We’ve written about our friend Phillip March Jones on our journal before – we carry his newest publication, Points of Departure, in our online store. Institute 193 in Lexington, Kentucky, is his gallery, a music venue, and multi-faceted publisher, which recently released a compilation of recordings from artists who have performed in the space. Phillip joins us as a contributor to the journal, with an introduction to 193 SOUND.
Sound is a mechanical wave that is an oscillation of pressure transmitted through a solid, liquid, or gas, composed of frequencies within the range of hearing. 193 SOUND is a collection of musical sounds: continuous, regular, and in this case, site-specific vibrations that tell the story of our small space, Institute 193, in Lexington, Kentucky. This compilation records the artists, performers, musicians, and general sound-makers who have emitted, transmitted, and radiated their own SOUNDS from within our walls and that now travel into your range of hearing.
Institute 193, a project I began in October 2009, is a non-profit contemporary art space and publisher that collaborates with artists, musicians, and writers to document the cultural production of the modern South. We produce exhibitions, books, and records with the goal of unearthing significant ideas from the region and sharing them with the world. Institute 193 engages and directs, steering and shaping projects into reality without sanitizing the vision of the artist.