Tag Archives: Photography

NEVER A PAL LIKE MOM (AND ROSANNE CASH)

NEVER A PAL LIKE MOTHERWe’ve quickly fallen in love with Dust-to-Digital’s recordings and hardcover book compilations. The third in our series, Never A Pal Like Mother: Vintage Songs & Photographs of the One Who’s Always True, is perhaps the most sentimental and most resonating collection yet.

NEVER A PAL LIKE MOTHER

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DUST TO DIGITAL: I LISTEN TO THE WIND

I LISTEN TO THE WIND

Last  week  we wrote about Dust-to-Digital’s Drop on Down in Florida, a 2 CD release highlighting African American music traditions in Florida, paired with a 224-page hardcover book. Dust-to-Digital is a unique recording company: part archivist, part celebrator of cultural artifacts. We will be talking about several of these awesome (by the original definition) releases over the next few weeks.

i listen to the wind that obliterates my traces: music in vernacular photographs, compiled by Steve Roden, is a 2 CD set and 184-page hardback book exploring an unusual collection of recordings and old photographs related to music.

I LISTEN TO THE WIND

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PHILLIP MARCH JONES

POINTS OF DEPARTURE by Phillip March Jones

Writer, artist, and curator Phillip March Jones’s latest book, Points of Departure, is a collection of roadside memorial Polaroids depicting scenes of reality, often stark eulogies on road sides, highways, and Interstates, that we routinely speed pass by in our busy lives. The collection demonstrates an irony between our hurried motion and the absoluteness of departure the memorials commemorate, as if the two, at least at moments, exist in parallel universes.

A busy man himself, Phillip March Jones is the founder of Institute 193 – a non-profit contemporary art space, small-scale publishing house, and cultural centre in Lexington, Kentucky – and the director of the Souls Grown Deep Foundation, committed to raising public awareness of African-American vernacular art of the South. We were able to catch up with Jones for a quick Q&A about his newest book.

POINTS OF DEPARTURE by Phillip March Jones

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FROM SARA: BILL CUNNINGHAM (POST FASHION WEEK)

BILL CUNNINGHAM - SCENE FROM THE MOVIE "BILL CUNNINGHAM NEW YORK"I don’t want to overstate the obvious, but most of you would know that I am neither a New Yorker nor a fashion expert. While I enjoy style and design and I’m somewhat awed by the city, it’s clear to any observer that I’m native to neither. But, there’s something about Bill Cunningham that makes me feel comfortable with both. He lives and roams in the intimidating worlds of fashion and Manhattan, but manages to do so in an unpretentious way.

This weekend I re-watched the feature-length documentary Bill Cunningham New York, which profiles this prolific photographer and wise fashion observer and, once again, this eighty-something gentleman captured all my heart. Sometimes, as a fashion outsider, I imagine that NY style begins and ends on the runway. Bill Cunningham is a firm believer that this notion is not true. “The best fashion show is definitely on the street – always has been, always will be,” he assures us. His “On the Street,” column in the New York Times is a collage of on-trend people, items, movements, and real-time style progressions. In the film, Harold Koda, Curator of the Costume Institute/Metropolitan Museum of Art, explains that Bill attempts to “tease out trends in terms of the reality of how people dress.” Cunningham himself demurs, “I don’t decide anything. I let the street speak to ME.”

BILL CUNNINGHAM FOR THE NY TIMES

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DESKTOP OF THE MONTH: NOVEMBER

For November, we’re featuring the Couching technique as our Desktop of the Month. Couching lends substantial weight and warmth to any garment. The final days of October brought quite a chill to Alabama, perfect weather for my favorite couched coat. I love pulling out my coats for the first time of the season; a sure-fire signal fall has arrived and the holidays are just around the corner.

We hope you have a cold-weather favorite you reach for year after year. Or, if it’s time to start working on a new favorite, you might consider making your own coat and embellishing with the Couching technique. The Alabama Chanin version of the technique is featured on page 110 of Alabama Studio Sewing + Design and shows several variations to work using beads or cotton yarn with a parallel whipstitch.

This hi-resolution photograph, for use as your computer desktop background, is now available to download from our Resource Downloads.

xoNatalie


OXFORD, MISSISSIPPI

Our BBQed dresses have been carefully hung along side the stunning photographs of Landon Nordeman and the smell of barbeque fills the room. We are en route to a weekend of storytelling and out-of-this-world food (and spirits).

 

Join us tonight in Oxford, Mississippi, for Punch, Pictures, and ‘Cue Couture, as part of the Southern Foodways Alliance’s 15th Annual Symposium, Barbecue: An Exploration of Pitmasters, Places, Smoke, and Sauce.

The Powerhouse
13 South 14th Street, Oxford, Mississippi 38655

Opening reception:
October 18th from 4:00pm – 6:00pm
(The reception is free and open to the public and will feature the cocktail stylings of Greg Best from Holeman & Finch Public House in Atlanta, Georgia.)

Show runs through November 2, 2012 from 9:00am – 5:00pm each day.

Thank you to the Yoknapatawpha Arts Council, Melissa Hall, and John T. Edge for the inspiration and hard work that helped make this exhibition possible.

1006 Van Buren Avenue
Oxford, Mississippi

Thursday, October 18th: 10:00am – 5:00pm
Friday, October 19th - 20th: 9:00am – 5:00pm
Saturday, October 20th - 20th: 9:00am – 6:00pm
Sunday, October 21st: 9:00am – 2:00pm

For more information, contact: office@alabamachanin.com or Amelia Presents: +1.901.355.0311.

KODACHROMES (AND A LANDSCAPE FOR HOMESTEADING)

There are certain places you must see for yourself to have better understanding of a culture and people.

Through his Kodachrome images, photographer William Christenberry is somehow able to take you to places you’ve never been and give you insight on people you’ve never encountered. He tells beautiful (sometimes forlorn) tales spanning five decades in the rural South. Shot with 35mm Kodachrome slide film, the photographs feature white-clad churches, brick facades, overgrown landscapes, and rusted signage; they focus on rural locations, rather than individuals, but still manage to depict the humanness of the locales.

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LEARNING FROM THE VERNACULAR

“It is essential to remember that as many arts of living exist as cultural nuances and beliefs.”

I posted about Deidi von Schaewen’s work back in 2010 when her “Learning from Vernacular” first appeared as an exhibition to be seen only by train.

Now, she takes the work one step further in an exhibition that “proposes a world tour of traditional architectures, known as ‘vernacular’, presented in models, films and photographs.”


Deidi von Schaewen by Deidi_vonSchaewen Continue reading

PENLAND MOMENTS (AND HEADED HOME)

It has been a wonderful two weeks at Penland: learning, exploring, resting, dreaming. I dread leaving this magical place and at the same time I look forward to going home and using the tools I learned here to become a better designer. As I pack the car, we leave you with a few shots of the tools of Penland.

Happy trails and a great weekend to all…
xoNatalie

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