As part of our On Design and Makeshift conversation and event series, we have led discussions on various design movements and schools of thought (like Bauhaus, Arts and Crafts, and Memphis), the business of artisan craftwork, and designers like Charles and Ray Eames. This week’s discussion takes a turn toward a new design arena—Biophilic Design and Terrariums.
The speaker today was Birmingham-based artisan Jonathan Woolley, whose collective—known as Little Forest Design—has given The Factory entrance a facelift by installing a beautiful tableau of terrariums. The effect is transformative; bringing natural elements into our workspace influences not only our work environment, but also our mood and productivity.
Response to the installation reflects the basic philosophy behind Biophilic Design—that incorporating nature into living and working environments can affect mental and physical health, and allow for healthier connections within communities. The design theory presents the idea that humans fundamentally need a connection to nature, but our urban environments have separated us from those elements that might nourish our spirits and physical bodies. Biophilic Design is a way of reconnecting people to nature in a way that incorporates natural elements into current living and working systems.
In preparation for his presentation, we asked Jonathan to give us some background on the theory of Biophilic Design and his design collective, Little Forest Design.