Tag Archives: Press

YOU CAN’T FAKE FASHION (PART 2)

YOU CAN'T FAKE FASHION

In 2005, I was inducted into The Council of Fashion Designers of America.  Long before that time (and during my days as a stylist in Europe), I didn’t really know what the CFDA was (or did). However, the organization was founded in 1962 by Eleanor Lambert as a not-for-profit trade organization to support American womenswear, menswear, jewelry, and accessory designers. Today, the CFDA consists of over 400 members across the nation (we have 2 from Alabama). Their mission statement has grown to reflect a desire to “advance artistic and professional standards within the fashion industry, establish and maintain a code of ethics and practices of mutual benefit in professional, public, trade relations, promote and improve understanding and appreciation of the fashion arts through leadership in quality and taste, and to support the overall growth of American fashion as a global industry.”

Some of the programs growing out of this agency include the CFDA/Vogue Fashion Fund for which Alabama Chanin was a finalist in 2009 and which Billy Reid (the other CFDA member in the state of Alabama) won in 2010. Other programs include CFDA Fashion Awards, Made in Midtown, and the great {Fashion Incubator} program, among many others.

YOU CAN'T FAKE FASHION

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HOMEGROWN GOWN

NO'ALA BRIDALWe (HEART) this story in the newest NO’ALA Magazine (on pages 110-117) about our custom made Bridal gowns:

NO'ALA BRIDAL

It takes a village:

“Once the elements of the gown are chosen, Diane, the master seamstress, measures the bride and Carra-Ellen cuts the fabric and prepares the pattern. Steven, the production manager, applies the stencil to the fabric using an airbrush technique. And with Natalie’s stamp of approval, Olivia prepares the kits for the artisans.

The artisans, who are all from the North Alabama area, are independent contractors, who charge per square inch, depending upon the intricacy of the stitching. This cottage industry-style production model allows artisans to work from their own homes and set their own wages.”

NO'ALA BRIDAL

Plan ahead:

“Brides should allow three weeks for online orders and several months for a custom gown. ‘It’s a slow process,’ says Lyndsie, ‘but it’s well worth the wait.’”You can contact Lyndsie: office (at) alabamachanin.com and read the whole story here. Look for our new bridal line to launch soon.

NO'ALA BRIDAL

P.S.: What did you wear to your wedding(s)?

“A handmade silk slip underneath a silk brocade, baby blue fur-collared evening coat from Anna Molinari, heels, and a diamond choker,” says Natalie. “Totally 1996.”

THE YEAR IN EATS (+ A NEWFOUND LOVE FOR SORBET)

This year saw our Journal take a more structured tone and we devoted particular days to particular topics. Wednesday’s became Recipe Wednesday and we worked to get ourselves organized and cook. EVERY WEEK.  It was quite a feat of organization since we also run the production office, online store, design, pay bills, and as I mentioned on Monday, also manage this Instagram, Twitter, Tumblr, Pinterest, and Facebook. It’s a lot of content. Erin joined the team full-time early in the year, Sara continues to make this stuff worth reading, we planted the garden (again), and we got cooking.

My biscuit recipe made it into the Wall Street Journal thanks to Charlotte Druckman. (More on Charlotte’s terrific new book Skirt Steak in the coming months.)

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SOUTHERN LIVING: THE TWELVE GIFTS OF CHIRISTMAS

Chosen by Southern Living as one of ‘The Twelve Gifts of Christmas, our sewing workshops are a perfect “gift trip”.

We love this description: “Homesteading, Vogue-reading heroines with an appreciation for intricate, eco-friendly design.”

Give our (new) One-Day Studio Experience (even to yourself) and get a 20% off holiday discount.

STORIES FROM THE COTTON FIELD: 9/3/12

Sent: Monday, September 03, 2012 6:47 AM
Subject: Dayum (Georgia word for Damn) Rain

The rain and storms yesterday evening continued to send rain until this morning.  About 5:00 am the rain was coming in waves and it sounded like the ocean.  It is odd to me that Mother Nature that gives us so much beauty,  can wave her hand and destroy so much.   Anyway,  I’ll be taking a row boat to check our little cotton field as soon as I get some coffee.  Yesterday I was picking the beautiful first bolls that have opened on each plant.  It was so light and fluffy and gorgeous.

This morning the words “as soon as it rains on the open bolls they start to deteriorate” are causing my head and my heart to ache.  In review,  lets us all remember that the little cotton field was planted May 10 and got one light rain 3 days later and then the 6 week record breaking drought in Alabama began.  The cotton struggled to grow and survive without a drop of water for 6 weeks. In the final days suddenly one night it rained 6 inches and flooded creeks in the area and roadways.  The rain brought forth giant weeds but it brought the cotton from knee high and shriveled to waist high and loaded with bolls!  Now we are faced with the fact that cotton doesn’t open out all at once.

The first blooms on the lowest branch are the first bolls to open, and then the next level (node) of branches will have their bolls open and then the next and so on.  The first bolls are the ones that receive the most nutrients and are the best.  The top of the plants have blooms that will probably be killed by frost before they ever open into cotton.  People who picked cotton always picked a field twice.  The large machinery that harvests cotton picks once and leaves a tremendous amount on the ground.

Coffee is ready;  I’ll shut up now.  I’ll keep you posted,

Love always,
-Lisa
(Poet Laureate of Cotton)

P.S.: At least there were no tornadoes and everyone is okay despite the strong storms.  Keep your fingers crossed for our little field. More on the Official Picking Party coming this week. xoNatalie

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EcoSalon: NATALIE CHANIN ON WORKING HER OWN ORGANIC COTTON FIELD

Thanks to Amy DuFault and EcoSalon for sharing the story of our cotton on their blog today:

Last week, the Alabama Chanin team, along with friends Lisa and Jimmy, took to the organic cotton field we share with the team from Billy Reid. With rubber boots, loppers, and gloves in hand, we were there helping our organic cotton bolls survive after a long summer of drought and heat followed by excessive rain and weed growth.

We walked the rows, hoed, chopped, and pulled until the sun and heat forced us out of the field. Hard to imagine the days in Alabama heat where people were not allowed out of the field. Makes me think about how things were, how things are, and how things will be.

Nine of us barely made a dent in the work that needs to be done. As we documented the day with black and white images, it looked so romantic and felt like a moment from a Willa Cather novel. But the reality behind the black and white is a sordid, ugly history. I can’t pretend that I didn’t think about those that did this work because they had no choice. But I live TODAY and I WANT to grow organic cotton in the state of Alabama TODAY.

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FASHION & SUSTAINABILITY: DESIGN FOR CHANGE

“Sustainability is the forerunner of greater diversity and choice, not less.”
- Paul Hawken

In the book Fashion & Sustainability: Design for Change, our friends Kate Fletcher and Lynda Grose tackle the issue of sustainability in the fashion world. Within its pages you will discover practices that have the potential to transform the fashion system for the better. From framework to production to design practices, Kate and Lynda break down the topics that matter when it comes to the design process of the fashion industry.

Their work challenges designers and manufacturers to consider their practices and the impact they have on the environment. Reduce, re-use, and recycle are words we hear often, but this book offers real ways to integrate those words into daily practices. Not only that, it shares how to do so with little cost or interruption to the manufacturing or creative processes; you might even say it enhances these processes by challenging creators to explore new methods and materials.

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GARDEN & GUN (+ A TOMATO SANDWICH)

Thanks to Garden & Gun for making our dinnerware their Editors’ Pick for the June/July 2012 issue.

Beautifully hand-crafted pieces.

Perfect timing for summer parties and entertaining.

Even better timing for my summer tomato sandwich diet (recipe included).

The etched salad plate is the perfect size for a single, delicious sandwich and I’ve got tomatoes in my garden almost ripe for the picking.

Alabama Chanin for HEATH Ceramics is available for purchase from Cook + Dine or from Heath’s website.

RECIPE FOR PRESS + AMY FLURRY

For a small company in a small town, we’ve received quite a bit of media attention. This is particularly amazing when you consider our nonexistent advertising budget. With the exception of a couple of classified listings in our local paper, I can’t recall having ever purchased an ad. Even though we have been fortunate in this particular area I can say, without a doubt, that our approach would have been different had I read this book sooner.

Amy Flurry’s Recipe for Press has been called “THE DIY guide to being your own publicist!” and I couldn’t agree more.

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INDIGO STAR QUILT

A big THANK YOU to Vogue for including our hand-sewn Indigo Star Quilt in this month’s issue.

With a finished size of 57” x 72”, the quilt is available for purchase from our Online Store for $3110.00. The quilt is hand-sewn from a mixture of indigo-dyed, and 100% natural organic cotton.

You can also purchase a DIY Indigo Star Quilt Kit from our Online Store, available in two options:

1) Fabrics + Notion. For $179.95, you can purchase materials that you will cut and prepare yourself. Please visit our online journal for the patterns and detailed instructions.

2) Ready-to-Sew. For $435.00, the material will be cut and sent to you ready-to-sew.