If you visit our studio here in Alabama, you will arrive to find that we are housed in a sturdy, industrial-style, metal building which we call “The Factory.” Our community was, for generations, home to textile mills that employed an incredible number of area residents. This industrial building where we work and spend hours of our lives has seen thousands of workers pass through the doors over the years; it has heard the hum of machines running and the voices and laughter of employees passing the day away. This building is part of Alabama Chanin’s history, but, more importantly, it is part of our community’s history—a symbol of economic boom, hard times, and community rebuilding.
We frequently talk about the heirloom aspect of our hand-made clothing, the timeless design and lasting quality that allows for an Alabama Chanin garment to be worn for years and, in some cases, passed along to a younger family member. While we know this to be true, we don’t often have the opportunity to witness a specific garment change and evolve over time. Perhaps a perfect example: my daughter, Maggie has been wearing the above dress for five years (and counting).
The dress was made for her, cut from an oliver + s pattern, when she was a curly headed, cherub faced two year old. Made with our organic cotton jersey in Butter and Natural, the dress has been through about a million washes and worn on too many occasions to count. It’s been stained, ripped, appliquéd (to cover the rips), and dyed blue (to cover the stains). No longer a dress but a summer top, she will not give it up.
As the Alabama Chanin team rushes around Manhattan with our new collection during New York Fashion Week, it is impossible not to remember this day twelve years ago. Twelve years of healing is not long enough. For most of us, this day will remain very personal for the rest of our lives. And yet, a dozen years is time enough for a new generation to grow up largely uninformed or dispassionate, if only because our reality has become a story to them, a tale, the way Pearl Harbor has become, to many, a history lesson and a bank holiday.
However, we will always remember those who perished that day, those who lost friends and loved ones, and all of the heroes who saved lives and found the humanity in recovery efforts. We recall the pain, but also the national pride as we joined together in silence and exercised resilience. We take the PeaceBuilders Pledge (again) with the continued hope that there will be an end to war and hate-driven tragedies in America and across the world.
Many of us on the Alabama Chanin team have lived in Manhattan. Some of us watched the towers burn from a few blocks away. Others arrived years later to a changed city skyline. But, no matter where each of us lived on that day, and since, we have watched America change. For so many, New York represents an opportunity for growth and transcendence. This day is a moment to remember compassion, love, and gratitude.
I told someone the other day, “Books saved my life when I was growing up.” And they did. I have spent days/weeks/years with my nose in books and, consequently, in libraries. As a designer, I find inspiration, and sometimes escape, inside of a library; as a business owner, I find critical information that has helped me grow who we are as a business and who I am as an entrepreneur. As Alabama Chanin (and my skill as a designer) has grown, so has my personal library (just ask our accountant). I have stopped dating certain men because of the absence of a library in their life, and my daughter believes the library is part of her own living room.
Ask almost anyone to describe their feelings about libraries and each person you speak to has a vivid memory of their own childhood library. I’m sure part of the reason for this is that, once upon a time, there were fewer ways to occupy yourself as a young person, and you had to actually check out a book to read it. An actual book – something that had weight, and pages you could turn, and needed bookmarks to hold your place. Ask someone about their smart phone or their Kindle and they will probably tell you how much they love it, how convenient it is, or how many features it has. Ask someone about a book, about a library, and people will tell you their memories.
Louisa Murray is the face of one of our favorite local bands, The Bear. She shares the stage with her husband, Nathan Pitts, each of them writing and performing their own respective songs, and the two are backed by a talented band. Their newest album, Overseas Then Underwas produced by local indie label, Single Lock Records, co-founded by Ben Tanner, who plays keyboards for The Bear, as well as for Alabama Shakes.
We have written before about the rich manufacturing and textile history present in our community. The Shoals area and surrounding communities were working fabric and textile materials beginning in the late 1800’s. Those earlier years were often unkind to the mill workers and their families who worked long hours, lived in factory-owned apartments, and shopped in factory-owned stores. But, as the Industrial Revolution gave way to reform, textile manufacturing stayed in our community and flourished. Eventually, it was something that we in The Shoals were known for, as we were often called the “T-Shirt Capital of the World.”
Terry Wylie’s family founded Tee Jay’s Manufacturing Co. here in Florence in 1976, and in doing so became the foundation for a local industry. Whole families were known to work together, producing t-shirts and cotton products. Typical of our community, the company and the employees were loyal to one another. It was common for an employee to stay at Tee Jays for decades. Our Production Manager, Steven, worked for the Wylie family for years – for a time, working in the same building where Alabama Chanin is currently housed. It was this way until the passage of the North American Free Trade Agreement (NAFTA). Tee Jays and other local manufacturers eventually shuttered all domestic manufacturing. It was an undeniably tough hit for a community that had “worked” cotton for most of its existence. Some of those who hand stitch for us once worked in mills and lost their jobs when plants here in Alabama closed and moved to cheaper locations. This move left our building, once a thriving manufacturing center, an empty shell, as you can see from the picture above. Machines like the ones below were moved elsewhere, and the resounding hum of our once busy manufacturing community was silenced.
Cows were born to roam and graze. Hogs were born to root and wallow. Chickens were born to scratch and peck. According to Will Harris and White Oak Pastures, these are the natural behaviors of animals, making them commonsense tenets of how to raise healthy livestock. “Nature abhors a monoculture,” is one of Will’s favorite sayings.
Five generations of Harrises have farmed a tract of land in Georgia that now raises livestock using traditional, multi-species grazing rotation, no hormones and no antibiotics. But, business was not always done this way. Post WWII, the Harris family farm moved away from the traditional ways of doing things and began raising livestock using more chemicals and fertilizers and blending into the industrialized complex of food production. In the mid-90’s, Will Harris, the current head of White Oak Pastures, made what some called a foolish decision to bring the family farm full circle: moving back to the traditional ways of natural grazing, healthy animals, and respectful butchering.
My friend Kay and I started giving one another socks for each holiday several years ago. Although this may bring back memories of dreaded Christmas gifts from years past (not socks again!), I find the gift of socks a very practical thing. It’s just not one of those things that I go out and purchase for myself on a regular basis—but, anyone who has had to show their threadbare socks in public understands that such a reveal can cause major embarrassment. Think back to that cliché, “Always wear clean underwear because you never know where you will find yourself.”
Last weekend we hosted the Texas Playboys from Austin, Texas. The baseball club made up of artists, architects, musicians, photographers and entrepreneurs joined us for a weekend of great music, food, cocktails, and baseball. We were thrilled and honored they voted to visit Florence, Alabama for this year’s travel game (see ballot above) and flattered they challenged our not-too-shabby Billy Reid + Alabama Chanin team in Barnstorm2013.
This weekend marks the 15th year of the Doo-Nanny festival, simply called ‘Doo-Nanny’. The folk art festival has grown and evolved into a temporary community filled with creative expression that occupies Butch’s 80-acre farm once a year.
When Butch speaks of the history of Doo-Nanny, his story begins with a turnip root that was plowed up in his garden by friend John Henry Toney. The turnip “had a face in it,” so he drew a picture of it and sold in a nearby junk shop to a folk art collector. And so, in 1996, Doo-Nanny was born out of a roadside art show. Years later, the folk art festival merged with a “lo-fi” movie festival and is now complete with solar showers, an outdoor community kitchen, art vendors, and culminates with a burning effigy for the celebration on Saturday night.
Ready for art and making, campers, artists, musicians, and free spirits arrive here for fun, food, music, and experimental architecture. Children run free (but supervised). I’ve heard first-time attendees say nothing could have prepared them for the spectacle of the weekend; this year’s event is certain to be another good one.