Past Fashion Future
From Past Fashion Future
At Standard Talks Slow Food and Fashion Align (Event) by Emma Grady
Ethical fashion and food have long been connected. Yet widespread responsible practices in fashion trail behind their kissing cousin, the slow food movement. Makeshift 2014 aims to change this.
Located atop The Standard, East Village, in a glass-walled penthouse suite, the talk, in it’s third consecutive year, brought together thought leaders, creators, and writers.
The engaging event involved the audience. All were invited to finger knit and decorate a canvas tote while listening to Chanin and Christensen discuss the intersection between food and design.
Raleigh, North Carolina-based chef and restaurateur is known for recreating classic comfort food with a local and seasonal twist. Christensen’s inspiration is at the root of her success.
"Our big role in sourcing is not just to buy these things and share them but to help people understand why we need to pay for them," says Christensen. She continues, below.
"In turn, they go and start to support these farmer’s markets and it’s the neatest thing in the world for us, for someone to come in and say, ‘Oh wow, Bill’s growing this. I bought it at that farmer’s market two weeks ago and this is our favorite variety of this tomato.’"
Quality is the new luxury. It speaks for itself and inspires changes in thought, and in turn, action.
MAKESHIFT began three years ago as a conversation about the intersection of the disciplines of design, craft, art, fashion, and DIY—and, on a bigger level, using this intersection as an agent of change in the world. Since then, we’ve explored making as individuals, and how making as a group can open conversations and build communities.
For MAKESHIFT 2014, we have once again partnered with Standard Talks in New York to host the conversation, and will cover a range of topics, including raw materials, craft, fashion, global communities, food, and the act of making. 2014 James Beard award-winning chef Ashley Christensen will also participate in the discussion, helping answer the question: What can design learn from food?
If you are in New York this month, stop by lf8 for A Makeshift Pop-up Shop featuring works from the newest book by photographer Mary Ellen Mark, the Alabama Chanin collection, one-of-a kind, indigo-dyed garments, and accessories alongside the lf8 collection. Friend Allison Moorer participated in a special performance piece in the shop this week and documented her experience.
Alabama Chanin and lf8’s Lisa Fox are also hosting an intimate sewing workshop and fund-raiser at The Lower East Side Girls Club Center for Community. We selected this location because it is a source of empowerment for the community’s girls and women. Gael Towey’s film “Portraits in Creativity: Alabama Chanin” will be screened, followed by a discussion with the filmmaker.
We are taking topics and conversations from this year and expanding them as we prepare for an even bigger MAKESHIFT 2015. We look forward to more collaboration and conversation.
Thanks to our friends, partners, and collaborators at The Standard East Village, The Lower Eastside Girls Club, Lisa Fox and lf8, Ashley Christensen, Gael Towey, Mary Ellen Mark, and Allison Moorer.
MAKESHIFT POP-UP SHOP + ALLISON MOORER
We are in New York City this week for our third year of the MAKESHIFT initiative. MAKESHIFT is, at its core, a conversation about the intersections of fashion, design, craft, and food, and how each discipline can better work together to elevate those principles.
Alabama Chanin has set up shop at our friend Lisa Fox’s beautiful East Village store, lf8, for the month of May. lf8 (elevate) is also featuring the work of photographer Mary Ellen Mark, as well as a special performance piece by musician and friend Allison Moorer. Event details are as follows:
Tuesday – Sunday
12:00pm – 6:00pm
80 East 7th Street
New York, NY 10003
The pop-up features works by Mary Ellen Mark, the Alabama Chanin collection, and one-of-a kind, indigo-dyed Alabama Chanin garments and accessories, alongside the lf8 collection. Visit in the afternoons from 2:00pm until 4:00pm through Friday, May 16 to sit with Allison Moorer and sew, talk, sing, and conspire.
Allison is sewing in the shop’s window not only because she likes to, but “because she wants to take part in a conversation about connecting hands, needles, and thread – to make a living art instillation of a person making something,” and to also celebrate the work of all those involved with MAKESHIFT.
Below, Allison shares her thoughts from her time spent sewing in the window on Tuesday.
He walked in looking for the cigar bar that used to occupy the space where I sat just inside the door, right at the window, making my quilting stitches. He seemed confused. He asked Carrie, who manages lf8, where it had gone. She did her best to direct him toward the new locale for the stenchy establishment, and as he turned to walk out he took a quick look around the shop and at us and said, “So what is this now, woman’s work?”
Carrie and I both laughed and said yes, we supposed it was.
Woman’s work. Work for a woman.
I don’t know about y’all, but I work pretty hard and spend very little time being pampered or sitting on my tuffet eating truffles. And the same goes for every woman I know. I’ve got a four-year-old son that has made me physically stronger than I’ve ever been before; and I’m a singer/songwriter, so that means I’ve spent years throwing instruments around and have moved my share of amplifiers and cases, and have even loaded a van or two. I may not look like much but I’m no delicate flower. Yes, my hands are nimble. I can make nice, even stitches. But they can also wrap around the neck of a guitar, wield a hammer or wrench when they need to, be firm guides for my little guy, or solid sisters for my friends.
They do woman’s work all the time.
I suppose I could have been mistaken for someone not quite so dimensional, as I sat in the pretty blue chair that Lisa Fox, proprietress of lf8, put in the window for me to sit in while I worked the red stitches into the turquoise Alabama Chanin DIY coat kit. The cigar-hunting man didn’t know that I was finding rhythm in my labor of supposedly feminine art as I loved my thread and worked it in and out, like I was taught to do by previous generations of women. Women who did women’s work. He didn’t know that I was finding songs, poetry, and most importantly, a few non-gender specific thoughts there. But I was quiet as I sat and sewed. I was serene. I was being seen and not heard.
Woman’s work. Work for a woman. I could make the woman’s work list right now but I’m not going to. I’m just going to shake my head, smile, and know exactly what a woman’s work is, as I remember that sometimes it’s just when you think you’re getting somewhere that someone comes up and wants to blow smoke.
P.S. Thank you to Lisa and Allison for sharing their MAKESHIFT photos with us. Follow the conversation on Twitter and Instagram: #alabamachanin and #makeshift2014.