Our continued practice of responsible and sustainable design and production will grow even more now, thanks to the CFDA/Lexus Eco-Fashion Challenge. I am honored to be this year’s recipient of the grand prize of $75,000.
With the award, Alabama Chanin will support our company growth, which includes our machine-made garments under the label A. Chanin, creating jobs, promoting Made in the USA production, and, yes, a new Alabama Chanin collection.
The (low) temperatures have finally dropped below 40 degrees here in Alabama, and even colder temperatures are on the way. Offered in lightweight or medium-weight 100% organic cotton jersey, our Long Sleeve Basics are perfect wardrobe additions for the cooler months.
I’ve learned from the women who shop our collection and attend our Workshops that many prefer sleeves year-round. I’ve have also reached the stage in life where I prefer that “particular area” covered. The long, fluted sleeves, available on some of our Basics, are a great option for those wanting more coverage.
We all know the feeling of finding a piece of clothing that perfectly complements your body type (and personal style) and our Long Sleeve Basics are created to highlight the best features of any woman’s body.
Alabama Chanin has long looked to Patagonia, and Yvon Chouinard, as the standard for sustainable design, manufacturing, and corporate culture. The recent film “Legacy Look Book” (shown above) is a beautiful reminder of why we love this company so very much.
When Socrates said, “The unexamined life is not worth living,” he wasn’t implying that an unexamined life is boring or holds less meaning. He said the unexamined life is not worth living. As difficult as this process may be for an individual to understand and undertake, deciding that a company should live an “examined life” only adds to the challenge. It demands a carefully plotted and specific corporate mission, along with employing people who are willing to work openly, honestly, and for the right reasons.
In February, we launched our Basics line of Alabama Chanin garments in clean, unadorned silhouettes: garments for everyday life, to wear with everything. As temperatures climb into the 90’s here in North Alabama, the Basics have found their way into the wardrobe rotation more frequently, particularly the Halter Top.
Hand-stitched in 100% organic cotton medium-weight jersey, the Halter Top (shown here in our color, Denim) is a comfortable slip-on piece with an adjustable tie behind the neck, Cretan stitch finish on the rib, and a tapered, feminine fit through the chest and waist. Top hits at the hip, measuring approximately 23” from the center neckline and 17” from the back to bottom edge.
We love it with our Pleated Skirt or jeans or over a swimsuit on our way to the lake. The Halter Top comes in a variety of lightweight and medium-weight cotton jersey colors.
Wash gently + Hang to dry. Free shipping. Made in the USA.
Regular Price: $145
On Sale Today Only: $120
Place your order here, grab your sandals and (safely) enjoy the sun.
We all understand the basic principles of supply and demand. In a perfect world, the two work in balance, supply always meeting the demand, one never exceeding or disappointing the other. Of course, we don’t live in a perfect world, and as with any product driven business, there are occasional supply issues. Unfortunately, we are presently experiencing one of those challenges with our lightweight cotton jersey.
Our lightweight cotton jersey is currently out-of-stock in Black. It has been our most popular color, particularly for our Alabama Chanin Basics. Some colors are still available in limited quantities. We wish we could say exactly when the situation will be remedied and simply apologize for the inconvenience. But, the supply chain is not so simple. It’s actually quite complicated, so we asked Phillip Glover, Vice President of Green Textile, from whom we buy all of our cotton jersey, to answer a couple questions and help us better understand the situation.
I’ve been thinking about painting my back porch and deck white since it was built last summer. After all, we spend about fifty percent of our time out there. I’ve long disliked the toxicity of commercial paints on the market. Most common indoor and outdoor household paints contain volatile organic compounds (VOCs). VOCs contain a variety of chemicals, some of which give off noxious fumes and may have short term or long term adverse health effects. According to the EPA, levels of some VOCs are 2 to 5 times higher inside a home than outside; when you are painting or stripping paint in your home, particularly in older homes where lead paint may have been used in the past, indoor levels of VOCs may be 1000 times that of outdoor levels. I’ve used VOC-free paints for all of my indoor and outdoor painting since they came on the market some years back.
In thinking about my outdoor living area, I wanted to investigate additional ways to paint more safely, and came across two options that I could possibly make myself: whitewash and milk paint. Whitewashing, which many of us remember from Tom Sawyer whitewashing the fence in The Adventures of Tom Sawyer, was commonly used for years because it is inexpensive, can be homemade, and homeowners could use ingredients they had on-hand, improvising their own recipes. It is still used in rural areas to protect wooden surfaces like fences and barns, or by designers who want to give furniture a rustic look. The mixture’s base is always lime and water, which makes a chalky type of plaster. Then, ingredients might be added to thicken or strengthen the mixture, like flour, glue, sugar, soap, soil, or milk.
This past February, Alabama Chanin partnered with the team at Craftsy, an online community of makers who offer projects, craft ideas, and courses on dozens of topics. Our online class, Hand-Embellishing Knit Fabric: Stenciling, Appliqué, Beading, and Embroidery, has provided us with a new way to interact with our fellow makers and has given us the opportunity to share just a few of the techniques that we teach in our Workshops.
We have talked before about the concept of online learning and how the Internet is making education opportunities that were once expensive and inconvenient cheaper and more accessible. Enrolling in online courses takes geography out of the equation. It is no longer essential to sit in a physical classroom with other participants. You don’t have to plan your life around when classes are scheduled. Online classes, like our Craftsy course, allow you the opportunity to learn the same stitches and techniques as someone on the other side of the country, or the world.
At Alabama Chanin, we practice Slow Design, which focuses on producing goods in a socially and environmentally responsible manner. The intent is to design clothing and home goods that are made from sustainable raw materials using environmentally sound methods, resulting in beautiful, healthy, and long-lasting products. We want to create connections with our customers and for Alabama Chanin pieces to be used and worn for many years, to be incorporated into the life of a customer.
Our business model and method of production is based on sustainable practices. Rather than purchase low cost materials and manufacture products quickly and cheaply, we opt for a Made-in-the-USA approach, using local, artisanal labor sources. To-date, Alabama Chanin items have been made entirely by hand, without any machine work.
Last month we wrote about Slow Design, specifically in contrast to Fast Fashion, as the death toll from a collapsed garment factory in Dhaka, Bangladesh rose by the hour, reaching 1,127. During the three weeks the tragedy made headlines, NPR’s “Fresh Air” broadcast an interview with Elizabeth Cline, author of Overdressed: The Shockingly High Cost of Cheap Fashion, where Cline and Terry Gross discussed Overdressed and how the Dhaka tragedy has affected global consciousness of the Fast Fashion issue. The interview ushered us to (finally) read Cline’s book, and we’re glad we did.
Overdressed isoften compared to Michael Pollan’s The Omnivore’s Dilemma for its social influence, and is a book we feel is a necessary read for anyone wanting to better understand the negative impact Fast Fashion has on our environment, our humanity, and our personal carbon footprint.
We have written before about the rich manufacturing and textile history present in our community. The Shoals area and surrounding communities were working fabric and textile materials beginning in the late 1800’s. Those earlier years were often unkind to the mill workers and their families who worked long hours, lived in factory-owned apartments, and shopped in factory-owned stores. But, as the Industrial Revolution gave way to reform, textile manufacturing stayed in our community and flourished. Eventually, it was something that we in The Shoals were known for, as we were often called the “T-Shirt Capital of the World.”
Terry Wylie’s family founded Tee Jay’s Manufacturing Co. here in Florence in 1976, and in doing so became the foundation for a local industry. Whole families were known to work together, producing t-shirts and cotton products. Typical of our community, the company and the employees were loyal to one another. It was common for an employee to stay at Tee Jays for decades. Our Production Manager, Steven, worked for the Wylie family for years – for a time, working in the same building where Alabama Chanin is currently housed. It was this way until the passage of the North American Free Trade Agreement (NAFTA). Tee Jays and other local manufacturers eventually shuttered all domestic manufacturing. It was an undeniably tough hit for a community that had “worked” cotton for most of its existence. Some of those who hand stitch for us once worked in mills and lost their jobs when plants here in Alabama closed and moved to cheaper locations. This move left our building, once a thriving manufacturing center, an empty shell, as you can see from the picture above. Machines like the ones below were moved elsewhere, and the resounding hum of our once busy manufacturing community was silenced.