Tag Archives: Real Women

BREAD PUDDING + VISITORS

Last month, I had the incredible honor of hosting a studio visit from three amazing women who have inspired me for years. On a beautiful summer day, Rosanne Cash, Gael Towey, and Maira Kalman arrived in Florence for a two day sewing workshop and adventure. The idea for the trip was hatched on a spring afternoon in New York City and I can hardly believe that it actually happened. With incredibly busy schedules, these three women cleared their calendars, bought their tickets, organized their lives, picked up their daughters, and headed south.  Gael Towey (an incredible woman who has shaped the look of modern life as we know it) wrote about their Alabama adventure for Martha Stewart’s “Up Close and Personal Blog”. I spent an amazing afternoon with Gael talking about all things design and inspiration… that post will be coming in the next weeks.

Magpie + RUTH, my son Zach’s catering company, made a fantastic lunch for us each day. The bread pudding recipe below was a favorite with the entire crew, our Alabama Chanin team, and the photo above a favorite with our Facebook followers.

Bon Appetit,
xoNatalie

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ANNA MARIA HORNER

It is so easy to sing the praises of Anna Maria Horner. Our frequent readers know that she has appeared on our blog before and is a friend and inspiration to Alabama Chanin. I adore her personality, a perfect mixture of sweet, sincere charm and biting wit. Her joy for life is irresistible and her prolific work is astounding.

Anna Maria is a designer of beautiful, bright fabrics, along with a host of other accessoriessewing books, and patterns. Her designs feature numerous, delicate flowers, creative shapes, and intertwining lines. In her collections, color is not a foreign concept and patterns are for mix + match. Over the years, she has partnered with more than two dozen manufacturers to design home-wares, gift items, textiles + much more. She is even the new face of Janome, a leader in sewing technology.

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SARA’S LIVING ARTS

When I began work at Alabama Chanin almost 10 years ago, I had no concept of what the company did or what it would eventually mean to me. I walked into my interview in my only suit, having answered an advertisement in the paper. As soon as I found out what the company did, I broke into a cold sweat.

Luckily for me, they hired me. As I worked each day at my computer, I would glance over at the beautiful garments being produced with a jealous eye. I wanted to know how to make things as amazing as these. But I didn’t know how.

Natalie has often talked about the importance of preserving the “living arts,” those things that are essential to our survival – things that we as a society have forgotten or simply chosen not to learn. I was a perfect example of the person who never learned these skills.

My mother cooked family dinners, but she worked hard all day and it sometimes seemed a joyless task for her. She could make delicious meals, but after a day’s work it was often a chore. I was always fascinated to watch my paternal grandmother – a former cafeteria cook – craft large, luscious meals. I would watch pots bubble on the stove all day, their contents creating amazing smells. She was happy as she stirred those sauces or rolled out her biscuits; there was real joy and pride there. I wanted to understand it.

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SARA: ON BEAUTY

As Alabama Chanin has grown, part of the beauty of this growth has been my ability to watch our employees and families spread their wings, grow, and find their voices. A few months back, June started to use her voice to tell our stories through her own experiences. Today, Sara Martin makes that same leap and stretches her voice. As I wrote about Sara a few weeks back, she was like a child when she first showed up at my studio. What a treasure to see her make this leap from child to beautiful woman. A hearty Alabama Chanin welcome to Sara’s voice on this blog… xoNatalie

I’ve never been conventionally beautiful. I’ve always known this. I’m just a little bit shorter, a little rounder than the pretty girls; I’ve always laughed a little louder, been a bit more vulgar and less delicate than a southern woman is expected to be. Like most young girls, I struggled with trying to figure out what it meant – this difference. And I tried to negotiate my way through what was expected of me and what I expected of myself.

In the not-so-distant past, tattoos were considered unattractive; to many, they still are. Tattoos have long been the domain of sailors, bikers, outlaws and prisoners. So, how do we reconcile this type of art with femininity? Is it possible to love the skin that we live in and still change it?

Most women I know use some sort of enhancement to make them feel better about what they see as imperfections. Many dye their hair – or buy someone else’s hair to improve upon what they naturally have. We’ve been known to wear high heels to make us taller and Spanx to make us thinner. Some women look to plastic surgery, Botox, face creams and bronzers to enhance the figures and faces they were born with. For me, the process of learning to love myself meant getting underneath my own skin.

I got my first tattoo right out of high school. I found that I liked the way that it made me feel about myself. I got another, and then another. Most of them were easily hidden – something I kept for myself or revealed only to people that really knew me. As I slowly gathered these pieces I discovered that, even in moments of intense self-loathing, I had something about myself that I loved. I chose this about myself. I may not have loved what my thighs looked like, but this I was proud of. I did this.

Now, as an adult, I’ve finally come to terms with who I am on the inside. I like my loud laugh and my off-color jokes. I’m learning more and more to love who I am outside, too. But, I still struggle with some things, as most women do. These days, I view my insecurities as mountains or undiscovered continents – somewhere to conquer and plant a flag. My arms are my latest Mount Everest. I’m learning to love them, but on my own terms and one tract of skin at a time.

I’m still a work in progress. I’m painting my masterpiece, one bit of ink at a time.
- Sara

P.S.: Sara’s Reverse Applique Alabama tattoo (Note the Angie’s Fall Pattern)  by Adam “The Kid”, at Kustom Thrills in Nashville, Tennessee, + photo thanks to Gina R. Binkley.

THE HEART: SARA MARTIN

If you have been able to read this blog without finding a comma splice and with only an occasional misspelled word, this is because of Sara Martin. Sara came to work with our company when she was a baby – not that she really was, it just felt that way back in 2003 when she started. She brought computer skills, writing skills, a sense of humor and a willingness to do anything; she also brought her own tools to cut plywood to grace my newly purchased shelves, inventoried and organized my reference library, made systems, and generally kept us straight.

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ECO SALON FRIDAY: A TRIP OF ONE’S OWN

Those of you who follow us on Twitter, Facebook and/or Tumblr, know that I was in New Mexico over the holidays. What resulted from this adventure was a love for the west and an understanding of why so many artists and creative types have settled to work there.  I was deeply impacted by the beauty, spirit, and (perhaps mostly by) the clear, crisp air. The day my friend Jennifer and I landed we spotted four rainbows.  Our friend Jeff wrote that such an unlikely experience is “possibly an indicator of good fortune to come.”

My blog post at EcoSalon this Friday is about our trip and the inspiration I found in a woman – long dead – named Mabel Dodge Luhan.

Thanks to EcoSalon for the continuing bi-weekly collaboration – read all of my stories there and make sure you let them know what you like.
xoNatalie

A TRIP OF ONE’S OWN

“I can’t believe that I am doing this.” Wait. Laugh. Repeat.  These were the words I kept echoing over and over again as I sat at Gate B27 in the Atlanta Airport. My girlfriend, Jennifer Venditti, is sitting across from me, looking like a vision of New York City chic. I stare at her in amazement. We are waiting to board a flight to Albuquerque, New Mexico, with plans to catch up on the last six months of one another’s lives.

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ROSANNE CASH + KRISTA TIPPETT, THANK YOU

Rosanne Cash has become one our favorite clients, friends, and points of inspiration over this last year. (Yes, thank you, it has been a very good year and we have lots of reasons to be thankful.)

It seems that everywhere I turn these days, Rosanne’s name is attached to another interesting project.  From America: Now and Here (read the  NY Times Article about the project ) to Fortune Magazine’s Most Powerful Women Summit 2011, Rosanne seems to be singing, writing, and spreading poetry around the globe.

I made a flight to Berlin this year with her book,  Composed: A Memoir, and could not put it down.   There was a moment in the Berlin airport I was streaming tears, book in hand, and oblivious to the other passengers looking my way. Butch leaned over and said, “You okay?”  “Yes,” I replied, “it’s just SO beautiful.”

More on that coming soon…

Today, Nov 17, 2011 (4:30pm CT/5:30pm ET), Rosanne is  In The Room with Krista Tippett (who I also adore and follow).

Can’t wait to hear it all…

Watch it here or at In The Room:

*Photo above of Rosanne sporting her Alabama Chanin coat @ Fortune Magazine’s Summit.  Whoohooo…

ARRESTED BEAUTY + HUMAN KINDS

My friend Jennifer Venditti has been an inspiration to me since our first meeting a decade ago in New York.  She is one of those friends who I don’t talk to every week but when we do, the stories unfold. We have trips to documentary film festivals behind us and many a trip ahead of us I am sure. (Taos is next on the agenda.)

I met Jennifer at the time I had just started working on what would become Alabama Chanin.  She had a growing casting agency and also worked on a line of clothing with our friend Molly Stern-Schlussel, called M.R.S. (More about our upcoming collaboration with Molly and M.R.S coming soon.)

Jennifer is often credited with changing the face of beauty over the last ten years, mostly due to her unerring eye and a diligence for street casting. She has transformed “unusual beauty” into mainstream beauty in a decade of work, not to mention directing and producing an award winning documentary film called Billy the Kid that speaks to what it means to be an outsider.

At one point in the film, Billy says, “I’m not black, I’m not white, I’m not foreign… I’m just different in the mind…”

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MY MOM, STYLE ICON

Every once in a while, a book comes along that makes you smile and laugh and sigh all at the same time. My Mom, Style Icon, by Piper Weiss – published by Chronicle – is just that book.

(While I didn’t get this posted in time for Mother’s Day, every day is Mother’s Day around my house! “Mama, can you get me something to drink?  Mama, when are you going to wash this dress?  Mama, I love you…”)

The pictures of all the Mamas are lovely, funny and define their eras; but, what I love most are the stories they tell.  (And you will find more stories at Piper’s website: My Mom the Style Icon.)

I hope that my 5-year-old daughter will one day look back at the bric-a-brac of my fashion life and sigh, ”My Mom, Style Icon.”

Yes that is me – circa 1979 – and yes, that is a Honda Civic AND a peace sign. The writing on the car window reads, “Chapel Hill or Bust.” I am thinking that my photo might fall under one of the  categories in Chapter 3, “Moms Gone Wild:  Rebels, Ragers, and Road Warriors.”

P.S. Piper also says, “Don’t F*** With Dad.”

CELEBRATING 10 YEARS OF ARTISANS

For a decade, my work at Alabama Chanin has been made possible by our artisans.  Without them and our amazing staff, there would be no Alabama Chanin.

Many of the artisans working with us today are the very same women who sewed those first deconstructed t-shirts.  I want to express my deep gratitude.  Wielding needle and thread for a decade, they have brought beauty, laughter, amazement and joy to my life and company (not to mention all the garments, home-furnishings and projects along the way).

Over the decade, they have ranged in age from 20 to 80; among them have been secretaries, students, former textile mill employees, retired school teachers, and single mothers. They are mothers, brothers, sisters, daughters, husbands, wives and friends but above all, they have proven talented, committed and proud to do the work they do.

Thanks to each and every one of you who has passed through our door- it has been a wonderful (and still growing) adventure…

*Photos from Elizabeth DeRamus