“When the last worker passed through the doors of White Furniture Company in May of 1993, hardly anyone beyond the city limits of Mebane, North Carolina, noticed. In national terms, it made little difference that 203 men and women were out of work or that a venerable, family-owned firm (the ‘South’s oldest maker of fine furniture’) had been sold to a conglomerate and now was being shut down. After all, what happened to White’s is hardly unique. In the 1990s, in every walk of life and on all social levels, Americans have had to learn a new vocabulary of economic anxiety – layoff, outsourcing, buyout, off-shoring, downsizing, closing. The statistics are mind-numbing: 70,000 people laid off from General Motors in 1991; 50,000 workers from Sears and 63,000 from IBM in 1993; 40,000 from AT&T in 1996. In these times, why should we care about the closing of one furniture factory in a small southern town?”
Davidson’s text accompanies Bill Bamberger’s photographs, which document the closing of this small American factory and capture the artisans, many of whom were masters of their craft. White’s Furniture Company operated by assembly line, though many of the details were executed by hand. The company was small, almost unknown, but to people in the know, White’s was regarded as one of the highest quality furniture crafters in America. Though Closing was published in 1999, nearly fifteen years ago, the trend of downsizing and outsourcing has continued, and our American factories have all but disappeared. Production, as we well know, has mostly been shipped overseas.
This year, with MAKESHIFT 2013, we expand ideas that were born from MAKESHIFT 2012 to create a global conversation among artists, designers, and makers. The first part of the MAKESHIFT 2013 SERIES took place at the Standard, East Village where panelists and conversation guides Cathy Bailey – Heath Ceramics, Rosanne Cash – Singer/Songwriter, Natalie Chanin – Alabama Chanin, Jessamyn Hatcher – Professor of Global Studies, NYU, Nathalie Jordi – People’s Pops/Writer/Author, Tift Merritt – Singer/Songwriter, Andrew Wagner – Krrb, and Kristen Wentrcek – Wintercheck Factory, shared their stories and experiences involving collaborative projects and making within their industries. Throughout the evening, guests were invited to express their thoughts from the conversations, literally or conceptually, using an organic cotton tote bag from Alabama Chanin as a blank canvas. A variety of materials were also provided to design, decorate, and customize each bag.
June’s Desktop of the Month celebrates the idea of collaboration. Alabama Chanin @ Heath Ceramics have worked together to create some beautiful pieces that we have loved and put to good use. But, this pattern, The Camellia, highlights the intersection of design and craftsmanship perfectly; the white glaze shows off the intricate hand-etched floral pattern and the pattern, itself, compliments the curves and shapes of the place settings. You can purchase the available pieces from Heath Ceramics or our online store. Or, download this desktop image to brighten your workspace.
This hi-resolution photograph, for use as your computer desktop background, is now available to download from our Resources page.
Last week we wrote about Dust-to-Digital’s Drop on Down in Florida, a 2 CD release highlighting African American music traditions in Florida, paired with a 224-page hardcover book. Dust-to-Digital is a unique recording company: part archivist, part celebrator of cultural artifacts. We will be talking about several of these awesome (by the original definition) releases over the next few weeks.
Writer, artist, and curator Phillip March Jones’s latest book, Points of Departure, is a collection of roadside memorial Polaroids depicting scenes of reality, often stark eulogies on road sides, highways, and Interstates, that we routinely speed pass by in our busy lives. The collection demonstrates an irony between our hurried motion and the absoluteness of departure the memorials commemorate, as if the two, at least at moments, exist in parallel universes.
A busy man himself, Phillip March Jones is the founder of Institute 193 – a non-profit contemporary art space, small-scale publishing house, and cultural centre in Lexington, Kentucky – and the director of the Souls Grown Deep Foundation, committed to raising public awareness of African-American vernacular art of the South. We were able to catch up with Jones for a quick Q&A about his newest book.