MAKESHIFT + KRISTEN WENTRCEK
Kristen Wentrcek is the founder, owner, designer, and creative director of Wintercheck Factory, a Brooklyn, New York, manufacturer producing American-made, design-focused goods for living. Wintercheck Factory began designing and manufacturing furniture in 2009 and soon after, expanded into soft goods, including apparel, accessories, and home goods with a balance of aesthetic and functionality.
During MAKESHIFT 2013, Kristen Wentrcek joined us as a presenter and moderator for MAKESHIFT @ The Standard, an evening of conversation and making centered around the concepts of fashion, food, design, craft, and DIY and where they intersect. As a presenter, she helped lead the conversation, moving between three groups of makers and along with other presenters, shared her experiences with starting and running Wintercheck Factory, and how the elements of fashion, food, design, craft, and DIY have impacted her venture. She also re-crafted the above tote for the MAKESHIFT Conversations Image Quilt.
Kristen joins us today for a brief Q&A about Wintercheck Factory, making, American manufacturing, and MAKESHIFT.
AC: American manufacturing seems to be a core principal for Wintercheck Factory. You have a wonderful map of the U.S. on your website, marking all of the places your products are made. Was that level of transparency an initial goal, or did it come about after you started the business?
KW: I’ve always wanted to keep a level of transparency, not necessarily to make any sort of statement (although there are facets of it that are very important to me), but more because I love the entire process of having a product made. I try to go to as many factories as possible, partially because it is helpful to design better when you can see the actual machines and people that do the manufacturing and their limits, but also because there’s an aspect of discovery when you see how everyday products are actually made. I recently went to North Carolina to see a factory that is making a rocking chair for a furniture line that I’ve been working on. The owner was walking me around and we came to this huge long curved plywood form. As it turned out, it was the mold for the old wooden ski Nordic Track design! I think there’s something exciting about seeing the origins of everyday products and then being able to utilize the same techniques to make an entirely different product. I think you can start to appreciate products more, as you see the materials and techniques that go into making them. So it is partially about creating value through information and partially my own personal scrapbook. See photos here.
AC: You worked in real estate development before starting Wintercheck Factory. How has that experience influenced your present venture?
KW: I’ve always said that the process of having a product manufactured is similar to having a building made, minus the huge loans and massive team. Only in this situation, you’re the developer, architect and marketing team. The manufacturer is your different construction trades. It is not a complete direct translation, but I think that job gave me the right groundwork to figure out how to have a design fabricated on a small scale, when to take risks and how to budget it all.
AC: We love the bench you made for the MAKESHIFT Chair Workshop at Build It Green! NYC last May. Furniture was the first product Wintercheck Factory made. You also make really cool scarves and shower curtains with utility pockets. Do you see these items as a sort of furniture?
KW: I see them more as tools. I find it enjoyable to have cut and sew products manufactured because the investment is low, the turnaround is quick and they can be affordable to a wider audience. I also love the factory that I use in Greenpoint because the owners and the staff are so sharp and inventive. The opportunity to collaborate with them is sort of irresistible to me. Beyond that though, I think that by nature, furniture is a product that provides utility. So in the meantime while furniture is being developed, I’ve enjoyed injecting that quality into smaller products like the scarf and shower curtain, which both have storage pockets.
AC: What does MAKESHIFT mean to you, and how do the elements of fashion, food, design, craft, and/or DIY intersect for Wintercheck Factory?
KW: My understanding of MAKESHIFT is that it addresses the idea that ‘design’ is essentially everywhere, influencing everyone, all the time, from the shape of the spacebar on my keyboard to a George Nelson sofa, to a crocheted hat on Etsy.
AC: Tell us about your MAKESHIFT bag.
KW: In retrospect, I guess this is related to the third question! I took part of the fabric out of the right side and sewed it onto the front to create a pocket. Then I closed up the right side, sewing in a divider to hold change and pens.
You can see Kristen’s tote and all the MAKESHIFT totes as we add them to the MAKESHIFT Image Quilt.
MAKESHIFT 2013 TUMBLR IMAGE QUILT
This year, we expand ideas that were born from MAKESHIFT 2012 to create a global conversation among artists, designers, and makers. The first part of the MAKESHIFT 2013 SERIES took place at the Standard, East Village where panelists and conversation guides Cathy Bailey – Heath Ceramics, Rosanne Cash – Singer/Songwriter, Natalie Chanin – Alabama Chanin, Jessamyn Hatcher – Professor of Global Studies, NYU, Nathalie Jordi – People’s Pops/Writer/Author, Tift Merritt – Singer/Songwriter, Andrew Wagner – Krrb, and Kristen Wentrcek – Wintercheck Factory, shared their stories and experiences involving collaborative projects and making within their industries. Throughout the evening, guests were invited to express their thoughts from the conversations, literally or conceptually, using an organic cotton tote bag from Alabama Chanin as a blank canvas. A variety of materials were also provided to design, decorate, and customize each bag.
To further the conversation, Alabama Chanin, Heath Ceramics, and The Standard are proud to be partnering with Tumblr to expand the voice of the MAKESHIFT project globally. We have invited an additional 100 artists, designers, writers, musicians, chefs, and makers from across the planet to participate and contribute a photograph of their customized Alabama Chanin tote bag to a Tumblr Image Quilt: photographs of each bag create a piece, or square, published to a Tumblr page created specifically for the MAKESHIFT SERIES. We will add images to the Tumblr page as the conversation grows and photographs are submitted.
We have asked participants to keep the following in mind as they craft and design:
Everything we touch today has a global impact, which is only magnified by the Internet and ease of information exchange. Yet a long-time division and disconnect between each design industry still prevails over a quickly changing world, one in which innovation and collaboration define the future.
WHERE DO FASHION, FOOD, DESIGN, CRAFT + DIY INTERSECT?
HOW DO WE DEFINE AND TRANSFORM THE INTERSECTION OF FASHION, FOOD, DESIGN, CRAFT + DIY THROUGH INNOVATION AND COLLABORATION FOR THE BETTER GOOD?
Visit www.makeshift-conversations.tumblr.com to view the Image Quilt along with a list of participating artists, designers, and makers.
We welcome you to join the conversation by using #makeshift2013 on Tumblr and across all social media.
MAKESHIFT 2013: CHAIR WORKSHOP
On Sunday, as part of MAKESHIFT 2013, we co-hosted a Chair Workshop, modeled after the MAKESHIFT 2012 workshop, Crafting Design, sponsored by Partners and Spade. This year we teamed up with Build It Green!NYC (BIG!NYC) and Krrb and invited an array of makers to join us for an afternoon of collaboration, innovation, and chair re-design. While our event at The Standard focused on conversation (though there was plenty of making going on as well), the chair event has evolved into a make-centered occasion where a community of designers work both independently and together through skill sharing and mutual encouragement.
The event was held at BIG!NYC’s restore facility in Brooklyn – a warehouse filled with doors, fireplace mantels, sinks, mirrors, tiles and a number of other goods, much of it vintage and antique, acquired through donations and offered at low prices for those looking to save money (and the landfill) in home renovations. Or in the case of friend Kerry Diamond (of Cherry Bombe Magazine) and her chef/partner Robert Newton, the interior of their third and most recent restaurant, Nightingale 9, was designed with salvage bought from BIG!NYC.
All chairs were donated to BIG!NYC and given to participants, who repaired them, embellished them, or in some cases, completely repurposed them by combining aspects from more than one chair into a singular new creation. The energy was high and creativity sparked.
Various supplies from the Alabama Chanin studio included 100% organic cotton jersey scraps and pulls, thread and needles, stencils, and tools. Build it Green! provided essential tools like hammers, nails, screws, drills, staple guns, heavy duty adhesive, paint, brushes, and even a hair dryer.
Amy Devers from “Fix This Yard” on A&E joined us to help guide designers in the nitty-gritty of furniture re-doing, along with Andrew Wagner of Krrb. Kristen Wentrcek of Wintercheck Factory came and made an awesome love-seat/bench from three chairs.
As our guests finished up their chairs, a DJ played, Brooklyn Brewery ales were imbibed, and local fare was devoured.
Most of our makers left their chairs with BIG!NYC to be auctioned off with 100% of proceeds going to help support the restore facility and staff in their efforts to keep landfills clear of reusable debris. Natalie and the Alabama Chanin team also worked on a chair – a bench actually – with the help of Amy Devers and friends Gael Towey and Kay Gardiner, which will be auctioned off as well.
A huge thanks to our co-sponsors, Build It Green!NYC and Krrb, and to all the designers who braved the drab weather to join us for this great event.