Tag Archives: Open Source

DKNY VOGUE PATTERN + AN ALABAMA CHANIN DIY DRESS

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Vogue designer patterns, which are available to all at reasonable prices, are excellent examples of resources contributing to and encouraging the DIY opportunities in modern fashion. The existence and availability of such resources help us to continue our ongoing conversation on Design, Craft, and Fashion and how they intersect.

As part of our ongoing series adapting open-source designer patterns using Alabama Chanin techniques, we selected a dress from DKNY—Donna Karan New York—the mainline label for the Donna Karan brand. I’ve written before about the connection I have with Donna Karan as a designer and we’ve previously featured another of her Vogue patterns as part of this DIY series.

This modern shift dress pattern is flattering on all body types, simple enough for beginners, and can be easily accessorized and embellished. We made both a Basic version, as well as an embellished version, featuring the Check pattern, our Stencil of the Year.

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DIY HEARTS JOURNAL

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I’ve kept a journal, or some type of notebook, on and off since I was fifteen years old. My current journal is full of messages, reminders, sketches, and sweet notes and drawings I’ve collected from Maggie over the past few weeks—which, since Valentine’s Day is fast approaching, includes a lot of heart-shaped and heart-adorned things.

I first started making these covers for well-worn (and well-loved) books. Soon, most of my binders, notebooks, and journals had covers, as well. Each time I retire a journal to my shelves, I slip a new one into my hand-sewn cover.

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SWATCH OF THE MONTH: FEBRUARY 2014

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February’s Swatch of the Month illustrates a variation on Alabama Chanin’s basic reverse appliqué technique in our Anna’s Garden design. With a membership in our Swatch of the Month Club, you can try out a different technique each month. You may purchase a Swatch of the Month membership at any point in the year and will receive all swatches from previous months. Follow along on the Journal as we demonstrate some of our most popular embroidery and embellishment techniques.

This photograph shows the second installment of the year: outside reverse appliqué. View January’s swatch—basic reverse appliqué—here. (This hi-resolution photograph, for use as your computer desktop background, is available for download from our Resources page.) Outside reverse appliqué is very similar to basic reverse appliqué. The only difference between the two techniques is that outside appliqué does not leave any textile paint on the fabric.

Each Swatch of the Month kit comes ready-to-sew with all of the notions needed to complete the project. Just provide your own needles, pins, and scissors (or purchase an Essential Sewing Kit from our online store). Techniques and instruction can be found in Alabama Studio Sewing + Design.

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AN ALABAMA CHANIN FAMILY OF BUSINESSES

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Those of you who have followed Alabama Chanin for years know that this company was built around the concepts of expert craftsmanship, beauty, function, and utility. Focusing on using sustainable, organic, and local materials and labor, we have committed ourselves to producing quality products made in the USA.

As we grew, the company developed a life of its own that emerged as a multi-fold organization—while staying true to the original mission and business model. We encouraged organic growth, without forcing ourselves to fit into a traditional mold. We recently began referring to what has emerged as the “Alabama Chanin Family of Businesses”—a heartfelt nod to the Zingerman’s approach and their Community of Businesses. Each of our divisions has individual specialties, yet all fall under the same mission established for Alabama Chanin. Our philosophy guides each arm and we all work together toward the same goal: creating beautiful products in sustainable ways that enrich our customers, community, and co-workers.

From our mission statement:

At Alabama Chanin, we preserve traditions of community, design, producing, and living arts by examining work and life through the act of storytelling, photography, education, and making.

Thoughtful design. Responsible production. Good business. Quality that lasts.

A guide to our growing family of businesses:

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Alabama Chanin—the heart and head of our family of businesses—began early in 2000 with the creation of hand-sewn garments made from cotton jersey fabric—and retains the same intention and integrity today. Heirloom pieces are made from 100% organic cotton, sewn by hand through a group of talented artisans who each run their own business, in their own time, and in their own way. The company strives to maintain sustainable practices—across its disciplines—and create sustainable products, holding ourselves to the highest standards for quality.
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SWATCH OF THE MONTH: JANUARY 2014

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January’s Swatch of the Month incorporates Alabama Chanin’s basic reverse appliqué technique with our Paisley stencil. Explore our techniques and build your skills with a membership to our Swatch of the Month Club and follow along here on the Journal.

The photograph above shows one of many options you can create when making your own swatch. (This hi-resolution photograph, for use as your computer desktop background, is now available for download from our Resources page.)

Experiment with your swatch. You can work it in reverse appliqué like we did, or use another treatment: negative reverse, backstitched reverse, quilted, or embellish with beaded stitches. Reverse appliqué can be done by beginners and experienced sewers alike and is worked on two layers of fabric: The top layer is stenciled and then stitched to the backing layer; next, part of the top layer is cut away to reveal the backing fabric underneath.

Each kit comes stenciled and ready-to-sew with all of the notions needed to complete the swatch—just provide your own needles, pins, and scissors (or purchase an essential sewing kit). Colorway options include Navy/Black (our design choice), White/Natural, Neutrals, Reds, and Blues.  Techniques and instruction can be found in Alabama Studio Sewing + Design.

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DIY BUNNY RABBIT

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This stuffed bunny rabbit is Alabama Chanin’s version of the old-time childhood favorite, the sock monkey. My grandmother used to make sock monkeys for all the children in our family. Each one she made took its own personality and looked different from the others. Our DIY Bunny Rabbit doll is an easy project to complete, and is a perfect handmade gift for the little ones this holiday. And each time you make this project, your bunny will take on its own unique personality, much like the well-loved sock monkeys from my childhood.

Get creative with your bunny rabbit – you can customize the fabric colors and embroidery floss, change his face to reflect any mood, or even turn him into another woodland creature. (One of our studio team members recently made a little stuffed bear by altering our pattern a bit.)

All of the instructions for this bunny, along with the pattern, are available in Alabama Stitch Book. The pattern is also available for download on our Resources page.

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THE BOLERO AND ERRATA

BOLERO AND ERRATA

The Bolero is a popular item for those of us in Alabama, as spring and fall temperatures (and in some years, mid-winter) can swing from 50 degrees to 80 degrees in the course of one day. It is an easy piece to toss into your bag on the way out the door and an effortless way to accessorize your look in any weather.

We shared the pattern for this garment in Alabama Studio Sewing + Design, with four variations of how it might be constructed: sleeveless, with cap sleeves, short sleeves, and long, fluted sleeves. It can be completed quickly, regardless of your chosen style, and requires only 1 yard of fabric or so. Imagine our surprise, and disappointment, when some readers reported that their Boleros weren’t coming together as expected, that the pattern was a little bit off. Errata déjà vu.

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CRAFTSY CLASS (A RECAP)

CRAFTSY RECAP

This past February, Alabama Chanin partnered with the team at Craftsy, an online community of makers who offer projects, craft ideas, and courses on dozens of topics. Our online class, Hand-Embellishing Knit Fabric: Stenciling, Appliqué, Beading, and Embroidery, has provided us with a new way to interact with our fellow makers and has given us the opportunity to share just a few of the techniques that we teach in our Workshops.

We have talked before about the concept of online learning and how the Internet is making education opportunities that were once expensive and inconvenient cheaper and more accessible. Enrolling in online courses takes geography out of the equation. It is no longer essential to sit in a physical classroom with other participants. You don’t have to plan your life around when classes are scheduled. Online classes, like our Craftsy course, allow you the opportunity to learn the same stitches and techniques as someone on the other side of the country, or the world.

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INDIGO FLAG QUILT

INDIGO FLAG QUILT - photograph by Robert Rausch

I am a child of the 1960s…no way around it. And, while denim has been around since 1860’s-era France, the decades of the 60’s and 70’s jump to my mind when I think of this fabric. That era also makes me think of all the controversy around the American Flag and its use as a symbol on both sides of divisive matters like segregation, the Vietnam War, and other social issues. Images of Abbie Hoffman, clad in his American Flag button-up shirt, alongside flags made entirely of cut-up old blue jeans come to mind. Like I said, a child of the 60’s.

We recently received a comment, referring us to the United States Flag Code, suggesting that our American Flag Quilt doesn’t adhere strictly to the advisory rules. I want it to be clear that I love my home and our flag—that symbol of home. The Alabama Chanin representation of the American flag is made by stitching together disparate pieces to create a beautiful, larger whole. We take care with every small scrap of fabric, embroidering each stenciled piece so that when inspected up close, you can see the detail involved; each small piece painted with a different stencil; stitched using a different technique; each technique modified to highlight the possible variations; all somehow fitting together…much like our country.

INDIGO FLAG QUILT - photograph by Robert Rausch

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DIY GARDEN GEOMETRY SKIRT

GARDEN GEOMETRY SKIRT

Earlier this year, we featured artist, friend, and collaborator, Anna Maria Horner. As that week came to a close, we were inspired by Anna Maria’s elaborate needlepoint projects and decided we would experiment with more involved embroidery techniques ourselves. For our first project, the  Embroidered Flowers T-shirt, we mixed traditional embroidery stitch work with retro patterns using modern silhouettes. We adapted a vintage McCall’s pattern for the floral embroidery design and used the Alabama Chanin T-shirt pattern as the base. The result was relatively simple to complete.

For this project, our Garden Geometry Skirt, inspired by Anna Maria’s pattern of the same name (and available in Anna Maria’s Needleworks Notebook), we adapted our Swing Skirt, creating intricate embroidery designs on a larger scale. In her book, Anna Maria writes, “this is by far the most straightforward approach I have made toward the traditional way of creating a crewel design.” As she also mentions, the pattern lends itself to enlargement and experimentation. The result is a colorful expression of our experimentation. Make your own Garden Geometry Skirt using fabric and thread colors that suit your personal style. There are stitch and pattern diagrams available in Anna Maria’s Needleworks Notebook that can help direct your design.

GARDEN GEOMETRY SKIRT

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