With the publication of our Alabama Studio Book Series, we open sourced our beloved techniques that these living arts might be preserved for future generations. One of the things that we learned along the way is that people who are dedicated to one particular area of craft can also become converts to another area. The art of working with your hands seems to span all disciplines.
We have customers who are woodworkers, potters, scrapbookers, knitters, and crocheters. Particularly, knitters seem to find themselves at home making Alabama Chanin pieces. Perhaps loop-by-loop finds familiarity with our stitch-by-stitch method. Knitters Melanie Falick (my editor) and Mason-Dixon’s Kay Gardiner are now hand-sewing enthusiasts in the Alabama Chanin style.
In the style of “old-school” Alabama Chanin – and perfect for holiday gifts – make our Sister Shirts using mirror-image or mix-and-match sections of your favorite t-shirts. Follow the instructions for our Printed T-shirt Corset on page 155 of Alabama Stitch Book to complete the project.
From the project introduction:
Follow the instructions as given but prepare pattern pieces for two printed T-shirt corsets. Instead of using one of the T-shirts for the whole corset, mix and match by swapping out, for example the center front panel from one of the t-shirts into the center panel of the other. Do the same with the back panels. Ultimately, you will create two shirts that are nearly alike except for the transposed panels.
In the corset tops above, we traded out the Center Back and Middle Front pattern pieces. Leave edges raw and seams floating.
Today, for DIY Thursday, we are featuring a Guy Laroche pattern from Vogue Designer Patterns constructed in the Alabama Chanin style. I never had the chance to meet Guy Laroche, nor have I met the house’s current artistic director, Marcel Marongiu, but I admire their focus on impeccable tailoring. Laroche’s collections once featured billowing empire line dresses; the pattern that we chose to adapt combines the flowing nature of those garments with their famous tailoring skills.
Because this garment was dressier than some of our other Vogue Pattern adaptations, we only made a basic version. We think it is spectacular without embellishment. However, it would be gorgeous with some beading around the neckline or the hem. Either way, this dress is perfect for any upcoming holiday parties.
Our Camisole Dress from Alabama Studio Style is highlighted in a video class on Traditional Appliqué at Creativebug.com. You fill find the pattern sheet for this dress at the back of the book and can follow along step-by-step with our instructions on Creativebug.com. We now offer this project as a DIY Kit from our online store and all the supplies we used are listed below.
Creativebug.com is a subscription service and just in time for the holidays has Gift Subscriptions available starting at $24.99 for a month. I love this as a gift for my crafting friends as there are so many great classes available for the holiday season.
About our appliqué class from the Creativebug website:
“Appliqué is beautiful way to add texture, pattern and color to a project. Natalie uses applique to stunning effect in her Alabama Chanin collection, and in this workshop, she’ll share with you her basic technique. She’ll also show examples of how using different stitches and thread result in dramatically different finished looks.”
Our camisole dress is shown in Apple (double-layer) with Anna’s Garden appliqué in Natural placed around the bottom of the dress . The appliqué is sewn with a whipstitch with a single layer of Cream #256 Button Craft thread. We used Red #128 Button Craft thread for construction of the dress and also for the Cretan stitch along the binding. Seams are felled on the wrong side (inside of the garment).
Continuing our conversation around design, craft and fashion, this week we present a Tracy Reese pattern from Vogue Designer Patterns for DIY Thursday. In all my years as a designer, I have not had the chance to meet Tracy, although I have been familiar with her work since the launch of her collection in the mid-1990s. At that time, I was working as a stylist in Europe and spent much of my time in boutiques, reading fashion magazines, and working with clients.
In an effort to understand Tracy Reese’s philosophy, we reached out to her press office for information and received a note stating that they could “not provide any information at this time.” However, this is what I found on the CFDA website:
“Detroit native Tracy Reese is a graduate of Parsons School of Design. Reese apprenticed under designer Martin Sitbon and worked as design director for Women’s Portfolios at Perry Ellis before launching her eponymous collection in 1996. The collection blends the ultra-feminine and nostalgic with modern polish. plenty by Tracy Reese, was introduced in 1998, after a trip to India provided endless inspiration. A joyful color palette, art-inspired prints and playful details are seen on essentials with a bohemian spirit. With flagships in Manhattan and Tokyo, the Tracy Reese and plenty brands have expanded to include footwear, handbags and home goods.”
Martine Stibon remains one of my all-time favorite designers and I used those pieces often during my days as a stylist. I do love the dress that emerged using our organic cotton jersey fabrics with Tracy Reece’s pattern.
In January, we began a conversation about the intersection of Fashion, Craft, and DIY. That dialogue started with our friends at Vena Cava and progressed to our Makeshift events, and continues with adapting patterns from designers like Anna Sui and Donna Karan (one of my personal favorites that I wear often). This week we extend the conversation with a collaboration and pattern from textile designer Anna Maria Horner.
Below are instructions for Alabama Chanin’s basic version of Anna Maria’s dress pattern in Light Golden and Goldenrod, the newest colors in our hand-dyed, cotton jersey fabric collection. These fabric colors, like our Indigo and Coral, are hand-dyed in Nashville, Tennessee, using the osage orange wood and myrobalan fruit in varying amounts to create variation in shades.
Check out our classes at Creativebug.com and make this Random Ruffle T-shirt:
From the Creativebug Website:
“Basic sewing skills can transform a plain t-shirt into one of your favorite go-to wardrobe pieces. The random ruffle t-shirt uses a simple appliqué technique that’s quick and easy, yet true to the Alabama Chanin style.”
Shown here our T-Shirt Top with Cap sleeves is appliquéd with five ½ inch vertical rows cut across grain of random ruffles. This t-shirt is a single layer of light-weight Silt with the ruffles in light-weight Black. The t-shirt is constructed with Slate thread, using a straight stitch along the sleeves and side construction and a Cretan stitch for the binding. The ruffles are sewn with black thread.
Earlier this week, I wrote that, as a designer, I feel a deep connection to Donna Karan. Today, for DIY Thursday, we feature a Donna Karan dress constructed in the Alabama Chanin style. It works up beautifully using our medium-weight organic cotton jersey in a single layer and with our organic lightweight cotton jersey in a double layer for the Outside Reverse Applique, as detailed in Alabama Studio Sewing + Design.
Here’s our trailer for Creativebug.
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From the Creativebug Website:
“Reverse applique is the signature look of Natalie’s designs at Alabama Chanin. Natalie demystifies the process in this workshop, showing you how to add depth and texture to a cotton table runner. The technique is worked on two layers of fabric, with the top layer stenciled and then stitched to the backing layer. Once stitched in place, parts of the top layer are cut away to expose the color below for a satisfying final reveal.”