BLACK (AND ORANGE) SALE

BLACK (AND ORANGE) SALE

Shop our biggest savings of the year in-store today
and
 online through midnight Sunday.

Enter the code BLACKANDORANGE at checkout
to receive 25% off* of your purchase.

Alabama Chanin @ The Factory
462 Lane Drive
Florence, AL 35630

STORE HOURS
Friday from 9:00am – 5:00pm

P.S.:  Remember that the holidays are right around the corner and that lean-method manufacturing means many of our products are made-by-hand for you.

*Discount excludes all workshops, collaborations, Alabama Cotton products, Studio Book Series, other books and music, Swatch of the Month, Starter Sewing Kit, gift certificates, and Heath Ceramics dinnerware. 

SWATCH OF THE MONTH: NOVEMBER 2014

SWATCH OF THE MONTH: NOVEMBER 2014

The Swatch of the Month for November highlights one of my all time favorite designs, Climbing Daisy. The technique uses ribbon embroidery, which beautifully adds dimension and detail to projects and garments. The concept is simple: we use cotton ribbon rather than thread or embroidery floss to stitch the design. This technique can be applied to almost any of our stencil designs and combined with any of our stitching practices.

To create the swatch, begin by stenciling the design to the top layer of fabric using your transfer method of choice. (The Climbing Daisy stencil is available for download from our Resources page.)

Stitch the larger petal shapes using 100% cotton tape and a large-eyed embroidery needle. (Note: over the years, we’ve found that upholstery needles with a large eye also work quite well with this technique.)

After the larger petals are stitched, create French knots (see page 75 of Alabama Studio Sewing + Design) with the cotton tape at the center of the petal shapes, as well as along the stems.

Next, stem-stitch (see page 85 of Alabama Studio Sewing + Design) long, curving stems using the embroidery floss. Repeat this process until you have stitched each of your stenciled shapes.

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LAUNCHING: ALABAMA STUDIO SEWING PATTERNS

LAUNCHING: ALABAMA STUDIO SEWING PATTERNS

As I’ve mentioned before, writing a book is no easy feat. It involves months (often years) of planning, drafting, edits, new designs, reviews, rewrites, photo shoots, patternmaking…basically, equal parts labor and love. So, I honestly surprised myself when I agreed to write another one. While still a work in progress, the end is in sight, and I’m proud to officially announce Alabama Chanin’s upcoming book, Alabama Studio Sewing Patterns. This is the fourth (yes, fourth) book I’ve worked on with my editor (and friend), Melanie Falick, of STC Craft and Abrams.

Around the studio, we’ve been referring to this project as the ‘addendum’, as it acts as a supplement to our Studio Book Series—Alabama Stitch Book, Alabama Studio Style, and Alabama Studio Sewing + Design.

LAUNCHING: ALABAMA STUDIO SEWING PATTERNS

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THE HISTORY OF PUMPKIN CARVING – REVISITED

THE HISTORY OF PUMPKIN CARVING

Without fail, the arrival of autumn marks the season of all things pumpkin. From pumpkin bread, to pumpkin scented candles, to my daughter Maggie’s annual visit to The Pumpkin Patch, the pumpkin is an essential part of the seasonal change. Just ask any coffee shop employee who hears the cry for Pumpkin Spice Latte dozens (or hundreds) of times each day. In celebration of Halloween and in the spirit of the autumn season, we thought we would re-share our tribute to all things pumpkin. We have also added links to pumpkin carving tutorials and seasonal recipes.

Pumpkins are a form of squash, native to North America. Over 1.5 billion pounds of pumpkins are produced in America each year. This fruit (and, because it develops from a flower, it is technically a fruit and not a vegetable) is the most common symbol of the fall season and Halloween. Pumpkins are present in our literary and popular culture, making appearances in The Legend of Sleepy Hollow, Peter, Peter Pumpkin Eater, and Cinderella.

The act of carving pumpkins dates back thousands of years to the Celtic festival of Samuin, or Samhain. This festival marked the end of the Celtic year and the beginning of harvest and it was used as a time to honor the dead. Some believed that this was the night when the separation between the worlds of the living and the dead was the thinnest, making it easier to communicate with those on the “other side.” Celts who sought to ward off evil spirits would often light great bonfires to dissuade unfriendly visitors. As Christianity spread, the fires became more contained and were placed inside large gourds or turnips. Families would carve the fruits and vegetables, placing them in their windows and hoping to deter the otherworldly from entering their homes.

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NEW: ALABAMA CHANIN

NEW: ALABAMA CHANIN

Today we introduce our newest Alabama Chanin silhouettes like our Marie Pencil Skirt and Garter Dress which have a flattering and feminine shape, alongside our Peasant Top and Factory Dress which offer a more relaxed fit.

NEW: ALABAMA CHANIN

Classics styles, like our Corset and Long Fitted Skirt, are combined with new stencil designs like ‘Aurora,’ ‘Marie,’ and ‘New Leaves.’ Other classic designs like our ‘Daisy’ and ‘Magdalena’ remain. Choose from neutral shades, or a burst of Really Red—one of our newest colors. Look for new designs, colors, and an updated website over the coming weeks…

xoNatalie and all of us @ Alabama Chanin

NEW: ALABAMA CHANIN

NEWSLETTER #22

Newsletter #22This month, for Newsletter #22, we announce our Black (and Orange) Sale. Beginning this Thursday at midnight, save 25% site-wide (some exclusions apply) online and in-store

We will be participating in Small Business Saturday this year. Stop by The Factory and shop locally. And we are happy to announce that Alabama Studio Sewing Patterns, the fourth book of our Studio Book Series, will be available for pre-order starting this Thursday; Alabama Studio Sewing Patterns has a release date of Spring 2015.

Join our mailing list to receive our monthly newsletter and keep up with our latest news, new products, and stories featured on our Journal.

Update your mailing subscription to include the newsletter here.
xoNatalie and all of us @ Alabama Chanin

 

INSPIRATION: MINECRAFT

INSPIRATION: MINECRAFT

Where does inspiration come from? Do ideas spring from a single stimulus? Or are they generated by a creative environment fostered over time? Of course, we know the answer is both – and many more sources.

My daughter, Maggie, is obsessed with Minecraft, which (if you don’t already know) is an open-ended game that relies upon the player’s creativity to build her own world and solve problems along her journey. The game’s virtual world is made of cubes of materials – grass, dirt, sand, bricks, lava, and many others. Players survive and earn accomplishments by using these blocks to create other materials, structures, and any three-dimensional form.

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THE FACTORY | THIS WEEK 10.27.2014 – 10.31.2014

THE FACTORY | THIS WEEK 10.27.2014 – 10.31.2014

“The best and most beautiful things in the world cannot be seen or even touched—they must be felt with the heart.” – Helen Keller

Here is what we have going on this week, Monday, October 27 – Friday, October 31:

STORE

New Alabama Chanin collection pieces will launch online and in-store on Tuesday, October 28. Come in to see the new styles, suitable for layering as the weather continues to cool.

Publishing Spring 2015, Alabama Studio Sewing Patterns will be available for pre-order online starting Thursday, October 30.

Shop our biggest sale of the year—the Black (+ Orange) Sale—in-store and online Friday, October 31, to receive 25% off of your purchase.

Store Hours
Monday – Friday, 9:00am – 5:00pm

TOURS
Stop by any weekday at 2:00pm for a guided tour of our space, including The Factory, the Alabama Chanin production and design studio, and Building 14.

CAFÉ
Join us for lunch at The Factory Café this week and enjoy a new menu every day.

Also, don’t forget to check out our ready-to-go items like fresh ciabatta bread, egg salad, pimento cheese, and our soup of the day.

Café Hours
Monday – Friday, 11:00am – 3:00pm
*Lunch service begins at 11:00am, but coffee and snacks are available all day.

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TRAVEL: IVY GREEN + HELEN KELLER

TRAVEL: IVY GREEN + HELEN KELLER

This post is the first of our new travel series; look for side trips (and side bars) on your way to and from The Factory—and from here to there. With this series, you’ll find some history, a bit of folk art, good diners, great bars and splendid adventures. Pack your bag, plan your road trip, and come for a visit.

xoNatalie

“The best and most beautiful things in the world cannot be seen or even touched—they must be felt with the heart.” Helen Keller

The South loves to claim people as our own. Just as many northern and coastal cities proudly label every barn and bedroom where George Washington supposedly slept, we are equally proud of our musicians’, artists’, and politicians’ southern roots. In fact, Mississippi-born Elvis Presley has no fewer than 5 “homes” across the region. Many visitors are surprised to learn that The Shoals houses the birthplace and childhood home of blind and deaf activist, thinker, writer, lecturer, and philanthropist, Helen Keller.

The Keller home, known as Ivy Green, sits on a quiet lot on North Commons street in West Tuscumbia. Initially, the 1820 Virginia-cottage style house sat on a 640-acre parcel next to a small bridal cottage, also known as the birthplace cottage and school house. The property, now only 10 acres, enshrines the life of the extraordinary woman who broke through the restraints of her physical limitations to become one of the most astonishing women of the early twentieth century.

The entire estate has such presence. The moment you step foot on the property, you immediately want to sense the place the way Helen Keller did. You close your eyes; you hear the wind through the giant trees, the sticky dew evaporating in the morning sun, the smell of early autumn and a tingle in the nose give hints at the way she may have known Ivy Green. It’s hard not to touch everything knowing it was all touched by Helen Keller.

TRAVEL: IVY GREEN + HELEN KELLER

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THE SCHOOL OF MAKING

THE SCHOOL OF MAKING

Alabama Chanin as a concept and a company began as a DIY enterprise. I made the first garments by hand, to fit my own body. Our entire business model was created because I couldn’t find manufacturing for the sort of garment I wanted to make—and so, we created our own manufacturing system, one stitch at a time.

Because those first garments were made from recycled t-shirts, many of our customers took the concept and re-imagined it for themselves, making their own patterns and clothing. Others felt that—with just a little help—they could create something similar, something that was their own. Almost accidentally, our garments were stirring in others the desire to make. Slowly, and as the internet became more robust, sewers formed groups on the internet to share their Alabama Chanin-style garments and swap ideas. This was the beginning of a more formal DIY presence in our company.

These things were happening at the same time as I began writing our first Studio Book, Alabama Stitch Book. Writing that book helped me crystallize my thoughts on making, open sourcing, and education. It was, in essence, me putting voice to what was important about sharing ideas and creating a community of makers. Throughout the writing process—and as the company grew and evolved over the years—I returned again and again to the idea of keeping the living arts alive. It’s the belief that survival skills for food, clothing, and shelter, are important arts that we live with every single day. And these arts—often considered secondary arts—are equally (and perhaps more) important as the “primary” arts of painting and sculpture.

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