It’s the time of year when most of us start to look back at the past year to take stock and plan for the next. As a company, Alabama Chanin is no different. With a lot of help from our friends, we’ve brought the year to a (BIG) close with our first online Garage Sale.
This online event seems indicative of what an amazing year (decade) it has been. We were, quite honestly, bowled over by the outreach of support, excitement, and, well, love for what we do at Alabama Chanin. (We will be doing it again soon. Check our events page for updates and/or join our mailing list to stay in touch.)
Looking back on the whole year, it’s staggering to see just how many projects we’ve tackled, people we’ve met, and journeys we’ve taken – all infused with the same love that we experienced during our Garage Sale. Honestly, I can hardly believe that so many things happened all in one twelve-month span. It’s been 12 (REALLY) good ones.
It’s no secret that there seems to be a disconnect between the worlds of fashion and craft. The terms, themselves, can be a bit polarizing despite their incredible commonality.
Alabama Chanin is no stranger to straddling that line between the two; to us, craft and fashion definitely go hand-in-hand. On a recent weekend, I spent some time catching up on a pile of magazines and some of the images I found make me think that the larger fashion world is beginning to see the commonalities, too.
Keep an eye out as you peruse your favorite fashion publications. You might be surprised at what you find. The images above from the September issues of W and Vogue (yes, it sometimes takes us a while to get through them) made us smile; craft and fashion, moving together at last.
P.S.: For those of you who joined us or followed online during MAKESHIFT: SHIFTING THOUGHTS ON DESIGN, FASHION, COMMUNITY, CRAFT & DIY, a series of events and talks during NY Design Week, you probably know how strongly we feel about bridging the gap between DIY, design, and high-fashion. We hope that our efforts may be paying off. While we can never know for certain what is sparking this monumental shift in philosophy, I can’t help but feel that all of us are helping to pave the way. Let us know what you think in the comments below.
Today, for DIY Thursday, we are featuring a Guy Laroche pattern from Vogue Designer Patterns constructed in the Alabama Chanin style. I never had the chance to meet Guy Laroche, nor have I met the house’s current artistic director, Marcel Marongiu, but I admire their focus on impeccable tailoring. Laroche’s collections once featured billowing empire line dresses; the pattern that we chose to adapt combines the flowing nature of those garments with their famous tailoring skills.
Because this garment was dressier than some of our other Vogue Pattern adaptations, we only made a basic version. We think it is spectacular without embellishment. However, it would be gorgeous with some beading around the neckline or the hem. Either way, this dress is perfect for any upcoming holiday parties.
Our Camisole Dress from Alabama Studio Style is highlighted in a video class on Traditional Appliqué at Creativebug.com. You fill find the pattern sheet for this dress at the back of the book and can follow along step-by-step with our instructions on Creativebug.com. We now offer this project as a DIY Kit from our online store and all the supplies we used are listed below.
Creativebug.com is a subscription service and just in time for the holidays has Gift Subscriptions available starting at $24.99 for a month. I love this as a gift for my crafting friends as there are so many great classes available for the holiday season.
About our appliqué class from the Creativebug website:
“Appliqué is beautiful way to add texture, pattern and color to a project. Natalie uses applique to stunning effect in her Alabama Chanin collection, and in this workshop, she’ll share with you her basic technique. She’ll also show examples of how using different stitches and thread result in dramatically different finished looks.”
Our camisole dress is shown in Apple (double-layer) with Anna’s Garden appliqué in Natural placed around the bottom of the dress . The appliqué is sewn with a whipstitch with a single layer of Cream #256 Button Craft thread. We used Red #128 Button Craft thread for construction of the dress and also for the Cretan stitch along the binding. Seams are felled on the wrong side (inside of the garment).
Continuing our conversation around design, craft and fashion, this week we present a Tracy Reese pattern from Vogue Designer Patterns for DIY Thursday. In all my years as a designer, I have not had the chance to meet Tracy, although I have been familiar with her work since the launch of her collection in the mid-1990s. At that time, I was working as a stylist in Europe and spent much of my time in boutiques, reading fashion magazines, and working with clients.
In an effort to understand Tracy Reese’s philosophy, we reached out to her press office for information and received a note stating that they could “not provide any information at this time.” However, this is what I found on the CFDA website:
“Detroit native Tracy Reese is a graduate of Parsons School of Design. Reese apprenticed under designer Martin Sitbon and worked as design director for Women’s Portfolios at Perry Ellis before launching her eponymous collection in 1996. The collection blends the ultra-feminine and nostalgic with modern polish. plenty by Tracy Reese, was introduced in 1998, after a trip to India provided endless inspiration. A joyful color palette, art-inspired prints and playful details are seen on essentials with a bohemian spirit. With flagships in Manhattan and Tokyo, the Tracy Reese and plenty brands have expanded to include footwear, handbags and home goods.”
Martine Stibon remains one of my all-time favorite designers and I used those pieces often during my days as a stylist. I do love the dress that emerged using our organic cotton jersey fabrics with Tracy Reece’s pattern.
In January, we began a conversation about the intersection of Fashion, Craft, and DIY. That dialogue started with our friends at Vena Cava and progressed to our Makeshift events, and continues with adapting patterns from designers like Anna Sui and Donna Karan (one of my personal favorites that I wear often). This week we extend the conversation with a collaboration and pattern from textile designer Anna Maria Horner.
Below are instructions for Alabama Chanin’s basic version of Anna Maria’s dress pattern in Light Golden and Goldenrod, the newest colors in our hand-dyed, cotton jersey fabric collection. These fabric colors, like our Indigo and Coral, are hand-dyed in Nashville, Tennessee, using the osage orange wood and myrobalan fruit in varying amounts to create variation in shades.
We will host our first One-Day Retreat of the fall season in New York’s beautiful Hudson Valley on Sunday, September 16th. Our day will be spent in a restored nineteenth century factory and will feature local food from Barbara Goldstein of Blima’s.
We were able to talk to friend Melissa Auf der Maur from Basilica to find out a little more about the history of the space, future plans for the center, and where to spend the rest of our weekend in the Hudson Valley.
Below we share what learned – which includes lessons on historic preservation and roof gardens.
Check out our classes at Creativebug.com and make this Random Ruffle T-shirt:
From the Creativebug Website:
“Basic sewing skills can transform a plain t-shirt into one of your favorite go-to wardrobe pieces. The random ruffle t-shirt uses a simple appliqué technique that’s quick and easy, yet true to the Alabama Chanin style.”
Shown here our T-Shirt Top with Cap sleeves is appliquéd with five ½ inch vertical rows cut across grain of random ruffles. This t-shirt is a single layer of light-weight Silt with the ruffles in light-weight Black. The t-shirt is constructed with Slate thread, using a straight stitch along the sleeves and side construction and a Cretan stitch for the binding. The ruffles are sewn with black thread.
We recently shared companies that are making quality products in the United States. To continue this ‘Made in America’ post from last week, we feature another round of companies who practice the same excellence and pride.
Some of these products have been staples in my daily wear for ages; they’ve held up to the test of time. I look forward to incorporating newer products into my lifestyle for years to come. Please share with us your experience with these makers, as well as any other companies, artisans, or manufacturers from the United States that have a presence in your wardrobe, and life.
Earlier this week, I wrote that, as a designer, I feel a deep connection to Donna Karan. Today, for DIY Thursday, we feature a Donna Karan dress constructed in the Alabama Chanin style. It works up beautifully using our medium-weight organic cotton jersey in a single layer and with our organic lightweight cotton jersey in a double layer for the Outside Reverse Applique, as detailed in Alabama Studio Sewing + Design.