Perhaps the most unique piece in our Denim + Carmine Collection is the sarong. This multi-functional piece measures 36” long by 72” wide and is designed for a variety of body types. Made to be fluid and adaptable, the material wraps around the waist and ties at the side.
Our sarongs can be worn for a variety of occasions: add it to your workday wardrobe, wear to work in the garden, or toss in your vacation bag. The sarong is available as a basic, and in two stenciled versions: Full Stencil Sarong and Alabama Chanin Sarong.
Our newest pieces from Alabama Chanin arrive today in the form of Indigo and Carmine—mixed to complement classic pieces from our Denim collection. From the Alabama Chanin Sarong to the Fitted Cotton Blazer, these garments are designed for everyday wear. The 100% organic cotton pieces featured in Indigo and Carmine can take you from the office to a night out-without a wardrobe change.
When working on a new collection, part of the design process involves creating fabric swatches in various colorways and patterns, and using an assortment of embellishment techniques. These “samples” help us quickly and sustainably choose the perfect finish for our garments.
I’ve written before about our Sample Block library and swatches as part of a sustainable design practice. Unfortunately, not all created swatches make their way into the final collection and library. Subtle changes might happen in the design process or a color dropped from the line altogether. However, these swatches are all beautiful in their own right. A stunning way to display them (rather than having them collect on my desk) is to incorporate these swatches into a Sampler Block Shawl, modeled after the Sample Block Quilt.
The 10” x 16” dimension is based on the size of the binders we use to store our fabric blocks. You can use any dimension of fabric block you’d prefer by cutting organic cotton jersey to your desired size.
1. A decorative design, as for fabrics, wallpaper, china, or rugs.
2. Decoration or ornament having a design.
3. A natural or chance marking, or design: patterns of flowers on a fabric.
Moving through the Penland studios, you see patterns emerge everywhere.
As we continue to explore the design elements that make up Alabama Studio Sewing + Design, we look at the simple, but incredibly beautiful Spiral pattern. This pattern is reminiscent of both our Circle Applique and Kristina’s Rose treatments, but this particular design stands out largely due to its use for an entirely new application- Alabama Fur. It is often said that you have to see and touch our garments to fully appreciate them, and the countless knots and tails that follow this classic curve usually illicit the most response.
Our latest DIY Kit is a collection of the tools and materials necessary to create your very own custom stencils. In addition, we’ve also included, as suggestions, a handful of our favorite placement options in print form. Simply select your desired print, attach it to the stencil felt using your spray adhesive, and cut away the dark areas of the print to create the stencil of your choice. Continue reading
Over the last weeks (and months), we have been introducing our new patterns, stencils, fabric designs, plus patterns from our newest book, Alabama Studio Sewing + Design. Hands-down, our Paisley has been a favorite new design and I was excited to see that EcoSalon even did a feature on this iconic pattern last week. As we just finished a round of world-wide fashion weeks, we witnessed the classic paisley in some new interpretations.
Kristina’s Rose is one of our newest fabric designs and stencil patterns, seen in Alabama Studio Sewing + Design. The undulating circular pattern is reminiscent of the Circle Spiral Applique from page 156 of Alabama Studio Style, but translated using more elegant techniques.
Highlighted in Chapter 8 of Alabama Studio Sewing + Design.: Fabric + Fabric Maps, the Kristina’s Rose fabric (page 126) uses the folded stripe appliqué technique from page 108 of Chapter 7 in combination with the stripe with beaded chain stitch on page 105, and the beaded rosebud stitch from page 79 of Chapter 5 – all worked in loose, undulating circles.
As we posted last Tuesday, I highly recommend that you start a library to document your design work. As you create your samples, make them the same size so that your (master) pieces can be easily stored. And even if you don’t want to keep the samples for posterity, you can work towards making a Sampler Throw like the one shown above. As we develop our many fabrics, it often happens that a particular sample, as beautiful as it may be, just doesn’t fit neatly into one of our Fabric Swatch Books or collections. That was the case with the swatches that became the basis for this Sampler Throw. You may even find that you want to make the Sampler Throw not as a way of developing different fabric swatches, but just because it’s a beautiful and easy project. Either way, I urge you to explore our stencils, colors, techniques, and stitches to sustain rewarding design experiences.
The word “star,” with its many meanings, occupies several places in my mind (and the universe):
First, a star is simply a shape- the most common being five-pointed. As I was taught in geometry class, it is constructed from points, proportions, and folds. Seen in patriotic prints of the 1960s and 70s, its contour was fitting with the bold, geometric patterns of the time. Fifty of these shapes are on the American flag, each representing a state and the collection of stars symbolizing our country as a whole.
While designing and constructing quilts, I’ve learned that a quilt’s geometry is systematic. Sewing together the triangular and diamond-shaped puzzle pieces to make each polygon requires great planning and thought. This geometry is apparent in our Indigo Star Quilt, and in the repeated shapes of the Flag Quilt.