With the publication of our Alabama Studio Book Series, we open sourced our beloved techniques that these living arts might be preserved for future generations. One of the things that we learned along the way is that people who are dedicated to one particular area of craft can also become converts to another area. The art of working with your hands seems to span all disciplines.
We have customers who are woodworkers, potters, scrapbookers, knitters, and crocheters. Particularly, knitters seem to find themselves at home making Alabama Chanin pieces. Perhaps loop-by-loop finds familiarity with our stitch-by-stitch method. Knitters Melanie Falick (my editor) and Mason-Dixon’s Kay Gardiner are now hand-sewing enthusiasts in the Alabama Chanin style.
Today, for DIY Thursday, we are featuring a Guy Laroche pattern from Vogue Designer Patterns constructed in the Alabama Chanin style. I never had the chance to meet Guy Laroche, nor have I met the house’s current artistic director, Marcel Marongiu, but I admire their focus on impeccable tailoring. Laroche’s collections once featured billowing empire line dresses; the pattern that we chose to adapt combines the flowing nature of those garments with their famous tailoring skills.
Because this garment was dressier than some of our other Vogue Pattern adaptations, we only made a basic version. We think it is spectacular without embellishment. However, it would be gorgeous with some beading around the neckline or the hem. Either way, this dress is perfect for any upcoming holiday parties.
Our Camisole Dress from Alabama Studio Style is highlighted in a video class on Traditional Appliqué at Creativebug.com. You fill find the pattern sheet for this dress at the back of the book and can follow along step-by-step with our instructions on Creativebug.com. We now offer this project as a DIY Kit from our online store and all the supplies we used are listed below.
Creativebug.com is a subscription service and just in time for the holidays has Gift Subscriptions available starting at $24.99 for a month. I love this as a gift for my crafting friends as there are so many great classes available for the holiday season.
About our appliqué class from the Creativebug website:
“Appliqué is beautiful way to add texture, pattern and color to a project. Natalie uses applique to stunning effect in her Alabama Chanin collection, and in this workshop, she’ll share with you her basic technique. She’ll also show examples of how using different stitches and thread result in dramatically different finished looks.”
Our camisole dress is shown in Apple (double-layer) with Anna’s Garden appliqué in Natural placed around the bottom of the dress . The appliqué is sewn with a whipstitch with a single layer of Cream #256 Button Craft thread. We used Red #128 Button Craft thread for construction of the dress and also for the Cretan stitch along the binding. Seams are felled on the wrong side (inside of the garment).
Continuing our conversation around design, craft and fashion, this week we present a Tracy Reese pattern from Vogue Designer Patterns for DIY Thursday. In all my years as a designer, I have not had the chance to meet Tracy, although I have been familiar with her work since the launch of her collection in the mid-1990s. At that time, I was working as a stylist in Europe and spent much of my time in boutiques, reading fashion magazines, and working with clients.
In an effort to understand Tracy Reese’s philosophy, we reached out to her press office for information and received a note stating that they could “not provide any information at this time.” However, this is what I found on the CFDA website:
“Detroit native Tracy Reese is a graduate of Parsons School of Design. Reese apprenticed under designer Martin Sitbon and worked as design director for Women’s Portfolios at Perry Ellis before launching her eponymous collection in 1996. The collection blends the ultra-feminine and nostalgic with modern polish. plenty by Tracy Reese, was introduced in 1998, after a trip to India provided endless inspiration. A joyful color palette, art-inspired prints and playful details are seen on essentials with a bohemian spirit. With flagships in Manhattan and Tokyo, the Tracy Reese and plenty brands have expanded to include footwear, handbags and home goods.”
Martine Stibon remains one of my all-time favorite designers and I used those pieces often during my days as a stylist. I do love the dress that emerged using our organic cotton jersey fabrics with Tracy Reece’s pattern.
In January, we began a conversation about the intersection of Fashion, Craft, and DIY. That dialogue started with our friends at Vena Cava and progressed to our Makeshift events, and continues with adapting patterns from designers like Anna Sui and Donna Karan (one of my personal favorites that I wear often). This week we extend the conversation with a collaboration and pattern from textile designer Anna Maria Horner.
Below are instructions for Alabama Chanin’s basic version of Anna Maria’s dress pattern in Light Golden and Goldenrod, the newest colors in our hand-dyed, cotton jersey fabric collection. These fabric colors, like our Indigo and Coral, are hand-dyed in Nashville, Tennessee, using the osage orange wood and myrobalan fruit in varying amounts to create variation in shades.
Earlier this week, I wrote that, as a designer, I feel a deep connection to Donna Karan. Today, for DIY Thursday, we feature a Donna Karan dress constructed in the Alabama Chanin style. It works up beautifully using our medium-weight organic cotton jersey in a single layer and with our organic lightweight cotton jersey in a double layer for the Outside Reverse Applique, as detailed in Alabama Studio Sewing + Design.
Thank you to those of you who shared your thoughts on the intersection of Fashion + Craft. We are truly inspired and excited by everyone’s interest in the conversation.
As it was difficult to choose a “best” entry, we decided to place everyone’s name in a hat and draw names.
Congratulations Margaret on winning our Anna Sui (+ Alabama Chanin DIY Dress). We hope you’ll wear it fashionably and proudly!
Last month, we began a conversation about the intersection of Fashion, Craft, and DIY. That dialogue started with our friends at Vena Cava and continues this week with a story and a pattern from Anna Sui.
Below are instructions for Alabama Chanin’s basic version of an Anna Sui dress pattern in coral, the newest color in our cotton-jersey fabric collection. This fabric is hand-dyed in Nashville, Tennessee, using the common madder plant, which is native to Africa, temperate Asia, and America. The dye is extracted from the roots of this plant and creates a beautiful coral color.
Get started on your own Anna Sui dress, either basic or embellished, and leave us a note about the intersection of fashion and craft in the comments section of this post by Sunday, February 19th, at midnight for a chance to win the sample dress (size 6) pictured here.
We all encounter bumps in the road, but with encouragement and tenacity, we persevere.
Back in 2001, I faced one in my life. I returned to New York to continue developing my life’s work into what is now Alabama Chanin. At the time, I was living in the Chelsea Hotel on West 23rd Street while I was developing the line, working with partners, and sorting out production issues. One Sunday morning, I woke up feeling extremely frustrated. Continue reading
Last Thursday, we wrote about Vena Cava and began a dialogue (one we plan to continue every Thursday) about the intersection of Fashion, Craft and DIY. While in New York a few weeks back, I sat down for a quick coffee with Lisa Mayock – half of the Vena Cava design team – to share our DIY Dresses and talk about fashion, life, and open sourcing. We appreciate all the response and emails from our post last week and look forward to continuing this conversation. Here, a little chat about the Vena Cava/Vogue Designer Patterns collaboration: