Thursday, July 15, 2010

Indigo Star – Quilt of the Month #2


I have always loved quilt tops and have collected them for many years from thrift stores and yard sales. The problem with these beautiful hand-sewn tops is that it is impossible to use them until they have been quilted as the delicate woven fabrics fall apart when washed. Not so with our 100% Organic Cotton Jersey, Alabama Indigo and Faded Leaves Jersey fabrics.

Our quilt this month is inspired by one of my favorite antique quilt tops and sewn to be the perfect lightweight cover. Made with our cotton-jersey in a single layer and a range of our Indigo, the quilt is sewn with our floating seams – described in both Alabama Stitch Book and Alabama Studio Style which give the effect those antique quilt tops. However, this technique eliminates the need to finish raw edges which will roll beautifully with the first washing.
 
 
 
 
The back of the is also very beautiful with the clean finished edges:
 
 
 
You can purchase one of our Indigo Star Quilts by contacting steven@alabamachanin.com or make your own by following the instructions below.
 
Instructions for the Indigo Star Quilt:
 
Finished quilt measures: 57" X 72"
 
Supplies:
 
You may choose to supply your own fabrics and threads or to purchase the required fabrics and threads (including a printed copy of these instructions) pre-packaged for the Indigo Star Quilt from our Online Store: http://alabamachanin.com/store/diy-indigo-star-quilt-kit
 
Or you may choose to purchase a DIY Indigo Star Quilt Kit with all items cut and ready to sew, by selecting “Ready-to-Sew” from the drop down menu at this same link: http://alabamachanin.com/store/diy-indigo-star-quilt-kit
 
100% Organic Cotton Jersey Fabric in the following yardages and colors:
 
5 yards in color Organic
1/2 yard in color Midnight
1/2 yard in color Wild Dove
1/2 yard in color Faded Leaves (as described in Alabama Studio Style)
1/2 yard in Alabama Indigo color Light Denim
1/2 yard in Alabama Indigo color Medium Denim
1/2 yard in Alabama Indigo color Dark Denim
 
 
 
 
Patterns: Note that these patterns are based on a 3” side for the diamond shaped Pattern A, a 2 1/2" square for Pattern B and the triangle shaped Pattern C is 2 3/8" x 2 3/8" x 3 3/8"; however, you may choose to make a larger quilt by enlarging these pattern pieces. We have included a 1/4” seam allowance in our pattern and followed all of the rules for threads and stitches from our Alabama Stitch Book and Alabama Studio Style.
 

 
Print and trace patterns A, B, and C onto pattern paper, heavy cardstock or cardboard.
 
Diamond shape measures 3” finished at each edge,
Square measures 2 1/2" at each finished edge.
Triangle measures 2 3/8" x 2 3/8" x 3 3/8"
 
 Cut out your pattern pieces.
 
Using your Tailor’s Chalk, trace patterns B and C onto your 100% Organic Cotton Fabric. You will need 192 pieces of pattern B and 384 pieces of pattern C.
 
Using your Tailor’s Chalk, trace pattern A on your Midnight, Wild Dove, Denim, and Faded Leaves fabrics. You will need 64 pieces of each color.
 
Hint: Cut the fabric 2 thickness at a time for a quicker result.
 
Design Details:
 
The stars are made up of 8 blue/grey pieces. We only use 6 blue/grey colors so each star has two pieces of the same color; we suggest keeping the colors randomly dispersed so each star is unique.
 
We chose to add a border to our quilt. It is optional, but we love the finished look. The instructions are at the bottom.
 
 Block Construction:
  1. With wrong sides together, cream thread and 1/4” from the raw edge, stitch the diagonal edge of a cream C piece to a blue/grey A piece as pictured in the illustration below.
  1. Make 4 pieces this way.
  2. With wrong sides together, cream thread and 1/4” from the raw edge, stitch the diagonal edge of a cream C piece to a blue/grey A piece as pictured in Sketch 2.
  1. Make 4 pieces in this way.
  2. With wrong sides together, and 1/4” from the raw edge, stitch together a piece made like Sketch 1 to a piece made like Sketch 2 along the long edge as pictured in Sketch 3. Stitch the cream pieces with cream thread and the blue/grey pieces with grey thread.
  1. Make four sections in this way.
 
Assemble Block:
 
  1. Layout the 4 sections made in Sketch 3 as shown in Sketch 4.
  1. With wrong sides together, grey thread and ¼” from the raw edge, stitch A to B and then C to D and then stitch all 4 sections together along the diagonal from point 1 to point 2 as pictured in Sketch 5.
 
  1. With wrong sides together, cream thread and 1/4” from the raw edge, stitch a cream B piece to each corner of the star by starting at the outside edge, stitch toward the inner corner of the cream B piece and continue stitching toward the other outer edge. This is quilt block.
  2. Make 48 quilt blocks this way.
 
Join Blocks:
  1.  With wrong sides together, cream thread and 1/4” from the raw edge, stitch 2 blocks together along the right side edge as pictured in Sketch 6.

 
  1. Make 8 rows this way.
 
Join Rows:
  1.  With wrong sides together, cream thread and ¼” from the raw edge, stitch the bottom edge of the first row with the top edge of the second row as pictured in Sketch 7.
  1. Join all 8 rows this way.
Measure for Border Pattern:
  1. Measure the finished width and height of quilt. The width will be used for border pattern A and the height will be used for border pattern B.
  2. For border pattern A take the width measurement and this will be the length of your top edge. Then measure 7” down and draw a parallel line to create your bottom edge.
  3. At both ends of you bottom edge measure out 7” then draw a diagonal line from the ends of the top edge to the ends of the bottom edge to create a mitered corner. See Sketch 8.
  1. Add ¼” seam allowance around every edge. See Sketch 9.
 
  1. For border pattern B take the height measurement and this will be the length of your top edge. Then measure 7” out and draw a parallel line to create your bottom edge.
  2. At both ends of you bottom edge measure out 7” then draw a diagonal line from the ends of the top edge to the ends of the bottom edge to create a mitered corner. See Sketch 10.
  1. Add 1/4” seam allowance around every edge.
 
Cut Border:
 
  1. Using tailor’s chalk trace around your border patterns onto cream fabric. Remove your pattern and cut out the border pieces along the inside line of the chalk.
  2. Cut out 4 border A pieces and 4 border B pieces.
 
Construct Border:
 
1. With right sides together, cream thread and ¼” from the raw edge, stitch 2     patterns A pieces together along the bottom edge.
1.    Repeat for the other 2 border A pieces.
2.    With right sides together, cream thread and ¼” from the raw edge stitch 2 pattern B pieces together along the bottom edge.
3.    Repeat for the other 2 border B pieces.
4.    With right sides together stitch the mitre edges of border pieces together to form the rectangular shape of the quilt.
5.    Then fold all the seams to the inside. Trim the corners and press seams. The outside edges are now clean finished.
 
Attach Border:
 
  1. With top border edges and the raw outside edges of quilt, cream thread and ¼” from the edges stitch the quilt to the border on side at a time. Seam allowance should be outside and floating to match the rest of the quilt.
  2. Press finished quilt with warm iron and sigh.

 

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Projects
Wednesday, June 30, 2010

Refresh Your Wardrobe


Thank you to Jasmin and all the folks at Ecouterre for sharing our Circle Spiral Applique from Alabama Studio Style.

 

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Projects
Wednesday, June 2, 2010

American Flag Quilt


I first wrote about Kaffe Fassett’s new book here – when the rains on Nashville turned our eyes to disaster. More than a month has passed and the folks of Nashville still need our help and today I am back to thinking about Kaffe Fassett’s Simple Shapes Spectacular Quilts.

 
Inspired by the lovely geometries Kaffe illustrates – and the upcoming summer months – we have decided to begin a Quilt of the Month project – starting with our all-time favorite American Flag Quilt.
 
Purchase one of our DIY Flag Quilt Kits which comes cut, stenciled and ready to sew with all the needed notions or follow the instructions below using our 100% Organic Cotton, up-cycled t-shirts or scraps.
 
Our DIY Flag Quilt Kit is made from a double layer of our 100% Organic Cotton in a mixture of Burgundy and Carmine, Storm Blue and Navy, as well as, Parchment and Sand
 
Cut quilt pieces are then embroidered and constructed with our Coats & Clark Button Craft Thread in Navy, Maroon and Dogwood using techniques from Alabama Stitch Book and Alabama Studio Style
 
We have applied a variety of stencils from our Alabama Chanin archives to our DIY Flag Quilt Kit; however, you may use any stencils that you have available in any combination of techniques from Alabama Stitch Book and/or Alabama Studio Style
 
 
Supplies
 
 
 1/2 yard 100% Organic Cotton Fabric in Storm Blue
 
 2 yards 100% Organic Cotton Fabric in Burgundy
 
 2 yards 100% Organic Cotton Fabric in Ruby
 
 2 yards 100% Organic Cotton Fabric in Parchment
 
 2 yards 100% Organic Cotton Fabric in Sand
 
 
 
Approximately 8 spools Coats & Clark Button Craft Thread in Maroon #41B (depending on the amount of embellishment you plan to incorporate).
 
Approximately 8 spools Coats & Clark Button Craft Thread in Dogwood #155 (depending on the amount of embellishment you plan to incorporate).
 
 
 
 
 
 
Measurements and Guide below:
 
Finished Size: 103” X 62”
 
The quilt is worked up in long stripes that are 5” wide and 103” long (finished width) with 1/4" seam allowances on each side – 5 1/2" cut width. (We cut the stripes into smaller pieces that we can incorporate scraps into our final project and to add color variation.)
 
The short stripes are 5” x 64” with 1/4" seam allowances – 5 1/2" cut width – on each side and broken into smaller pieces as well.
 
 We also chose to break the blue star area up into smaller parts; however, you could choose to make this one piece with appliquéd stars. The finished measurement of the blue field is 32” in height and 39 “wide. 
 
 
Below is a guide to the stencils that we chose for our project but remember that any stencil will work and the quilt works up lovely with no embellishment at all.
 
 
Technique by Block:
 
       Abbie’s Flower Applique
B         Clematis Reverse Applique
C         Apples Reverse Applique
D         String Quilted
E         Lotus Applique
F          Climbing Rose Reverse Applique
G         Rose in 3-D Applique
H         Poetry Stenciled Only
I           Dove Reverse Applique
J          Gothic Quilted
K         Trumpet Vine Reverse Applique
L          Clematis Reverse Applique
M         Bloomers Reverse Applique
N         Stripe Reverse Applique
O         Fish Double Reverse Applique
P         Poetry Reverse Applique
Q         Black & White Stenciled Only
R         Anna’s Garden Reverse Applique
S         Hearts Reverse Applique
T          Spiral Stenciled Only
U         Rose 3-D Applique
V         Dove Reverse Applique
W        Apples Reverse Applique
X         Abbie’s Flower Applique
Y         Spiral Stenciled Only
Z          Lotus Applique
AA       Vitae Reverse Applique
BB       Black & White Stenciled Only
CC      Abbie’s Flower Applique
DD      Moths Reverse Applique
EE       Fish Double Reverse Applique
FF       Small Rooster Reverse Applique
GG      Clematis Reverse Applique
HH      Small Latin Cross Reverse Applique
II          Stripe Reverse Applique
JJ        Skull & Crossbones Reverse Applique
KK       Lotus Applique
LL        String Quilted
MM      Moths Reverse Applique
NN      Abbie’s Flower Applique
OO      Rose 3-D Applique
PP       Apples Reverse Applique
QQ      Climbing Rose Reverse Applique
RR      Pig Reverse Applique
SS       Flowers & Machine Reverse Applique
TT        Poetry Reverse Applique
UU      Stripe Reverse Applique
VV       Dove Reverse Applique
WW     Gothic Quilted
XX       String Quilted
YY       Climbing Rose Reverse Applique
ZZ       Lotus Applique
AAA    Anna’s Garden Reverse Applique
BBB    Black & White Stenciled Only
CCC   String Quilted
DDD   Clematis Reverse Applique
EEE    Trumpet Vine Reverse Applique
FFF     Small Rooster Reverse Applique
GGG   Hearts Reverse Applique
 
Embellish as desired, construct in strips, add appliquéd stars and enjoy your summer...
 
Get inspired by Kaffe Fassett’s Simple Shapes Spectacular Quilts and use our Alabama Studio Style techniques to create your own…
 

 

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Thursday, February 4, 2010

Green Organic Chair Pillow

 
Our copies of Alabama Studio Style are arriving to our studio today and will be shipping out today and tomorrow!

 
Thank you to everyone who pre-ordered. As a thank you, all of the pre-ordered books are being shipped with a little gift of a yard from our Green Organic Cotton Jacquard and inspiration for a project using both Alabama Studio Style and Alabama Stitch Book.
 
This Green Organic Cotton Jacquard is one of my favorite fabrics and the one that I used to make the Chair Pillow pictured above. Make one for your home by using the Chair Pillow instructions starting on page 152 of Alabama Studio Style along with appliqué instructions from page 62 of Alabama Stitch Book.
 
May the book(s) – and the projects that you will make – fill your homes with warmth and great stories…
 
Natalie and all of us @ Alabama Chanin
 
 
Green Organic Chair Pillow with Appliqué Angie’s Fall
 
 
 
Supplies
 
Chair Pillow Instructions from Alabama Studio Style
Appliqué Instructions from Alabama Stitch Book
1/2 yard of 60”-wide cotton jersey in one color
Scrap of cotton jersey in second color, for appliqué
Enough cotton jersey scraps in second color to make 80” of 1/2"-wide piping
Angie’s Fall stencil from Alabama Studio Style
Textile paint
Tools for your choice of stencil-transfer method (see page 00)
Garment scissors                                                             
Embroidery scissors
Rotary cutter and cutting mat
24” transparent plastic ruler
Tailor’s chalk or disappearing-ink fabric pen
Hand-sewing needle
Button and carpet thread
Pins
12” x 14” pillow form
 
Our Design Choices
Pillow fabric                         Green Organic Cotton Fabric
Appliqué fabric                    White
Piping fabric                        White
Stencil                                  Angie’s Fall
Paint                                     White
Thread                                 Cream
Seams                                 On pillow’s wrong side
Knots                                    Inside pillow

 

Wednesday, February 3, 2010

Folk Art & Primary Colors

 
Congratulations to Leigh for being the winner of our sweepstakes for Project #7.

Her lovely text:
 
Folk Art. Primary colors. An afterthought lit with a silver glow. The importance of an exchange with beauty in our everyday lives. To live in the Art. Wear your Art. Creative like a child. Allowing yourself to enjoy a compliment. Celebrate the simple. Quality not quantity. Letting time win. Strong bonds take longer to make. Hard to break. Blood red says come to me. Flowers say slow down or you’ll miss me. Rich with the blues. Like water. Which heals. Raised petals come to life. Wants to be touched. Makes us smile. The Canvas is fabric. Brush strokes are thread. A maze of glass. Color in the midst of this grey Winter. A hint to a secret. By which only the wearer of this art knows. But if you'll sit for tea. Under the magnolia's. She will amaze you. In her handmade clothes. That each tells the stories of her life.
 
Thank you for all the great entries & stay tuned for a new sweepstakes…



 

 

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Projects
Wednesday, January 27, 2010

Project #7


This corset - one of my all-time favorites - was part of our Songbirds Collection for Fall/Winter2009. 

The pattern is available in Alabama Stitch Book and it is made using our 100% Organic Indigo Fabric and the Angie’s Fall stencil from Alabama Studio Style. 

 
To make your own:
 
Corset pattern fromAlabama Stitch Book
Pearl Silver Airbrush Paint
1 spool Coats & Clark Buttonhole Thread in Slate #26
1 package Red Bugle Beads
 
Fabric Detail:
 
 
 

 

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Projects
Wednesday, January 6, 2010

Recycled


And back to the thought of using what you have

Wouldn’t it be a wonderful thing if we only brought products (things) into our homes that we wanted to keep for the rest of our lives?  And when those products and things become old, we simply recycle them into our own lives.
 
So it is with this coat that one day no longer suited my life but is now one of my favorite pieces. I am continually stopped in airports, shops, and restaurants and asked, “Where did you get that coat?”
 
“Recycled,” I answer.
 
I used the Rose Stencil – from Alabama Stitch Book and new to our online store – to paint the bottom of my coat with our textile paint and then appliquéd the Rose Stencil in our 100% Organic Cotton Jersey Fabric using our burgundy color, burgundy thread and a whip stitch.
 
William Morris said: “Have nothing in your houses that you do not know to be useful or believe to be beautiful.”
 
I would say it this way: “If you want to make a difference on the planet, this is it: Have nothing in your home or life that you do not know to be useful, believe to be beautiful or know that you will strive to keep in your life forever.”

**Photo of my (not yet finished) coat in our studio taken by me.

Tuesday, December 15, 2009

Waste Not Want Not

For me, this past decade was about learning to use the resources that I had readily available. My goal for the next decade will be about digging deeper to fully understand all of the resources that I have and then to use those resources wisely and wildly
 
It is my wish that we will use all of our gifts to enrich our lives this & every season of the year and upcoming decade:
 
Make the fabric above – “Waste Not Want Not” – by printing your left-over bubble wrap using a textile airbrush paint
 
Simply lay out your fabric on a clean work table and apply paint lightly to the bubbly side of bubble wrap with any sort of sponge or brush.  Print onto fabric by pressing the painted side of the bubble wrap gently to your fabric. Repeat as desired.
 
We used a taupe color paint (mixing white with tiny amounts of yellow and black) on a white fabric; however any color will work.
 
Let your printed fabric dry thoroughly and do not wash for at least three weeks to allow curing. This resource can be used for paper, wood or any other surface that you might choose to decorate.
 
Wash bubble wrap after use and store for using over and over and over again.


 

 

Monday, December 7, 2009

Angie's Fall Stocking


I am hoping for kitchen supplies in my stocking this year (hint, hint): Benton’s Bacon, Goat Cheese and perhaps a CSA Subscription from our local farmers market would make me very happy indeed…

Make your own stocking like the one above following the directions below or by purchasing your own Holiday Stocking Kit from our Online Store.
 
Supplies:
 
1 yard 100% Organic Cotton Jersey in your favorite color
Airbrush Paint in your favorite color
 
Make a pattern by tracing any stocking from your collection or simply drawing a rough shape like a sock. Cut fabric, paint and stitch your stencil to quilt without cutting, add a rib at the top opening of your stocking following instructions from Alabama Stitch Book.
 
Join front and back of stocking together using a straight stitch and add a loop of fabric for hanging.
 
Fill with goodies & gift your favorite person…

 

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Projects
Thursday, November 12, 2009

And The Winner Is...


Congratulations to Julie Eastwood for winning our sweepstakes! 

Project #6 will be going to a good home…
 
Stay tuned for more projects and upcoming sweepstakes by joining our mailing list:
 
 
Photo:  Backdated Confidence Trophies from Partners & Spade via The World According to Jessica Claire

 

 

Wednesday, November 4, 2009

Project #6


This shawl was made from a pattern similar to the Rose Shawl pattern from page 108 of our Alabama Stitch Book. The shawl was cut in our white organic fabric (doubled layered) and the ends of the top layer were painted with the Facets Stencil using grey airbrush paint. After drying, the ends were reverse appliquéd using the instructions from Alabama Stitch Book and the shawl constructed. After construction, selected areas of the pattern were beaded with white bugles in circular patterns. Finally, the entire scarf – yes, beads and all – was over-dyed in a color similar to our storm blue.

You can re-create this look with the following materials:
 
Rose Shawl pattern from Alabama Stitch Book
2 yards 100% Organic Cotton Jersey in Storm Blue
White Airbrush Paint (to mix grey)
Black Airbrush Paint (to mix grey)
1 spool Coats & Clark Buttonhole Thread in Slate #26
 
Fabric Detail:

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Projects
Monday, November 2, 2009

Coffee Cozie


Everyone knows that I am a bit obsessive about my coffee and in the last year, I have come to prefer my morning cup in glass. 

Coffee Cozie pattern thanks to Peet’s Coffee & Tea in Berkeley.
 
Make & use yours today and everyday...

 

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Projects
Wednesday, September 30, 2009

Project #5

Today we launch a new section that highlights some of our favorite projects and, hopefully, provides inspiration for additional ways to use Alabama Stitch Book and our upcoming Alabama Studio Style.  
 
It is most appropriate to launch today with a corset from our editor Melanie. Thank you to Melanie for all that she has done to make jumbles of words, images and instructions into something of substance.
 
Supplies
 
Alabama Corset Pattern from Alabama Stitch Book
1 yard of 60” wide cotton jersey fabric in color Carmine
1 yard of 60” wide cotton jersey fabric in color Burgundy
Textile Paint in Red (mix with drops of black to create burgundy color)
Textile Paint in Black (mix drops of black with red to create burgundy color)
Tools for your choice of stencil-transfer method
4 spools button craft thread in color Red

Follow instructions from Alabama Stich Book beginning on page 145 and enjoy...
 

Friday, July 3, 2009

Happy Birthday

 Live. Love. Laugh. Dream. Create. Celebrate. Happy holiday...

 

**Make your own pillow, tablecloth or quilt from our 100% Certified Organic, American-Grown Cotton Jersey in Burgundy, Natural and Navy with stenciled stars in white airbrush paint and sewn with cream and navy thread.
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Projects
Tuesday, February 17, 2009

Light Pink with Satin Grey


Supplies

Bloomers Reverse Appliqué Skirt Kit (Alabama Stitch Book, page 148) in Light Pink with Random Bugles (Alabama Stitch Book, page 31) in Satin Grey

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Projects
Tuesday, February 17, 2009

Rag Boa and a Free Book


Visit Cotton, Inc @ The Fabric of Our Lives for the instructions to make our famous Rag Boa from our Alabama Stitch Book… 

Thursday, December 18, 2008

Furoshiki - The "Green" Wrapping

While visiting Boston recently, my hosts at the Museum of Fine Arts gave all of the attendees this flyer about Furoshiki.

The term describes “a type of traditional Japanese wrapping cloth that was frequently used to transport clothes, gifts or other goods.”



"Although there are still Furoshiki users in Japan, their numbers declined in the post-war period, in large part due to the proliferation of the plastic shopping bag. In recent years, it has seen a renewed interest as environmental protection became a concern."

What a great “green” way to use any available cloths to wrap your holiday gifts…


& see a video demo here.

 

 

& THANKS to the Fashion Council for a lovely event!

 
Saturday, October 4, 2008

Reverse Stars & Skull T-shirt DIY Project


Supplies:

Sustainable Cotton T-shirt in Men's or Women's size
Jersey Fabric as large as you choose to make your stencil
Stars & Skull stencil graphic
X-acto Knife
Pennant felt, poster board or other sturdy material for stencil making
Cutting mat
Spray Mount
Textile paint
Thread

#9 Sharp needle
Straight pins

Instructions:

1) Prepare and cut stencil


There are many options for stencils. You may choose to use a readymade stencil which you will find available from our online store, as well as at local art supply and craft stores. Or, you may choose to take the ultimate freedom to design and cut your own stencil.

To make our Stars & Skull Stencil, print out the stencil graphic from your computer. You may increase or decrease the size of your stencil to suit your chosen T-shirt. (Our Skulls and Stars stencil is roughly 12.8in x 14.8in.) Most photocopy machines and centers offer this option. Choose a piece of pennant felt that is going to leave a border of at least 4” around your Stars & Skull graphic. Attach the photocopy to either the poster board or felt using a light dusting of spray mount making sure to center the design inside the 4” border. This will help you keep from getting the textile paint on other areas of your T-shirt. Using an x-acto knife and a cutting mat, carefully cut away all of the black area which will leave a negative imprint of your Stars & Skull. Be sure to cut exactly on the line that you remove the entire Stars & Skull pattern from your stencil.


2) Stencil transfer

Place a piece of butcher paper (or newspaper) in the middle of your T-shirt between the front and the back. The paper will prevent any of your stenciled areas from soaking through to the back layer of your T-shirt. Lay out T-shirt on a flat surface in a well ventilated work area. Place your Stars & Skull stencil on the T-shirt in the appropriate position. You may choose to spray a light coating of Spray Mount on the back side of your stencil to help keep your stencil stable. Using a can of textile spray paint, carefully paint stencil onto T-shirt, making sure that you have covered the entire stencil area. Remove Stars & Skull stencil and put to the side. Leave your painted shirt in this well ventilated area to dry, which should take approximately one hour. Be careful to read and follow all instructions that come with your textile spray paint. Some paints need to be heat set with an iron to make them wash fast!

3) Add the Reverse Appliqué fabric

Carefully pin your scrap jersey fabric on the inside of your shirt behind the painted stenciled. Make sure that your grain lines are running in the same direction (vertically) and that the face of the fabric scrap is on the fabric back of your T-shirt. Placing the fabric scrap this way ensures that your fabric face will be seen after trimming away your Reverse Appliqué. Some people like to turn the shirt inside out to get the scrap fabric to lay perfectly flat.

4) Stitch

Thread your needle, double the thread and tie a double knot at the end. Leave a 1/2" tail on your knot. Begin stitching one of the stenciled shapes on your Stars & Skull stencil by inserting your needle up through the bottom Reverse Appliqué fabric and through the back of your shirt so that your knot is not visible on the outside of your shirt. Using a straight stitch (running stitch), you will stitch around the first shape. Knot off at the end of this shape where your knot began and then move on to the next shape. Knotting off each and every individual shape will ensure that you do not lose the stretch of your T-shirt once your project is completed. As you work, make sure that your knots are tight, your stitches do not get too big or too small (we recommend stitches 1/4 inch in length), and that you start and end each shape with a knot.

5) Cut the Reverse Appliqué

Carefully separate the 2 layers on the inside of each shape and clip through the top layer only using embroidery scissors. Insert your scissors into the clipped hole and trim away the entire inside of the shape, being careful to work 1/8” away from your stitching line. When you have finished cutting all of the shapes, turn your T-shirt inside out and trim away the excess fabric on the inside of your design, being careful to always work 1/8” from your stitching line. Trimming the Reverse Appliqué fabric on the inside of your T-shirt ensures that your fabric will lay flat and not bunch up after washing.
 

Your Stars & Skulls shirt is now finished!




 

 

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Projects
Saturday, October 4, 2008

Birdie Shirt DIY Project

Supplies:

Sustainable Cotton or Recycled T-shirt
Jersey Fabric as large as you choose to make your stencil
Birdie stencil graphic
Letter “B” Stencil graphic
X-acto Knife
Pennant felt, poster board or other sturdy material for stencil making
Cutting mat
Spray Mount
Textile paint

Thread

Additionally:

 

Embroidery scissors
#9 Sharp needle
Straight pins


1) Prepare and cut stencil There are many options for stencils. You may choose to use a ready made stencil which are readily available at local art supply and craft stores. Alternatively, there are some companies that will make any stencil to order. Or, you may choose to have the ultimate freedom and make your own stencil.


To make our Birdie and Letter “B” Stencil, print the stencils. You may increase or decrease the size of your stencil to suit your chosen T-shirt. Most photocopy machines and centers offer this option. Our finished stencil is 5.5in. x 5in. Choose a piece of poster board or felt that is going to leave a border of at least 4” around your each graphic. Attach the photocopies to either the poster board or felt using a light dusting of spray mount making sure to center the design inside the 4” border. This will help you keep from getting the textile spray paint on other areas of your T-shirt. Using an X-acto knife and a cutting mat, carefully cut away all of the black area which will leave a negative imprint of your Bird. Repeat by cutting the Letter “B” stencil. Be sure to cut exactly on the black line that you remove the entire pattern from your stencils.


2) Stencil transfer

Place a piece of butcher paper in the middle of your T-shirt between the front and the back. The paper will prevent any of your stenciled areas from soaking through to the back layer of your T-shirt. Lay out T-shirt on a flat surface in a well ventilated work area. Place your Birdie stencil on the T-shirt in the appropriate position. You may choose to spray a light coating of Spray Mount on the back side of your stencil to help keep your stencil stable. Using a can of textile spray paint, carefully paint stencil onto T-shirt, making sure that you have covered the entire stencil area. Remove Birdie stencil and put to the side.

Repeat with the Letter “B”.

Leave your painted shirt in this well ventilated area to dry, which should take approximately one hour. Be careful to read and follow all instructions that come with your textile spray paint. Some paints need to be heat set with an iron to make them wash fast!

3) Add the Reverse Appliqué fabric

Carefully pin your scrap jersey fabric on the inside of your shirt behind the painted stenciled. Make sure that your grain lines are running in the same direction (vertically) and that the face of the fabric scrap is on the fabric back of your T-shirt. Placing the fabric scrap this way ensures that your fabric face will be seen after trimming away your Reverse Appliqué. Some people like to turn the shirt inside out to get the scrap fabric to lay perfectly flat.

4) Stitch

Thread your needle, tie a double knot at the end. Leave a 1/2" tail on your knot. Begin stitching one of the stenciled shapes on your Birdie stencil by inserting your needle up through the bottom Reverse Appliqué fabric and through the back of your shirt so that your knot is not visible on the outside of your shirt. Using a straight stitch (running stitch), you will stitch around the first shape. Knot off at the end of this shape where your knot began and then move on to the next shape. Knotting off each and every individual shape will ensure that you do not lose the stretch of your T-shirt once your project is completed. As you work, make sure that your knots are tight, your stitches do not get too big or too small (we recommend stitches 1/4 inch in length), and that you start and end each shape with a knot.

5) Cut the Reverse Appliqué

Carefully separate the 2 layers on the inside of each shape and clip through the top layer only using Embroidery scissors. Insert your scissors into the clipped hole and trim away the entire inside of the shape, being careful to work 1/8” away from your stitching line. When you have finished cutting all of the shapes, turn your T-shirt inside out and trim away the excess fabric on the inside of your design, being careful to always work 1/8” from your stitching line. Trimming the Reverse Appliqué fabric on the inside of your T-shirt ensures that your fabric will lay flat and not bunch up after washing.

6) Add a message or line of poetry with a permanent marker.

A line of poetry is hand written on this shirt with a Sharpie Marker: “Birds flew down from the heavens on the day you were born... and their song could be heard around the world...”

Your Birdie shirt is now finished!
 

 

Labels:
Projects
Monday, August 4, 2008

DIY Eagle T-Shirt



This is one of the earliest reverse appliqué stencils that I attempted and has become a classic around our office. Follow the instructions below or purchase a do-it-yourself Eagle package from our online store.

Supplies:
Sustainable Cotton t-shirt– recycle one from your closet or purchase a new one
Scrap jersey fabric as large as you choose to make your Eagle or purchase new fabric.
Eagle stencil
X-acto knife 
Poster board or Pennant felt for stencil
Cutting mat 
Spray mount 
Textile paint or spray paint  
Kraft paper – you may also use pattern paper or newspaper
Embroidery scissors 
#9 Sharp Needles
Thread
Straight pins 

If you purchased a package from our online store, skip forward to Step 3.

Instructions:
1) Prepare and cut stencil


There are many options for stencils. You may choose to use ready made stencils which are available at local art supply and craft stores. Alternatively, there are some companies that will make any stencil to order. Or, you may choose to have the ultimate freedom and cut your own stencil.
To make our Eagle, you may purchase the Animal Silhouettes stencil design book from Dover Publications. You may increase or decrease the size of your stencil to suit your chosen T-shirt. (Our Eagle stencil is roughly 12.8in x 14.8in.) Most photocopy machines and centers offer this option. Choose a piece of poster board or felt that will a border of at least 4” around your Eagle graphic. Attach the photocopy to either the poster board or felt using a light dusting of spray mount, making sure to center the design inside the 4” border. This will help you keep from getting the textile spray paint on other areas of your T-shirt. Using an X-acto knife and a cutting mat, carefully cut away all of the black area which will leave a negative imprint of your Eagle. Be sure to cut exactly on the line that you remove the entire Eagle pattern from your stencil.

2) Stencil transfer


Place a piece of butcher paper in the middle of your T-shirt between the front and the back. The paper will prevent any of your stenciled areas from soaking through to the back layer of your T-shirt. Lay out T-shirt on a flat surface in a well ventilated work area. Place your Eagle stencil on the T-shirt in the appropriate position. You may choose to spray a light coating of Spray Mount on the back side of your stencil to help keep your stencil stable. Using a can of textile spray paint, carefully paint stencil onto T-shirt, making sure that you have covered the entire stencil area. Remove Eagle stencil and put to the side. Leave your painted shirt in this well ventilated area to dry, which should take approximately one hour. Be careful to read and follow all instructions that come with your textile spray paint. Some paints need to be heat set with an iron to make them wash-fast!

3) Add the Reverse Appliqué fabric


Carefully pin your scrap jersey fabric on the inside of your shirt behind the painted stenciled. Make sure that your grain lines are running in the same direction (vertically) and that the face of the fabric scrap is on the fabric back of your T-shirt. Placing the fabric scrap this way ensures that your fabric face will be seen after trimming away your Reverse Appliqué. Some people like to turn the shirt inside out to get the scrap fabric to lay perfectly flat.

4) Stitch


Thread your needle, double the thread and tie a double knot at the end. Leave a 1/2" tail on your knot. Begin stitching one of the stenciled shapes on your Eagle stencil by inserting your needle up through the bottom Reverse Appliqué fabric and through the back of your shirt so that your knot is not visible on the outside of your shirt. Using a straight stitch (running stitch), you will stitch around the first shape. Knot off at the end of this shape where your knot began and then move on to the next shape. Knotting off each and every individual shape will ensure that you do not lose the stretch of your T-shirt once your project is completed. As you work, make sure that your knots are tight, your stitches do not get too big or too small (we recommend stitches 1/4 inch in length), and that you start and end each shape with a knot.

5) Cut the Reverse Appliqué


Carefully separate the 2 layers on the inside of each shape and clip through the top layer only using Embroidery scissors. Insert your scissors into the clipped hole and trim away the entire inside of the shape, being careful to work 1/8” away from your stitching line. When you have finished cutting all of the shapes, turn your T-shirt inside out and trim away the excess fabric on the inside of your design, being careful to always work 1/8” from your stitching line. Trimming the Reverse Appliqué fabric on the inside of your T-shirt ensures that your fabric will lay flat and not bunch up after washing. Your Eagle shirt is now finished!


 

Tuesday, July 29, 2008

Alabama Song

Our weekend workshop was a beautiful mixture of women from all walks of life. It was wonderful to hear our studio filled with laughter, chatter and, from time to time, the quiet hum of concentrated fingers at work. All of the projects are lovely and I am certain that the participants will be showing off their garments over the course of the next months.

(Keep an eye on the flickr page for new additions: Alabama Stitch Book Group )

Our Sunday morning was enchanted by a serenade of Alabama Song by singer, songwriter and designer Allison Moorer. Allison is an amazing woman and I was inspired by her fearless choice to make our 16-Panel Swing Dress with all-over rose reverse applique.

I cannot wait to see her on stage in the piece and feel grateful to have found a new stitching sister so close to home as Nashville is just a hop, a skip and a jump up the Natchez Trace from Florence.

Visit Allison’s website:

http://www.allisonmoorer.com/

Listen to her music:

http://www.myspace.com/allisonmoorer

And check out all about her new line of clothing 1 Turtledove:

http://blog.cmt.com/2008-03-25/allison-moorer-finds-peace-with-1-turtle-dove-t-shirts/

and stay tuned for more on a week in music (thanks to Allison and Traci)…

Saturday, July 19, 2008

Confessions of a Sewing Basket Case

Dear Sweet Blair,

You are a gift to our lives and cake for our souls. I will forever think of you with a pair of pink “granny panties” stuck to your back! I was thinking this week that after 40 (some odd) years, I am just now learning to stand in my own shoes (a miracle that.) And I am sure that if I went to the mirror right now, I will have a pair of granny panties (or worse) on my own back.

(I once crossed the entire dining room of a very chic New York restaurant with a stream of toilet paper at least 8 foot long attached to my heel. My bridal train.)

Thank you for coming to Atlanta, for bravely threading your needle, for standing there in your own shoes and then for writing about it. We love you dearly…

 

 

 

Confessions of a Sewing Basket Case

 

--Blair Hobbs

 

 

 

After attempting to sew at the “Feeding Desire” workshop in Atlanta, I more than ever respect those who are nimble with needle and thread.

To several confident attendees, I explained how I once cross-stitched a stuffed doll to an art project canvas, and although I was proud of the initial outcome, I was mortified when I discovered that in my stitching process, I had stupidly sewn the backside of the canvas to my skirt. I stood up and the entire contents of my lap were attached: canvas, stuffed doll, and cute not-bought-on-sale linen skirt. I had to unzip, violently shimmy, and toss the whole tangled affair into the trash. Over the years, my sewing has demonstrated zero improvement. If Natalie had awarded whipstitch badges at the end of the workshop, I would have left the presentation as one empty-handed little Girl Scout.

It is tough to admit, but I envied everyone’s skillfully appliquéd journal covers, T-shirts, and rose-blooming scarves. Everyone around me mastered desired designs. I so love Natalie’s vision of the rose scarf, but my rose puckered; the leaves cinched. I was too humiliated to ask Natalie or Jessica for their kind and patient help, for which they were happily present.

But that outcome must be okay; I know (and have been told) that I am nervously wound tight (especially before lunch). I also know I am a flat-out mess and walk with an extra layer of entropy in my orbit. I have always been that way. I have never cleaned the toilet without splashing Clorox onto my dark T-shirt or new hot-pink bathmat. My husband has to “check” me before we leave the house to make sure my skirt isn’t smeared with cat hair or that my blouse isn’t inside-out or buttoned crookedly.

A long time ago, I pulled a black sweater from my family’s dryer to wear to my first by-invitation-only art opening. After a while of nibbling cubed cheese, gazing at bovine landscapes, and sipping several of glasses of gallery wine, my date mustered the courage to fake smile and tell me that I was sporting a pair of pink satin granny panties on my “cashmere” and polyester back. Following that date (a one-shot deal), I purchased a year’s worth of Cling-Free sheets for the familial laundry room and vowed to stop buying cheap cardigans.

Although I am scattered, and lousy at sewing, I did learn and feel many wonderful things from the “Feeding Desire” group. I respect those who pay attention, work steadily, and find happiness in taking purposeful time. There was peace--valuable peace--in that collective endeavor, and even I enjoyed the paced settling, savored the intelligent hush.

At lunchtime, we gathered around Angie’s table and its beautifully delicious spread. She is a wizard with food, and she made everyone feel welcome and satisfied and glad. Judith’s Love-is-Love vegetables—jewels of the earth—were amazing.

I left the Atlanta workshop cherishing an entire day spent with new friends, all that I learned from them, and Whitespace Susan’s laughter (even though she often laughed at how long it took me to thread a needle).

I am grateful for getting to know Natalie Chanin, and as a “Feeding Desire” participant, I was shown renewed respect for the art and craft of sewing. Natalie is an inspired force, and her talent, strength, kindness, and intelligence, has--and will for days to come--continue to sweetly (and neatly!) feed me.

 

 

--Blair Hobbs

*Note that the picture of sewing hands is of Diane Hall, our master seamstress, who has the neatest stitches you can imagine.

 

 

 
Tuesday, December 18, 2007

Paint-by-Numbers

My dear friend Sara Martin made the most amazing presents for her yearly holiday party. Everyone at the party received their very own Paint by Number portrait, painted by Sara and her husband Kory.

Sara shared this software with me which would be great for embroidery and needlepoint too: Paint By Numbers 2005

And here is a history of the Paint by Number phenomenon from the Smithsonian Institute: Paint by Number

Be sure to read "Every Man a Rembrandt "

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