I’ve always been a little obsessed with parades. I scoured the internet trying to find out where parades originated, or why. What I’ve found is this: nobody knows. There are cave drawings from over ten thousand years ago that depict prehistoric men marching wild game home to cook in a wild and celebratory manner. Perhaps it is human nature – a group of people with a common cause just tend to rally around one another and rejoice.
When you think about the concept of people, musicians, floats, horses, waving pageant queens – it seems as though one would be overwhelmed at having every sense stimulated all at once. But, I’m not.
Last Friday, before we left for New York for an inspiring week of MAKESHIFT, we received wonderful news: the cotton seed had been planted. The week before, Jimmy, K.P., and I met early in the morning at the site of the cotton field, prepared to spend the day planting. However, the soil needed to be broken up more finely in order to allow the planter to properly cover the seed. This set us back a few days, but after another day of plowing to break the soil, Jimmy was finally ready to plant.
We left off two weeks ago in search of a two-row planter that will help get our cottonseed in the ground. Fortunately, we were able to find one locally. The planter’s shovels have been adjusted. The soil has been finely chopped. There have been conference calls between the field, the Factory office, and Kelly’s office in Texas. More thanks to Kelly Pepper.
Upon receiving our soil test results, we are determining the proper nutrients needed and the best organic fertilizers for the field. Staff at Auburn University has been helpful answering questions, and we’ve had the chance to learn more about the organic certification process through a local advisor.
Yesterday, a well awaited package was delivered to the Factory: organic, or “black” cottonseed, as I’ve learned it is called. In our effort to grow organic cotton, we’ve taken a step-by-step approach. We started with the seed, and now we move on to the land. We are learning as we go, and taking every experience to heart.
The search for seed began and taught us some of the important facts of organic cotton and cottonseed. Organizations like Textile Exchange and Texas Organic Cotton Marketing Cooperative lent their support and gave us direction in our search for non-GMO, non-treated cottonseed. In our conversation with Lynda Grose at Sustainable Cotton Project, Lynda shared her thoughts on organic, sustainable textiles, and the importance of knowing and working with your local farmers.
Thanks to Ari Weinzweig at Zingerman’s, I have been working on a “Vision of Greatness” for Alabama Chanin over the last few months (well, closer to a year to be more exact). However, over the last few weeks, I feel that I made real progress and worked out a growth chart and mission statement that is a good fit for both me and for our staff (more on that soon). Part of our Alabama Chanin growth mission includes committing ourselves to education on all levels and to finding even more ways to give back to our community.
Last month, we found a company – just around the corner from our own factory – who is doing just that.
Last week, as we started to learn about organic cottonseed, we discovered that there are significant challenges associated with seed supply. Our conversation began with industry leaders, as we had our fair share of questions. This week we continue our discussion on the process of growing organic cotton in an interview with Lynda Grose.
Lynda has been involved with sustainable fashion and textiles since 1995 when she co-founded ESPRIT’s ecollection, which was the first ecologically responsible clothing line developed by a major corporation. Lynda currently serves as assistant professor in CCA’s Fashion Design Program and works with the Sustainable Cotton Project in California, and many more businesses and non-profits.
Lynda Grose, an inspired activist and friend for years – a part of the heart and soul of Alabama Chanin. Continue reading
As Alabama Chanin has grown and evolved, we have built a business model that I strongly believe in. Many of you have been with us from the beginning, and many of you have found us along the way. On a daily basis, we receive a bounty of emails, phone calls, and letters. Here we have compiled a list of our most frequently asked questions. Included are the mission and some history of Alabama Chanin. We invite you to explore, share, and of course let us know if there is something that we missed.
We sincerely appreciate every email, query, and compliment that comes our way; we look forward to continuing the conversation. While our FAQs is not meant to replace old-fashioned interaction we hope it gives anyone interested the opportunity to learn more about our company, just as we hope for opportunities to learn more about all of you.
At the Factory, we play music to help set an inspiring tone for our work environment, and sometimes to just get us through the day. At any given time, you will hear a range of genres including folk, classical, rock, country, and independent artists. We don’t usually pick favorites, but The Civil Wars’ sounds are often heard floating through the shelves of organic fabric in the studio.
Joy Williams and John Paul White’s soothing and harmonic melodies have provided the soundtrack to many FULL workdays. The songs are sometimes bluesy, sometimes haunting, and always powerful. Their voices simply sound natural and right together. Perhaps we’re partial to them—not only because of their poetic music—but also because they are rooted in the Shoals; The Civil Wars are a vital part of our artistic community. But, we also feel connected to the band because of their approach to making, or “crafting” music.
Organic cotton is the heart of Alabama Chanin. It binds all aspects of the company: sustainability, fashion, DIY, and craft. All of our garments- couture or DIY- are made with these naturally grown fibers. We have examined the influence cotton has had on our community. We have thought about its global impact. We have voiced our concerns.
I have spent countless hours contemplating major business decisions because I feel it is vital to my own ethical truths and the philosophy of our company to buy and sell only organic cotton. But, we have our own supply chain issues that affect commitment to organic cotton (more to come on this very soon). Continue reading
It is no secret that I feel a commitment to my community; it is equally evident the role that growing up in Florence, Alabama, had on my development as a designer. Textiles – the growing, picking, spinning, knitting, cutting, and sewing – were a part of the vernacular of small southern towns from the late 1800s until the signing of NAFTA. My community has been no different.
This textile history is present in our studio today and we are surrounded by friends, colleagues, and families who have worked textiles, their parents worked textiles, and their grandparents worked textiles. My great grandmother “worked socks” at the Sweetwater Mill in East Florence. Continue reading