Louisa Murray is the face of one of our favorite local bands, The Bear. She shares the stage with her husband, Nathan Pitts, each of them writing and performing their own respective songs, and the two are backed by a talented band. Their newest album, Overseas Then Underwas produced by local indie label, Single Lock Records, co-founded by Ben Tanner, who plays keyboards for The Bear, as well as for Alabama Shakes.
We’ve written about our friend Phillip March Jones on our journal before – we carry his newest publication, Points of Departure, in our online store. Institute 193 in Lexington, Kentucky, is his gallery, a music venue, and multi-faceted publisher, which recently released a compilation of recordings from artists who have performed in the space. Phillip joins us as a contributor to the journal, with an introduction to 193 SOUND.
Sound is a mechanical wave that is an oscillation of pressure transmitted through a solid, liquid, or gas, composed of frequencies within the range of hearing. 193 SOUND is a collection of musical sounds: continuous, regular, and in this case, site-specific vibrations that tell the story of our small space, Institute 193, in Lexington, Kentucky. This compilation records the artists, performers, musicians, and general sound-makers who have emitted, transmitted, and radiated their own SOUNDS from within our walls and that now travel into your range of hearing.
Institute 193, a project I began in October 2009, is a non-profit contemporary art space and publisher that collaborates with artists, musicians, and writers to document the cultural production of the modern South. We produce exhibitions, books, and records with the goal of unearthing significant ideas from the region and sharing them with the world. Institute 193 engages and directs, steering and shaping projects into reality without sanitizing the vision of the artist.
Newsletter #5 showcases our newest addition to our collection of workshops: the Studio Week. The first session is scheduled for November 2013. Also, our Father’s Day Gift Guide offers a selection of items specifically for Dad.
The music industry as we once knew it has been forced to evolve rapidly in recent years, as technology has grown faster than established business models. Major record labels struggle to maintain control of the radio waves, music sales, artist development, and our ears; meanwhile, established artists like Radiohead and Beck have embraced the Internet, a one-time enemy to record sales, by offering their work at pay-what-you-want prices, or occasionally for free. Other artists, like Jack White with Third Man Records, have taken control of the entire creative process by starting their own indie record labels, effectively surpassing the gatekeepers of yesterday.
Ben Tanner of Alabama Shakes and The Bear, John Paul White of the Civil Wars (DIY band of 2012), and financial advisor, Shoals native, and friend Will Trapp, are bringing some of that anti-Old Guard attitude to our community with their indie label, Single Lock Records. The Shoals has a rich music history, thanks to Rick Hall, Muscle Shoals Sound, and many others who helped establish the recording industry here during the 1960’s and 70’s. Hall’s FAME Studios, with its talented roster of studio musicians, attracted diverse recording artists, including Aretha Franklin, Wilson Pickett, Cher, Paul Simon, and even the Osmonds. Some of these artists created their best work here. Later, Muscle Shoals Sound opened, recording the Rolling Stones, Traffic, and Bob Dylan, among many others. These days, the music flows OUT of the Shoals, not INTO it.
Last January, we had several conversations in our studio about punks and pirates spurred by Richard McCarthy’s analogy about pirates and “big food.” Just last week, the conversation continued in our studio about how the underground punk movement changed the way music was produced and delivered to the listening public. (More on this coming in the next weeks…)
The story highlights a new exhibit at The Costume Institute of The Metropolitan Museum of Art, Punk: Chaos to Couture, focusing on DIY Punk fashion.
Certainly music and fashion have been two of the more obvious arenas where the gatekeepers (music executives, producers, designers, magazine editors) have decided for us what we listen to and what we wear. The general anarchy that drove the punk era may have been debaucherous and even, violently, against mainstream culture, but the intellectual elements of DIY are lasting and poignant.
As we approach MAKESHIFT 2013, we anticipate continuing the conversation from MAKESHIFT 2012, when we asked and discussed where the intersection of Fashion, Food, Design, Craft, Music, and DIY intersect and how that intersection ultimately leads to collaboration. Pit stained, ripped t-shirts, and safety pin adornments aside, we have something to learn from the DIY Punk revolution.
Last week we wrote about Dust-to-Digital’s Drop on Down in Florida, a 2 CD release highlighting African American music traditions in Florida, paired with a 224-page hardcover book. Dust-to-Digital is a unique recording company: part archivist, part celebrator of cultural artifacts. We will be talking about several of these awesome (by the original definition) releases over the next few weeks.
Husband and wife team Lance and April Ledbetter are protecting the sounds of our past with their highly acclaimed label, Dust-to-Digital. Founded by Lance a little over a decade ago, Dust-to-Digital is home to a growing catalogue of important cultural works from the United States and around the globe. I’ve been viewing their line-up for a few years and am constantly impressed by the amount of material and depth each release includes. The types of recordings they release are unlike most on the market. It’s really audio conservation in its finest form. I was lucky enough to meet them both last fall during our trip to Atlanta, when we both attended the Lonnie Holly show at the High Museum. Afterward, they attended our event with the Gee’s Bend Quilters at Grocery on Home.
Within the first few minutes of their arrival at the event, I barraged them with questions: “Can we carry your work? Can we do a blog post? Would you want to trade?”
The answer came back, “Yes.”
All of us at Alabama Chanin are so proud and honored to be able to introduce and begin to explore the work of Dust-to-Digital and to sell these treasured collectors’ items on our website.