As I’ve mentioned before, writing a book is no easy feat. It involves months (often years) of planning, drafting, edits, new designs, reviews, rewrites, photo shoots, patternmaking…basically, equal parts labor and love. So, I honestly surprised myself when I agreed to write another one. While still a work in progress, the end is in sight, and I’m proud to officially announce Alabama Chanin’s upcoming book, Alabama Studio Sewing Patterns. This is the fourth (yes, fourth) book I’ve worked on with my editor (and friend), Melanie Falick, of STC Craft and Abrams.
Around the studio, we’ve been referring to this project as the ‘addendum’, as it acts as a supplement to our Studio Book Series—Alabama Stitch Book, Alabama Studio Style, and Alabama Studio Sewing + Design.
The Swatch of the Month for June combines a number of embroidery techniques into a single design. This stencil, appropriately titled June’s Spring, combines both basic techniques, like backstitch embroidery and appliqué, with more elaborate treatments, like beading and Feather stitch embroidery. The combination of these elements on one swatch results in a lush, rich looking textile.
Detailed instructions for completing the June’s Spring fabric treatment and a fabric map illustration can be found on pages 118-119 of Alabama Studio Sewing + Design. This particular swatch allows you quite a bit of creative freedom, since you decide what elements to embellish and to what degree they will be decorated. We recommend that you make a plan (like the fabric map shown in the book) ahead of time for how you will decorate each element. But, you might think it is more fun to improvise and make decisions as you create. Either approach will undoubtedly result in a beautiful completed swatch.
Mother’s Day will be upon us soon, and we hope that you are all planning a way to make it a special day. Our freelance editor, Sara, says that her father always got worked up over finding her mother just the right gift. Inevitably, this stress would result in a frantic, last minute decision that wasn’t necessarily the right choice. She says that they still laugh about the year he bought her mother a calculator. (And he still insists that she said she wanted one…) Other years, her father did a much better job; Sara remembers once planting a dogwood tree just outside her mother’s kitchen window.
We appreciate that mothers come in all forms, shapes, and sizes, so this DIY Check Tied Wrap featuring our 2014 Stencil of the Year is a perfect fit for your mother, or grandmother, daughter, or friend. In the morning sunlight, it almost looks like dogwood flowers blooming.
We are offering this DIY Kit as part of our Mother’s Day Gift Guide. Make something for mom – or give her something she will enjoy making for herself.
In service to everyone who showed such great response to our Swatch of the Month, we are featuring a series of DIY projects that you can create with your completed swatch(es). This month’s project is a book cover adapted to fit the size of our Studio Books. It requires one swatch and four blank panels of fabric to complete. Make your own Studio Book cover, or adapt the size to fit your favorite book.
We chose to use this month’s appliqué swatch for the main portion of our book cover. The additional four panels were left unembellished in order to highlight the intricate Anna’s Garden design.
The Swatch of the Month for April allows you the opportunity to experiment with a basic, traditional appliqué technique in our Anna’s Garden stencil design. Appliqué is a way of “applying” one fabric on top of another. We use appliqué for many reasons – to add color, texture, dimension, and more elaborate design work to a piece. You can use any number of stitches to appliqué your top design to the bottom fabric. Here, we demonstrate the most common way that we add an appliquéd element to a base fabric: a simple parallel whipstitch.
Detailed instructions on appliqué techniques can be found in Alabama Studio Sewing + Design. Match up each appliqué shape with its correct position as you cut it to avoid creating a complicated puzzle for yourself. Take care to position your appliqué pieces precisely by pinning each cut shape of the stenciled design into place. Then, stitch each appliqué shape to your fabric using a parallel whipstitch, which will attach your appliqué pieces securely.
The hi-resolution photograph of our appliqué swatch, for use as your computer desktop background, is available for download from our Resources page.
After launching our Swatch of the Month Club in January, we received several requests for a more accessible way to sample a variety of our techniques before investing in a club membership. Our commitment to listening to your feedback and, in turn, giving better service, led us to create the Starter Sewing Kit.
Our Starter Sewing Kit includes three 10” x 16” pieces of organic cotton jersey: one un-stenciled piece for your bottom layer in Black, and two additional 10” x 16” pieces in Slate and Twilight. The Slate fabric is painted on the wrong side—for use as appliqué. Use the stenciled Twilight piece for your top layer, suitable for reverse appliqué.
Each month, as part of our Swatch of the Month Club, we are demonstrating some of our most popular techniques so that you might try your hand at creating new designs and embroideries. If you join the Swatch of the Month Club, you will receive a ready-to-sew package each month with the supplies needed to make that month’s unique piece. Just provide your own needles, pins, and scissors (or purchase an Essential Sewing Kit from our online store). Techniques and instruction can be found in Alabama Studio Sewing + Design.
The hi-resolution photograph above of March’s featured technique, for use as your computer desktop background, is available from our Resources page.
Our first workshop of the year is this Friday at The Factory in Florence. It’s not too late to register and spend the afternoon with Natalie and the Alabama Chanin team. Registration closes at noon on Wednesday, February 26.
This workshop is suited to beginner and experienced sewers alike. Work with Natalie and our Alabama Chanin DIY Kits to create a project from our Alabama Stitch Book, Alabama Studio Style, or Alabama Studio Sewing + Design. DIY Kit options for this workshop include one of the following projects: scarf, T-shirt, set of four tea towels, set of four placemats, baby blanket, onesie, apron, or journal.
After the workshop, join us in The Factory Café for Afternoon Tea (a selection of gourmet sandwiches, savory pastries, Southern-inspired sweets, and an assortment of teas and coffees). The cost of the workshop includes materials, instruction, afternoon tea, stories, and laughter.
I’ve kept a journal, or some type of notebook, on and off since I was fifteen years old. My current journal is full of messages, reminders, sketches, and sweet notes and drawings I’ve collected from Maggie over the past few weeks—which, since Valentine’s Day is fast approaching, includes a lot of heart-shaped and heart-adorned things.
I first started making these covers for well-worn (and well-loved) books. Soon, most of my binders, notebooks, and journals had covers, as well. Each time I retire a journal to my shelves, I slip a new one into my hand-sewn cover.
Sun Young Park, a freelance illustrator living in New York, is an integral part of the Alabama Chanin team. If you own Alabama Studio Sewing + Design or have ever browsed our Studio Style DIY Custom DIY Guide, then you’ve seen the beautiful sketches of our garments, illustrated by Sun. I met Sun several years ago by accident through a mutual friend, which resulted in an impromptu breakfast at The Breslin, April Bloomfield’s restaurant at the ACE Hotel in New York City. I was immediately taken by her enthusiasm and had been looking for a new illustrator for my books. Our chance meeting was good fortune.
Sun creates illustrations for a variety of projects, including April Bloomfield’s new book, A Girl and Her Pig: Recipes and Stories, and Gertie’s Book for Better Sewing. We love Sun’s illustrations, doodles, and drawings and recently were able to chat with her about her beginnings in illustration, inspirations, artistic process, and desire to create.