Tag Archives: The Heart

TRAVEL: TROWBRIDGE’S

TRAVEL: TROWBRIDGE'S

I’d wager that every native, and recent guest, to The Shoals would urge future visitors to set aside time for lunch at Trowbridge’s Ice Cream Parlor and Sandwich Shop. The universally beloved local eatery is a backdrop for so many of our memories, and it has managed to serve up simple, delicious food for decades, while keeping its unpretentious charm. The green awning and the window advertising “Sandwiches, Ice Cream, Sundaes” are as iconic to residents as any official logo or state seal.

The little shop was opened in 1918 by Paul Trowbridge and is still run by his grandson. The story (as it was told to me) says that in 1917, Mr. Trowbridge was traveling to North Carolina for a dairy convention and stopped in Florence on the way. He loved the lush area and the town enough to move his family from Texas to Florence and opened Trowbridge’s shortly thereafter.

TRAVEL: TROWBRIDGE'S

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TRAVEL: THE SHOALS

TRAVEL: THE SHOALS

As our new travel series expands, we realized that we have never laid the groundwork by adequately defining and describing the community that we call “The Shoals.” Since Alabama Chanin’s inception, love of community has been the cornerstone of our inspiration, design philosophies, and production practices. Shared stories of our region’s history, our neighbors, and our food, have inspired our work and brought visitors from afar. Reflecting on how much we talk about our home—The Shoals—I thought we should (finally) explain exactly what that term means.

“The Shoals” is a reference to the low-lying shoals of the Tennessee River in Northwest Alabama, at the foothills of the Appalachian Mountains, along which the cities of Florence (where The Factory is located), Sheffield, Muscle Shoals, and Tuscumbia are situated. The name “The Shoals” is also a shorter way of saying the Florence-Muscle Shoals Metropolitan Area—also known as the “Quad Cities”—which spans two counties and is home to somewhere in the neighborhood of 70,000 people. Before each city was named, the region was called the “Muscle Shoals District”; it was supposedly named such by Native Americans who found that navigating the strong current of the Tennessee River in this area almost impossible—and paddling upstream required a great deal of “muscle.”

It is believed that prehistoric Native American tribes crossed into North America during the Ice Age and followed herds of buffalo into the Northern Alabama region. This area was settled by what became the Woodland Indians (1000 BC – 900 AD) who built several ceremonial and burial mounds in the area. The largest in the area—tucked away between the local farmers co-op and the scrap metal yard—holds artifacts dating back over 10,000 years. I’ve been told that this holy site is believed by many to be part of a chain of important spiritual points in North America and has been visited by holy people of many different tribes across North and South America. Our friend Tom Hendrix’ wall is a living testament to the spiritual nature of our ancient Indian community.

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REAL WOMEN: SOLA

REAL WOMEN: SOLA

Do you remember your first day of school? I don’t remember the actual day, but I do have photos of myself, standing outside my first grade classroom, smiling, wearing a plaid dress and knee socks. I do remember my children’s first school days—the nervous excitement they showed and the bittersweet pride I felt at witnessing this important milestone. While I don’t take those moments for granted, there was never a doubt that those moments would come. It’s common now to see Facebook, Twitter, and Instagram light up with school photos that document every moment of our children’s educational lives. A few months ago, I received an email from an old friend that provided some much-needed perspective.

The email offered a link to a Ted Talk by a woman named Shabana Basij-Rasikh, co-founder of SOLA—Afghanistan’s first all-girl boarding school. The word “sola” means “peace” in the Pashto language, but it is also an acronym for School of Leadership, Afghanistan. Shabana was 6 years old when the Taliban took over Afghanistan and made it illegal for girls to go to school. So, for five years, her family dressed her as a boy and sent her to a secret school to learn. Even at this young age, she understood the risks that she—and her parents—were undertaking. She would walk for 30 minutes, even an hour, to schools. The locations would move, and she would walk different paths each day; sometimes class would take place in the morning and other times in the afternoon.

REAL WOMEN: SOLA

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TRAVEL: IVY GREEN + HELEN KELLER

TRAVEL: IVY GREEN + HELEN KELLER

This post is the first of our new travel series; look for side trips (and side bars) on your way to and from The Factory—and from here to there. With this series, you’ll find some history, a bit of folk art, good diners, great bars and splendid adventures. Pack your bag, plan your road trip, and come for a visit.

xoNatalie

“The best and most beautiful things in the world cannot be seen or even touched—they must be felt with the heart.” Helen Keller

The South loves to claim people as our own. Just as many northern and coastal cities proudly label every barn and bedroom where George Washington supposedly slept, we are equally proud of our musicians’, artists’, and politicians’ southern roots. In fact, Mississippi-born Elvis Presley has no fewer than 5 “homes” across the region. Many visitors are surprised to learn that The Shoals houses the birthplace and childhood home of blind and deaf activist, thinker, writer, lecturer, and philanthropist, Helen Keller.

The Keller home, known as Ivy Green, sits on a quiet lot on North Commons street in West Tuscumbia. Initially, the 1820 Virginia-cottage style house sat on a 640-acre parcel next to a small bridal cottage, also known as the birthplace cottage and school house. The property, now only 10 acres, enshrines the life of the extraordinary woman who broke through the restraints of her physical limitations to become one of the most astonishing women of the early twentieth century.

The entire estate has such presence. The moment you step foot on the property, you immediately want to sense the place the way Helen Keller did. You close your eyes; you hear the wind through the giant trees, the sticky dew evaporating in the morning sun, the smell of early autumn and a tingle in the nose give hints at the way she may have known Ivy Green. It’s hard not to touch everything knowing it was all touched by Helen Keller.

TRAVEL: IVY GREEN + HELEN KELLER

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HEIRLOOM #5: PEGGY LOUISE’S CLOCK

HEIRLOOM #5: PEGGY LOUISE'S CLOCK

Through our Journal’s Heirloom series, we’ve been exploring the things we value and why we hold them dear. Each story reveals the value of tradition and honors possessions that were made to last. While these items may not be valuable to the world-at-large, to the owner they are priceless.

This week, Kasey, our Production Coordinator for the Alabama Chanin collection shares memories of the clock she inherited from her grandmother.

From Kasey:

My grandmother, Peggy Louise, was a mother of 6, grandmother of 14, and great-grandmother of 17 – and she somehow knew how to make each of us feel special. The time we spent together was filled with food, stories, and – above all – laughter.

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THE HEART: MAGGIE CRISLER

THE HEART: MAGGIE CRISLER

Over the last several years, The Factory has expanded in leaps and bounds and the Alabama Chanin team has grown to keep in-step. Working in a creative industry, it takes a while to find the perfect mix; some people must be true creatives, while other jobs require a tactical mind. It is special when you find someone with both a free-spirited artistic mind and a love of logic, puzzles, and problem solving. Luckily, we found just that someone in Maggie Crisler.

Maggie works as a graphic designer, but also has a hand in managing inventory and works in the dye house. (See: a Jill-of-all-trades.) She came to us, as do many of our team members, through word of mouth. Back in 2012, our Director of Design, Olivia Sherif, mentioned to friends that we were looking for someone with a flexible schedule and some fabric cutting and sewing experience to work part time in our production department. Maggie volunteered herself and began working for us just before Christmas of that year. Her talents for illustrations and graphic design became quickly evident, so she was promoted to a full-time member of our media team.

THE HEART: MAGGIE CRISLER

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THE HEART: JULIEN ARCHER

JULIEN-SKETCHING

I met Julien Archer when he was only sixteen, in his hometown of Richmond, Virginia. I was leading a workshop at the Visual Arts Center there. He was a creative and enterprising sophomore in high school who had already started a screen-printing business (and had designed shirts for the venue where we were holding the event).  A few years later, I was reintroduced to Julien at our first Makeshift event in New York City. He was living there at the time and expressed that he was ready for a change. So, I laughingly replied, “Move to Alabama!”

The two of us kept in touch and, several months later, he attended a Studio Weekend workshop at The Factory with his mother (and sometimes Alabama Chanin Trunk Show hostess). During that weekend, I had dinner with the two of them and offered Julien a three-month apprenticeship here in Alabama. Surprisingly, he accepted and – two years later – he is still here. A prolific member of our design team, he also works as a pattern maker and helps manage operations at Building 14.

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THE HEART: ROBERT RAUSCH

RR_The-Heart

You may have read recently about dear friend, advisor, and co-worker, Jennifer Rausch. As I recounted then, I have known Jennifer and her husband, Robert, since returning to Alabama. After moving home from New York (and after years abroad), I felt a little shy and out of place in my own hometown. It was a relief when Robert reached out to me, seeking artistic alliances. We were both looking for a relaxed camaraderie—someone to relate to in a somewhat unfamiliar world. After years of friendship and collaboration, we have Southern roots, design, sustainability, and family in common.

In those early days, Robert approached me and asked if I would speak to his university photography class about living and working as a fashion and photography stylist. Shortly thereafter, we became fast friends. It wasn’t long before Robert was helping me with projects for my first company. And since those early days, he has been a part of designing and creating images and photographs for the Alabama Chanin website, catalogs, the Studio Book series, and any number of other materials. We have co-hosted dinners, picnics, and events together over the years. We have raised kids, shared a dog, and talked design.

In 2002, Robert bought and restored a historic building in our community, which is now called GAS Design Center. He shares a deep love of sustainability and healthy living and this was evident in his approach to renovating the space and building the business. Every reusable board was repurposed and natural elements were invited in whenever possible. Natural light is perfectly harnessed in the GAS photography studio, to often-breathtaking effects. In fact, our first Alabama Chanin Workshop was held in Robert’s repurposed space—a comfortable place to launch what was then an intimidating venture for Alabama Chanin.

GAS-STUDIO

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THE HEART: CARRA-ELLEN RUSSELL

CARRA-ELLEN-BW-02

If you have purchased an Alabama Chanin garment or DIY kit in the last year or so, there is a chance that the fabric in your hands was also touched by Carra-ellen Russell. Carra-ellen is our Production Manager and is present at the beginning of most of the things that we make; she starts each garment and kit on its journey by cutting them and passing them along to the next phase. Pieces come back to her once they have been painted, where she helps package them with the proper notions and supplies to be given to one of our stitchers or to be shipped as a DIY kit.

Carra-ellen came to us about a year-and-a-half ago, through the suggestion of our Director of Design and Special Services, Olivia. As we were growing and looking for well-organized team members, Olivia reached out to her friend, asking her to apply to be part of our production staff. Her transition into our staff happened quite naturally after that; she says that working at The Factory was meant to be.

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CO-WORKERS

COWORKERS-03---Photographer-Rinne-Allen

Each morning, when the rising sun (or my daughter) wakes me and I open my eyes, I begin to go over my plan for the day. This is a treasured time. Some days, I can’t wait to get going and the day’s tasks are joyous and fruitful; other days, work just feels like…work. Last summer, as I was writing a vision plan for Alabama Chanin, it became evident that having a solid team in place – a team that had the talent and the desire to carry out that vision – would be essential. Now, when I look around, I see that our team members are creating strong relationships that are enhancing our work environment and also enriching their personal lives.

History shows that workplace teams spark one another’s creativity and create long-lasting work. Colleagues Kate and Laura Mulleavy, the sisters behind the fashion label Rodarte, create some of the most original pieces each season. The New Yorker wrote that, though they have their differences, the sisters “act like a single organism,” which speaks to their specific communication skills. The Muscle Shoals Rhythm Section, known by music lovers as “The Swampers”, created such a successful working relationship that they became business partners and founded a storied recording studio, Muscle Shoals Sound Studio. Charles and Ray Eames are among the most important American designers of the last century. He studied architecture; she studied painting and sculpting; together they not only influenced the rise of modernism, but developed innovative ways of using materials and were champions of computer technology in design.

COWORKERS-01---Photographer-Rinne-Allen

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