It’s the time of the year when the shape of a heart makes its prolific comeback (although with a six-year-old girl at home, the heart shape is a pretty common part of daily life). Graphic symbols often carry with them deep histories (and controversies) over where the shape emerged. This simple shape is no different. Apparently it is found in cave paintings dating as far back as 10,000 B.C.E.
Some believe that the shape was a simplification of the silhouette of the human heart; others believe that it was a sign used for a now-extinct plant called silphium, which was used as a form of birth-control—therefore becoming the sign of love. Still others believe that the inverted heart symbolized the hanging scrotum —perhaps a stretch of the (over-active) imagination.
Wherever your beliefs land, it can’t be denied that the heart is possibly the most (over?) used symbol of our time. But then, why should that stop us?
Here is our version of the heart in stencil form:
Check back this week as we elaborate on all things love (and heart shaped), from Dr. Ruth to DIY Kits, and little girls’ valentines (to themselves). “I love you. I love you. I love you,” she murmured as she gazed in the mirror.
Should we all find such self-love in these next two weeks… and for the rest of our lives.
You can download the Hearts Stencil from our Resource page and sign yourself (and a loved one) up for our One-Day Studio workshop to get in the mood.
Valentine’s Special: Buy a One-Day Studio workshop at full price and get a second one for $295.
P.S.: Heart rocks above were carefully selected from Natalie and Maggie’s collection.
In 2008, to commemorate the 50 year anniversary of the peace symbol, National Geographic published Peace: the Biography of a Symbol, by Ken Kolsbun with Michael S. Sweeney.
The book documents the symbol, from its creation in 1958, through its usage in the folk scene of the 1960s, its very visible presence in the 1970s at Woodstock, Vietnam war protests, and in the artwork of Peter Max, until today, with its wide use in commerce and as a cultural icon.
National Geographic has a moving photo gallery of the peace symbol that you can view here, starting with the gorgeous photo of Arlo Guthrie below by Bettman/CORBIS.
The ancient Greeks believed that the olive branch brought not only food, but deliverance from evil—or that is to say, they believed that the olive branch kept evil away. Since that time (and most likely before), the olive branch or the olive branch in combination with the dove, can be found in all manner of art and design. The incorporation of these images always infers peace. Not inner peace—if I understand it correctly—but the absence of war.
This imagery also found its way into literature with the “offering of the olive branch.” The item itself has been beloved in the kitchen since first tasted, is the base for creating the best oil you can find to eat (in my humble opinion), can be used for creating cleaning supplies, and is now a popular name for little girls my daughter Maggie’s age. Perhaps that comes from the sweet little exhausting mischievous pig Olivia. And, as you know, we also have an Olivia in our studio.
But I diverge…
I had the opportunity to meet Michiel Schwarz last September when I spoke at the Hello Etsy conference in Berlin. His purpose at the conference was to present his concept and book: Sustainism: A Cultural Manifesto for the Sustainist Era.
The New York Times did a fantastic review of the book – calling out its good points and problem areas. Alice Rawsthorn writes that the book is more an exercise in branding and that today’s “designers are already well aware of the principles outlined in the book, most of which have been analyzed in greater depth elsewhere. “ Very true, but although the book was originally created for designers, I see it more as a place for non-designers to find tangible manifesto points that they can easily process and assimilate into daily life. Truth be told, we human beings need things simplified for us sometimes and I think that the tidy graphics might just find a voice on office walls and farmers’ market pamphlets. At least I believe that it is worth a conversation.
In his talk in Berlin, Michiel admits that the book is “naively optimistic,” in that it doesn’t address the real issues that we need to overcome: climate change, “social inequalities, and the degradation of nature.” However, he says, “We believe that it is important to shift from the negative to the positive,” and mentions a conference talk given by William McDonough, author of Cradle to Cradle, where McDonough decries the focus that is always placed on what we are NOT supposed to do.
“We hear over and over again that we need to reduce everything to zero, that we need to reduce emissions to zero, zero this, zero that. In this way, we are making the future on the things that we don’t want. We need a future on the things that we DO want. That’s why it was so important for us to name where that future is.”
Michiel’s point is that, “we are moving into a new cultural era,” and that hopefully the manifesto of Sustainism will give us symbols to describe the move from modernism to sustainism.