIGN, CRAFT + DIY INTERSECT and HOW WE define and TRANSFORM THE INTERSECTION OF FASHION, FOOD, DESIGN, CRAFT + DIY THROUGH INNOVATION AND COLLABORATION FOR THE BETTER GOOD, we find ourselves asking why MAKESHIFT might be relevant in the wake of the Dhaka, Bangladesh tragedy.
The Slow Design movement’s roots are based on the same premise as the Slow Food movement, both historically intellectual factions often viewed as exclusive clubs. (Penelope Green wrote a great article in the New York Times on Slow Design that brings the concept to a relatable level). Slow Food has become more democratic in recent years, thanks to the many chefs who dedicate their kitchens and menus to locally, sustainably grown produce and humanely raised meat (the fashion industry has a lot to learn from these guys). Planting home gardens and buying from local farmers markets has become a trend and good habit for many of us. We can feel and taste the personal benefits even when we can’t tangibly appreciate the long term benefits on our local economy and farm land.
Ironically, Fast Fashion was established with the “democratic” moniker, where the latest trends and styles on the runway are not just available to everyone, but sold with a bill of entitlement to own them. We buy clothes, wear them once, or until they wear out (too soon), and throw them in the landfill. Not only do we further the demise of our environment and negatively affect climate change, but now we see how our Fast Fashion habits affect innocent workers abroad. According to Elizabeth Cline in her book Over-Dressed, only 2% of clothing is made in the U.S. today, down from 50% in 1990. Roughly 41% of our clothing is made in China. Many of those garment factories are unregulated and built illegally, posing grave danger to those reporting for work every day, and for very low wages.
Alabama Chanin is built on the Slow philosophy. Everything we produce is slow. Our fabric is custom dyed, then cut by hand in the studio, stenciled by hand, packaged and distributed to local artisans who hand-stitch every garment from seam to appliqué to beaded embellishment. It takes roughly eight to ten weeks to produce a garment. The very nature of our process is in direct conflict with the predominant practice for delivering clothing to the masses.
When we hear chefs dedicated to using locally grown products talk about where their produce comes from, they always talk about relationships, about knowing their farmers. Transparency and collaboration appear to be at the heart of the Slow Food movement and it seems natural to expect the same of Slow Design and Slow Fashion. MAKESHIFT was born from the idea of shifting the way we make. In essence, it’s a shift in the way we consume as well. Small, sustainable and environmentally minded businesses can’t compete with mass-produced, low-cost goods, but through collaboration, great things are possible.
We talked to pirate Richard McCarthy last year about cultural assets and Slow movements, and the subject of sustaining local commodities, like food, came up. In the same way locally grown food is distributed through supermarket alternatives, like farmer’s markets, Slow Fashion may also need distribution alternatives. The opportunities for collaboration and innovation appear to be ripe, and necessary.
Our hope is to see the possibilities for collaborative growth and conversations around Slow Design and Slow Fashion become as common as our predilections for locally, sustainably grown food.
Follow us next week as we ask these important questions during MAKESHIFT 2013, and please share with us your ideas here on our journal.
As MAKESHIFT 2013 takes shape, we continue the conversation that began last year about the intersection of art, craft, making, producing, designing, and manufacturing. One of last year’s most popular events, Crafting Design: Chair Workshop with Partners and Spade, found resonance with a league of artists, designers, crafters, and makers. And due its popularity, we are excited to be curating the workshop again, this year hosted by Build It Green!NYC, on the 19th of May, in their Gowanus, Brooklyn location, and in collaboration with Krrb. This year’s event includes a Chair Exhibition, followed by a party—both open to the public. Expect some local brew, a food truck (or two), and some surprises along the way.
Build It Green!NYC (BIG!NYC) is New York City’s only non-profit retail outlet for salvaged and surplus building supplies and materials. Co-sponsored by Community Environmental Center (CEC), which assists New York buildings with energy efficiency, BIG!NYC works to keep building materials out of landfills, using all materials where possible (much like Alabama Chanin). You can find most anything at BIG!NYC, whether it’s shutters, panel doors or refrigerators. Construction and demolition waste is a massive portion of landfill content (over 19,000 tons of building material are thrown out each day in NYC) and that waste contains pollutants, GHG emissions, and contributes to climate change and global warming. All proceeds from sales through BIG!NYC go back into supporting CEC’s environmental programs throughout the city: BIG!Compost, BIG!Blooms, BIG!NYC Gives Back, along with a variety of other projects that continue to emerge.
Our friends (and Southern Foodways Alliance cohorts) Kerry Diamond (of Cherry Bombe Magazine) and her chef/partner Robert Newton (of Seersucker and Smith Canteen) built their newest endeavor, Nightingale 9, from materials found at Build It Green!NYC.
Last October, Hurricane Sandy nearly destroyed one of BIG!NYC’s reuse centers, flooding their 21,000 square foot warehouse with five feet of water. Two days later, volunteers from across the state amassed on the site to help remove the unsalvageable and clean what could be saved. With the help of those volunteers, Build It Green!NYC was back in business within days, aiding those hit hard by the storm and providing needed building materials. BIG!NYC suffered major losses as a result of Hurricane Sandy, which only reinforced their mission to extend the usability of construction materials by keeping them out of landfills.
Like last year’s chair workshop, participants in this year’s event will repurpose cast-off, found chairs into objects of beauty. And like last year, friends, makers, and designers, like Natalie, A.J. Mason, Andrew Wagner, Tanya Aguiniga, Amy Devers, and more, will be on-hand to help and participate. While space for this workshop is limited, a Chair Exhibit and party will take place directly after the workshop and are open to all. Build It Green!NYC will also be open for business during the workshop with a portion of all sales benefiting Build It Green!NYC Hurricane Sandy relief efforts. Come join us…
P.S.: The workshop is currently wait listed, but spots may open so go ahead and send us an email. We want to hear from you: rsvp (at) alabamachanin.com
Everything we, as humans, touch, has a global impact, which is only magnified by the Internet and ease of information exchange. At Alabama Chanin we see evidence of this every day through our Journal, which allows us to easily and quickly share and exchange ideas with our readers. One idea we discuss and implement regularly is cross-collaboration, whether it is a project with another designer, like Anna Maria Horner, or a friendly game of baseball with the designers and artists of The Texas Playboys. At MAKESHIFT 2013, continuing the conversation from last year, we’ll be asking this question:
HOW DO WE DEFINE AND TRANSFORM THE INTERSECTION OF FASHION, FOOD, DESIGN, CRAFT + DIY THROUGH INNOVATION AND COLLABORATION FOR THE BETTER GOOD?
We look forward to sitting with a group of artists, makers, designers, fashion designers, chefs, writers and musicians to exchange thoughts and brainstorm ideas surrounding this question.
MAKESHIFT CONVERSATION @ The Standard is presently Wait Listed.
The conversation will be facilitated visually through decorating, embellishing, and crafting Alabama Chanin tote bags, which we will share on a Tumblr page post-MAKESHIFT (more on that to come…)
Look for up-to-date posts this week and next as we share our plans and experiences. Read about last year’s events here. Start your own conversation with fellow makers and artists and share your thoughts with us here.